Is the U.S. Supreme Court Destroying ‘Representative Democracy’?

The United States Supreme Court.  (Photo Credit: Wikipedia)
The United States Supreme Court.
(Photo Credit: Wikipedia)

Last week, the five conservative judges on the U.S. Supreme Court deemed that monetary caps on how much an individual could contribute to a political campaign was unconstitutional. Last year, those same five conservative justices gutted critical key provisions to the U.S. Voting Rights Act. Back in 2010, those same five conservative judges gave us Citizens United, giving corporations the same Freedom of Speech rights only intended for citizens — that is people.

These rulings coincide, not coincidentally, with unprecedented cash flowing into political campaigns. According to the Wall Street Journal, Super PACs alone poured nearly $568 million in the 2012 elections. That is compared with $30 million in spending during the 2008 election cycle. Overall, total spending – which included Super PACs and “social welfare” groups (yeah the same ones whose tax-exempt status the IRS had the gaul to question) totaled roughly $5.8billion. And that’s only the money we know about. Because not only did Citizens United remove the taps on political cash flow, it also cloaked the source. There’s so much money polluting the political waters, through shadowy 501C(4)s, that it is even difficult for the watchdogs to keep up with how much, where it’s coming from, and how it’s being used. What we do know is that due, in part to the U.S. Supreme Court, we now have a political system in which 105 people (roughly the top 1 percent of super Pac contributors) now make up about 58 percent of all super PAC funding.

In looking at all this influence peddling, it is easy to focus on the class of “Super Citizens” that the U.S. Supreme Court have effectively created by giving them unfettered influence on our political processes. People like Las Vegas gambling tycoon Sheldon Adelson, one man legally entitled to one vote who personally bankrolled Mitt Romney’s presidential election campaign — donating roughly $10 million to get his man elected. Or people like the Koch Brothers, who thanks again to the U.S. Supreme Court, have spent millions more electing tea party politicians and are directly responsible for the gross overrepresentation of extremism in the U.S. Congress — despite the fact that the U.S. electorate has gotten more liberal on a host of issues from gay marriage to marijuana legalization to gun control or raising the U.S. Federal Minimum Wage.

During this iteration of the U.S. Supreme Court, five people have effectively been allowed to decapitate the entire concept of Representative Democracy.

In a Representative Democracy, elected officials represent the electorate. Their entire purpose is ensure that there are elected individuals representing the people, as opposed to autocracy and direct democracy. The entire system is designed to ensure that representation is in proportion to those being represented and that majority rules. In the U.S. Congress, specifically, representation is directly tied and in proportion to the population of a specific electorate. In the very practice of having free elections where each citizen, regardless of wealth, is only afforded one vote, we have tried to uphold this fragile notion of Representative Democracy.

But when the U.S. Supreme Court uses words like speech and money and people and corporations interchangeably, you no longer have a Representative Democracy. When 105 of the richest among us are allowed to buy elections across the nation unchecked, you no longer have a Democracy. What you now have is an Oligarchy.

And why now? Why now does the U.S. Supreme Court choose to dismantle voter protections for minorities while giving the rich and powerful, white and male, unprecedented influence over our political processes? Why now do they choose to redefine the meaning of democracy, where one individual’s freedom to give money suddenly outweighs our collective right to uncompromised elections? Could it be because there is a black man in the White House and a woman waiting in the wings? Could it be because within the next 10 years white people will no longer be the clear majority of the U.S. electorate?

Could it be because the U.S. Supreme Court neither respects or accepts the changing demographics of the U.S. electorate and has no interest in upholding a Democracy with an electorate that no longer looks like them?

These questions are just the symptoms. The real illness is the U.S. Supreme Court.

Devona Walker is the politics editor for The Burton Wire. Follow her on Twitter @DevonaWalker.

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EXCLUSIVE: Aaron Neville Talks ‘My True Story’ (Album), God and Grace

Legendary singer Aaron Neville.  (Photo Credit: DJ Blak Magic)
Legendary singer Aaron Neville.
(Photo Credit: DJ Blak Magic)

For over five decades, Aaron Neville has entertained audiences with his unique wailing vocals and willingness to defy fitting neatly into any musical genre. The four-time Grammy award-winning New Orleans native has explored a wide array of styles spanning pop, R&B, soul, country, rock & roll, doo wop, jazz and gospel.

