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Rayshard Brooks Killing: District Attorney Announces Charges

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Rayshard Brooks, 28 was shot and killed by Atlanta Police Friday, June 12, 2020 in a Wendy's parking lot. (Photo: Facebook)

Officer Garrett Rolfe faces 11 charges including felony murder in the killing of Rayshard Brooks in a Southwest Atlanta Wendy’s. 

Fulton County District Attorney Paul Howard announced charges today against Officers Garrett Rolfe and Devin Brosnan, who killed Rayshard Brooks, 27, in a Wendy’s restaurant parking lot in Southwest Atlanta.The police officers were called when Brooks fell asleep at a drive-thru in the Wendy’s parking lot.

During the press conference held today at 3:30 p.m. EST June 17, Howard took attendees through what happened and revealed new information including the officers kicked and stood on the body of Mr. Brooks as