Neville’s latest album, My True Story, is his debut release under the legendary Blue Note Records. Produced entirely by Don Was and Rolling Stones’ guitarist Keith Richards, My True Story’s 12-track sequence pays homage to some of Neville’s favorite songs growing up in the Big Easy. “I’ve done standards. I don’t know if you would call that ‘jazz,’ but I do it all,” says a monotone Neville with his heavy New Orleans accent.

Relaxing in his dressing room backstage prior to showtime at Atlanta’s Cobb Energy Performing Arts Centre, Neville, who wears an arching crucifix tattoo across his left cheek, speaks in great detail about recording My True Story with both Was and Richards. The trio ended up recording 23 tracks over five days each in one take. Richards shared with Neville during those sessions that he “felt like he was back in the ‘50s.”

“It was cool,” says a raspy Neville with a slight chuckle soon following. “The music just brought us back. It was a bunch of hard musicians in the studio acting like a bunch of kids. It was a labor of love for all of us.”

Neville’s chart-topping hits include “Tell It Like It Is” and the duet with Linda Ronstadt, “Don’t Know Much.” He continues to perform with his siblings as part of New Orleans’ first family of music, The Neville Brothers. Aaron’s brother, Charles, joined him onstage in Atlanta and played saxophone. The Louisiana Music Hall of Fame inductees heard everything from local jazz bands playing for funerals to the sounds of drums from Mardi Gras Indians’ experienced when growing up.

Neville’s knack for performing and singing, he says, stems from being saturated with New Orleans’ spirited musical legacy. “We’ve heard that since we were kids,” says Neville. “like the Satchmos, Professor Longhairs and Fats Dominos. We had a lot in front of us to give us guidance. All of that contributed to our thing.”

Neville’s career endured its share of hard times. Even with hit records, he experienced not receiving royalties because his first record label folded. As audience preferences shifted in the early 1970s, Neville’s record sales began to dwindle. Following Hurricane Katrina, Neville’s home was wiped out by the storm.

Despite the odds, Neville remained passionate about music. He continued to record, entertain audiences and got more in touch with his spirituality. Neville says, “I would like to see the world in a better place. I like to see all mankind be more kind to each other and not so many wars and killings everywhere on Earth.”

Post-Katrina, he performed numerous benefit concerts. Before he goes on stage, Neville pulls his band and brothers together for prayer. “I pray all of the time,” says Neville. “That’s my saving grace all day long. We live in a crazy world. I pray to be safe, for my family and that I have patience with everybody. That keeps me centered.”

Once Neville takes center stage, his repertoire includes soulful ballads, funky conga-based jams, band member solos and impromptu renditions of some notable standards. He likes to leave his audience and fans with one thing in mind. “[Aaron] came into this world to sing and that gives me joy,” says Neville. “And I’m gonna do it ‘til God comes. That’s the bottom line.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also a contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

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Chuck Stone: Veteran Journalist and NABJ Founder Dies

Pioneering journalist and Tuskegee Airman Chuck Stone has died at 89.  (Photo Credit: Philly.com)
Pioneering journalist and Tuskegee Airman Chuck Stone has died at 89.
(Photo Credit: Philly.com)

WRAL-TV (Raleigh, NC) is reporting that veteran journalist and National Association of Black Journalists (NABJ) founder Chuck Stone has died. According to Stone’s daughter Allegra, Stone died at an assisted-living facility in Chapel Hill where he was a journalism professor who taught censorship and magazine writing at the University of North Carolina at Chapel Hill for 14 years. He retired from that position in 2005. Stone, a Tuskegee Airman in World War II, founded NABJ along with 43 other members in Washington, D.C. in 1975.

The author writes:

“…Stone was a writer and editor at influential black publications in New York, Washington and Chicago through the early 1960s, using his writing to urge the Kennedy administration to advance the cause of civil rights. Subsequently, he served as an adviser to U.S. Rep. Adam Clayton Powell of New York.

His reputation grew after he was hired as the first black columnist for the Philadelphia Daily News, where he worked as a columnist and editor from 1972 to 1991. He was known for being outspoken on discrimination, police brutality and racism.”

Throughout his life, Stone received six honorary doctorates and multiple honors, including the Lindback Distinguished Teaching Award from The Christian R. and Mary F. Lindback Foundation, the National Association of Black Journalists’ Lifetime Achievement Award and The Freedom Forum’s Al Neuharth Free Spirit Award. He was NABJ’s first president.

In addition to Allegra Stone, Stone is survived by children Krishna Stone and Charles S. Stone III; grandchild Parade Stone and sisters Madalene Seymour and Irene Gordy. He was 89.

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Lupita Nyong’o Named New Face of Lancôme

Academy award-winning actress Lupita Nyong'o has been named the new face of Lancôme.  (Photo Credit: Google Images)
Academy award-winning actress Lupita Nyong’o has been named the new face of Lancôme.
(Photo Credit: Google Images)

Vanity Fair is reporting that Academy award-winning actress and fashion darling Lupita Nyong’o has been named the new face of Lancôme cosmetics. Pria Rayo writes:

“Nyong’o joins fellow A-listers Julia Roberts, Kate Winslet, and Penelope Cruz as ambassadors for the brand. ‘What appealed to me about Lancôme is that they’re not dictating what beauty is,’ she told Women’s Wear Daily. ‘What they do supports something that already is — and that was appealing to me, too. It’s what drew me to them. Hopefully it’s a symbiotic relationship — that I benefit from being associated with them, and they benefit from being associated with me, as well. And for the consumer at large, I think Lancôme has a range of products for every woman, and I think having me will expand people’s understanding of, hopefully, what Lancôme stands for, who Lancôme is for.'”

Read more at Vanity Fair.

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Jackie Joyner Kersee and Tamera Young Talk Sexism in Sports

Iconic Olympian Jackie Joyner Kersee talks Title IX and giving back on Women's History Month panel.  (Photo Credit: Robin Walker Marshall/Robin Lori Photography)
Iconic Olympian Jackie Joyner Kersee talks Title IX and giving back on Women’s History Month panel.
(Photo Credit: Robin Walker Marshall/Robin Lori Photography)

Title IX prohibits gender discrimination in athletic programs that receive federal funding. Enacted in 1972, the law grants women and girls equal access to the essentials necessary for becoming successful competitors such as scholarships and training facilities.

Three-time Olympic gold medalist Jackie Joyner-Kersee and Chicago Sky forward Tamera Young are two generations of black female athletes both highly affected by reform. They are instrumental in changing the scope of how female athletes in general are perceived by various publics. During a two-day Women’s History Month celebration at Atlanta’s Roc House Women’s Fitness Spa, Kersee and Young were panelists sharing their insights.

Both women discussed the importance of female athletes of color continuing to defy the norms in male-dominated competitive spaces. Kersee, one of track and field’s most versatile and well-known figures, is still the first and only heptathlete to score over 7,000 points. Accumulating the points in the 1988 Summer Olympics, the Hall of Famer also holds the indoor record for long jump.

Making sports history was beyond anything the determined East St. Louis, IL native could’ve ever imagined. “I didn’t envision growing up that I would become a world record holder or Olympic champion,” says Kersee. “I really just wanted to get on television. It was challenging, but I wanted to do it.”

One of Kersee’s coaches registered her to compete in the heptathlon for her age group. Excelling in varsity volleyball and basketball also, Kersee earned a full track scholarship to UCLA. Black female participation in the heptathlon was unheard of at the time. On the other hand, a down home Kersee was up for the challenge.

“Black girls wanted to be strictly sprinters, jumpers or hurdlers,” says Kersee. “Once I started educating myself and learning more about how to get the points, I saw myself developing. I knew I wouldn’t win all of the time, but I kept on. You can’t take a day off. Multiple events keep you humble and give you a real view that you have to work hard.” Knowing talent when she sees it, the iconic Olympian keeps a close eye on Georgia freshman pentathlete Kendell Williams, who was named SEC Freshman of the Year. “She’s very special,” says Kersee. “She has all of the tools to be one of the greatest.”

Kersee’s and Young’s careers weren’t without prejudice from men. Kersee remembers her coaches keeping her away from racist and sexist coaches from opposing teams. She and her teammates often traveled in groups and sometimes couldn’t go into certain places. “I always wanted to focus on the positive,” says an optimistic Kersee. “I realized that wasn’t gonna stop me from achieving, believing and working hard. There’s no substitute for hard work.”

And then there’s Young, a Hall of Famer at Wilmington, NC’s Laney High School (basketball legend Michael Jordan’s alma mater) who set the conference record as a member of James Madison University’s women’s basketball squad. The stellar WNBA athlete was drafted in the first round by the Atlanta Dream in 2008.

Young, who likes to take a moment of silence before she steps on the court, became the first player from JMU to accomplish pro eligibility. “People thought men were better athletes than women,” says Young. “We actually had to prove that we can do the same as men. It takes hard work, effort and heart. If you have heart, then you’re a champion.” Young immediately follows through with more encouragement. “My motto growing up was ‘Prove doubters wrong,’” she says. “Don’t let anyone tell you something that you can’t do. If you believe in yourself, have self-discipline and motivation, you can prove anybody wrong.”

Since Kersee retired in 2001, she’s concentrating on being a people’s champion. She founded a facility, Jackie Joyner-Kersee Center, to encourage youth in her hometown to actively participate in physical activity. In 1988, she founded a nonprofit organization, the Jackie Joyner-Kersee Foundation, to enhance the quality of life for families and communities. Recently inducted into the American Alliance for Health, Physical Education, Recreation and Dance (AAHPERD) Hall of Fame, Kersee co-founded Athletes For Hope with other notable sports figures to promote humanitarianism and sportsmanship throughout athletics.

Already the author of two books, Kersee would like to produce children’s books to educate young people on some of the obstacles she has encountered. One specific focus would be on her bout with asthma. Kersee’s transition into humanitarianism came from watching her coaches chaperone her teammates and ensuring they had someone to confide in and look after them.

“I didn’t realize at the time how that would impact my life later on,” says Kersee with her legs crossed. “No matter where my path would take me, I knew I would always come back in the community and help others. If you give the world the best you have, the best will come back.”

Even with both generations of women having amazing careers in sports, competition remains at the core of their identities. Kersee would like to see more females become heptathletes. More importantly, she wants to be remembered as an athlete who performed well on-and-off the track. “I want to be known for being a great human being,” says Kersee. Young, however, just wants people who have dreams to pursue them despite criticism or a lack of support.

“Any kid growing up that wants to dream or wants to believe they can do something, I wish the best for them and hope they keep their dreams alive,” says Young. “Don’t let anyone take it away. You’re built, not born, to be a winner and a champion.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also a contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

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‘A Haunted House 2’: Marlon Wayans Talks Creating Roles for Characters of Color

Marlon Wayans discusses his film 'A Haunted House 2' opening in theaters April 18.  (Photo Credit: Joi Pearson)
Marlon Wayans discusses his film ‘A Haunted House 2’ opening in theaters April 18.
(Photo Credit: Joi Pearson)

Funnyman Marlon Wayans is the lead actor, co-writer and co-producer of A Haunted House 2, the sequel to his paranormal spoof slated for nationwide theatrical release on Apr. 18.

In this installment, Wayans, who plays Malcolm, moves into his dream home with his new girlfriend (Jaime Pressly) and her two kids. The blended family is in store for a myriad of humorous but strange paranormal activity.  Wayans, on the other hand, is being taunted by his ex-girlfriend’s exorcist (Essence Atkins). Wayans is joined on-screen by Cedric the Entertainer, Affion Crockett and Gabriel Iglesias.

Wayans says of Malcolm’s story arc, “There’s trouble all around, and I’m the only one actually seeing it,” he says. “What I wanted to do with this was make it about an interracial couple. You got her point of view versus his point of view. It makes for an interesting conversation.” Shot in 21 days, an impressed Wayans had great chemistry with both Pressly and Atkins on- and off-camera. “They’re good strong comedic actresses,” adds Wayans. “They understand how to play a situation. I’m always ripping and trying new things, so I need a strong anchor.”

The Howard University alumnus remembers when he and his older brothers, Shawn and Keenen Ivory, were working on their lampoon of mid-1990s black films, Don’t Be a Menace to South Central While Drinking Your Juice in the Hood. The hilarious performer believes A Haunted House’s franchise was born out of that particular project. “It was just a bunch of funny sketches and really thin story. We just got off-the-wall crazy. We just have a very dark, crazy sense of humor. We can take the darkest thing and find light. That’s what ultimately led us to horror,” says Wayans.

Recently in Atlanta as part of A Haunted House 2’s press tour, Wayans, the youngest sibling of the first family of comedy, cracks up at Freddy Krueger from A Nightmare on Elm Street. The extremely cautious jokester-turned-filmmaker wanted A Haunted House 2 to develop beyond strictly being a full-blown comedic effort. “It’s a lot less slasher than the Scary Movie franchise,” says Wayans. “This time, it’s a little more grounded in storytelling. You take a chance because you’re desperate to get that laugh. The story we tell is all inclusive. The jokes all come out of the situation.”

Wayans thought it was also necessary to cast ethnically diverse talent. As with similar cases involving black actors and directors in Hollywood, the humorist points out Hispanic talent such as Iglesias are highly underrepresented in feature comedies. The lack of complex roles for black and Latino characters is why Wayans chooses to multitask on-set.

“When I auditioned, I got a lot of roles, but I still wasn’t doing what I wanted to do,” says Wayans. “There are no roles in Hollywood. Your chances of getting those are second to none, so I write and produce so I can act in the kinds of movies I wanna be in.”

Throughout Wayans’ career, he’s appeared on television as a third season regular cast member on In Living Color, co-starred in his own sitcom, The Wayans Bros.., a recurring guest star on the series, Second Generation Wayans and co-creator/voiceover on the animated series, Thugaboo. Wayans’ also acted in and worked behind-the-scenes on comedies like White Chicks, LiTTLE MAN, Senseless, Dance Flick and The Sixth Man.

As for dramatic and action roles, Wayans appeared in Above The Rim, G.I. Joe: The Rise of Cobra and Requiem For a Dream. The alumnus of New York’s famed LaGuardia High School appreciates that he practiced drama five hours per day as a student. One of the greatest moments on Wayans’ vitae, he says, was being able to collaborate with the Coen Brothers.

“I had a great time,” he says. “I got to be funny, bring things to the table and make them laugh on set. I try to challenge my dramatic ability and work with great directors.” While talking, Wayans knocks his tea over accidentally with his arm. Not distracted, he continues to make everyone in the room laugh.

Joking around is a constant whenever Wayans talks. “Knowing when to be what is one of the greatest keys to comedy,” he says before he jokes again. “I’m dramatically grounded. I’m dumb as f—k, but I can act. You gotta put on different hats. Drama is the easiest thing I could possibly do. I’m not challenged to do comedy. It’s so hard to make everybody feel the same emotion. There’s a fear factor involved.”

Making audiences laugh has been the core of Wayans’ career and identity. He recently launched What The Funny?, a digital comedy network that pokes fun at viral videos, current events and music videos. Wayans just wants the audience to enjoy themselves. “It’s a movie everybody can understand and have fun,” says Wayans. “I just want people to go laugh and not think too much. Go be a kid.”

This article was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also a contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

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Cesar Chavez: The Only Latino-Centered Hollywood Release This Year?

Michael Peña stars as iconic civil rights leader and labor organizer Cesar Chavez.  (Photo Credit: Google Images)
Michael Peña stars as iconic civil rights leader and labor organizer Cesar Chavez.
(Photo Credit: Google Images)

Reporting for Jezebel.com, Dodai Stewart highlights that director Diego Luna’s Cesar Chavez is the only Latino-centered studio film released this year. In her discussion, Stewart is referring to Jordan Zakarin’s article for The Wrap, which interviewed Luna about representations of Latinos in film and the process of getting the film made. Luna tells TheWrap:

“This community has been represented in very disrespectful ways, falling most of the time into the cliche.”

According to Luna, who has starred in the films ‘Milk’ and ‘Y Tu Mamá También’, every studio in Hollywood passed on the Cesar Chavez project. Luna, who had only directed one previous project, knew that his limited experience in directing would impact financing, but he also realized just how little Latino audiences are valued by Hollywood during this process. Luna adds:

“It’s because we haven’t sent a message as a community because we want to have our stories portrayed in cinema and celebrated,” he said. “You think about the last big hit story about a Latino, a true story? The last one, I would say, is ‘Selena,’ and there’s no film about a Latino character, a biopic, that is not a person from the entertainment business. As if we had no input in politics and science or sports or whatever. It’s ridiculous, and no one wanted to take the risk to be the first.”

Stewart adds to the discussion of Latinos in media. She writes:

“While Sofia Vergara may be the highest-paid actor on TV, Latinos face some of the worst stereotypes in entertainment and in movies; Latinas are often cast as in “spicy” overly sexualized roles or as maids. Before she died, veteran actor Lupe Ontiveros played a maid about 150 times, including Rosalita in The Goonies; actor Teresa Yenque has been on at least seven different episodes of Law & Order, playing “Cleaning Lady,” “Housekeeper,” and “Housekeeper/Nanny.” And when Eva Longoria brought a Latina-centric pilot to ABC, it was Devious Maids.”

What do you think about the lack of representation of Latinos in diverse roles in Hollywood studio releases? What will it take to change it? Let us know in the comments section below.

Read more at Jezebel or The Wrap.

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Boondocks Blackout? Aaron McGruder Speaks

Aaron MacGruder's seminal comic 'The Boondocks'.  (Photo Credit: Aaron MacGruder)
Aaron MacGruder’s seminal comic strip ‘The Boondocks’.
(Photo Credit: Aaron MacGruder)

The blogosphere has been buzzing over recent reports that Boondocks creator Aaron McGruder was not involved with Season 4 of the highly anticipated comic strip slated for an April 21st return. Fans have been perplexed as to why the date of the season 4 return has been pushed back and now there is some idea about why this may have happened. McGruder posted a letter on the Boondocks Facebook fan page explaining that he left Boondocks behind, but not explaining why he was not involved in season 4 of the popular series.

McGruder writes:

FROM AARON MCGRUDER:

As the world now knows, The Boondocks will be returning for a fourth season, but I will not be returning with it. I’d like to extend my gratitude to Sony and Adult Swim for three great seasons.

I created The Boondocks two decades ago in college, did the daily comic for six years, and was showrunner on the animated series for the first three seasons. The Boondocks pretty much represents my life’s work to this point. Huey, Riley, and Granddad are not just property to me. They are my fictional blood relatives. Nothing is more painful than to leave them behind.

To quote a great white man, “Hollywood is a business”. And to quote another great white man, “Don’t hold grudges”.

What has never been lost on me is the enormous responsibility that came with The Boondocks – particularly the television show and it’s relatively young audience. It was important to offend, but equally important to offend for the right reasons. For three seasons I personally navigated this show through the minefields of controversy. It was not perfect. And it definitely was not quick. But it was always done with a keen sense of duty, history, culture, and love. Anything less would have been simply unacceptable.

As for me, I’m finally putting a life of controversy and troublemaking behind me with my upcoming Adult Swim show, BLACK JESUS.

AM

This new information raises plenty of questions about authorship and ownership. Is a Boondocks without Aaron McGruder’s involvement worth watching? How will this new found knowledge about the creative process affect ratings for Adult Swim? How is it that programmers and creative executives at Adult Swim, which is known for being a progressive and subversive cable outlet, following suit with mainstream network and cable operators who are known to marginalize or patronize the creative voices of creators of color? The biggest question is will longtime Boondocks fans continue to watch?

Let us know your thoughts in the comments section below.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of the award-winning news site The Burton Wire. She is also a media scholar who serves as Chair of the Communications and Media Studies Department at Goucher College.

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EXCLUSIVE: ‘Single Ladies’ Harold ‘House’ Moore: ‘It Didn’t Get Canceled Because of Ratings’

Single Ladies star Harold 'House' Moore. (Photo Credit: BEPR Agency)
Single Ladies star Harold ‘House’ Moore. (Photo Credit: BEPR Agency)

For three seasons, primarily black female viewers flocked to their television sets on Monday nights to catch sexy actor and model Harold “House” Moore. The chiseled Detroit-born heartthrob is best known for portraying the devious but charming “Terrence Franks” on the VH-1 romantic comedy, Single Ladies.

The hour-long series chronicles three Atlanta female friends (LisaRaye McCoy, Denise Vasi and Charity Shea) and how their lives, relationships and careers all intersect. This season initially, House’s character set out to destroy his brother, jeweler Malcolm Franks (DB Woodside). Striving to become independent by selling faux jewelry as the season progressed, the womanizing but dynamic Terrence became business partners and romantically involved with well-to-do boutique owner Raquel Lancaster (Vasi).

“A lot of Terrence’s key characteristics are derived from me,” says House. “He has a woman that motivated him to do better, want better and be better. He saw something in her that challenged him, and he was up for the challenge.”

Created by Stacy A. Littlejohn and produced by Queen Latifah’s imprint, Flavor Unit Entertainment, Single Ladies aired its series finale on Mar. 24. Despite mixed reception since the show’s debut in 2011 and speculation that low ratings this season forced VH-1’s very first hour-long scripted series into cancellation, a self-proclaimed “motivated and charming” House clarifies the misconceptions.

“It didn’t get canceled because of ratings,” says a deep-voiced House with his hands in his pocket. “Publicly, we have to support. At the end of the day, it’s only so many of our shows out. It doesn’t help when you bash. When you’re very few and you bash, it leads to minimum, and minimum leads to none.”

Prior to House’s recurring role-turned-regular cast member on Single Ladies, the Alabama State University alumnus’ small screen credits included The Shield, CSI, Tyler Perry’s House of Payne, Necessary Roughness and NYC22. Even as Single Ladies ends, House is always optimistic about his future. The former behavioral therapist and life coach was recently in Atlanta as a panelist for the Ultimate Girls’ Festival’s (#UGF2014) all-male discussion on relationships.

Ten minutes before House takes his seat, the thought provoking sex symbol correlated his life post-Single Ladies to being a good partner in a relationship. “Your attitude determines your altitude. Any type of successful person has strong people behind them. If you have a positive mentality, energy or behavior, it correlates to happiness and success. Happy people are at peace. They age well and are comfortable with themselves. You want to make sure your behavior, outlook and expectations parallels to the person you’re with. You will outgrow each other and become stagnant,” says House.

Mentoring young men is another of House’s passions. When he’s not on set, he is able to give a lot of his time to various charities and outreach programs including the Boys and Girls Club, AAU Sports and YMCA. Moore is currently developing a nonprofit organization for low income, at-risk youth. When House was growing up, the humanitarian says he too was considered “a problem.” His evolution, he believes, is an example of turning once negative situations into positive change.

“A lot of people that have behavioral disorders or negative dispositions are unhappy. A lot of that stems from environment, and environment stems from social status, financial and other externals. I made a passion, a goal, an effort and energy to be one of those who help to create solutions. Problems are acknowledged, but solutions are pursued,” utters House.

Furthermore, it’s important to House that his visibility creates more opportunities for him to remain hands on in the community. “That’s the primary focus of me getting into this field,” says House. “It would give me a bigger audience and platform to make a difference. At the end of the day, judge me off the lives I impact. That means a lot to me.”

House’s star is still rising. Never one to dwell on his past successes, House is proud of the leverage Single Ladies gave him as an actor. He’s fully aware of the criticism around the quality of the show. “If it’s not your cup of tea, you don’t have to like it. Be positive, and take something positive away from it like  making your relationship work, fighting for something or being professional,” says House.

Still optimistic, House further offers another perspective on how Single Ladies is in fact a quality program. “It was a show at minimum that put African American women in a positive light,” says House. “It showed young professionals, and that’s good for young America to see. They see people with careers that are pursuing something and establishing themselves. The show had a great stint and made an impact.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also a contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

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’12 Years a Slave’: Northrup’s Descendants to Co-Host Google Hangout

Chiwetel Ejiofor stars as Solomon Northrup in Steve McQueen's '12 Years a Slave.'  (Photo Credit: Google Images)
Chiwetel Ejiofor stars as Solomon Northrup in Steve McQueen’s ’12 Years a Slave.’
(Photo Credit: Google Images)

Tina Daunt of the Hollywood Reporter is reporting that the descendants of Solomon Northrup, a free African American, who was kidnapped and taken South to a life of slavery will be co-hosting a Google Hangout today in support of The International Labour Organization’s (ILO) anti-slavery campaign. Steve McQueen’s celebrated film ’12 Year’s a Slave’ explored Northrup’s 1853 memoir of the same name which chronicled his ordeal.

Daunt writes:

“Tuesday’s event is timed to coincide with the International Day of Remembrance of the Victims of Slavery. Hundreds of thousands of people, particularly children in developing nations, currently are held in various states of coerced labor amounting to contemporary slavery.

The ILO’s expert on modern chattel servitude, Beate Andrees, will join the discussion of contemporary forced labor, which will be moderated by Holly Young, a journalist with the Guardian.”

Other Hollywood celebrities who have participated in events related to the ILO’s ongoing anti-slavery initiative include actress Jada Pinkett Smith and jazz legend Sergio Mendes.

The Google Hangout will start today at 11 a.m. EST.

Read more at the Hollywood Reporter.

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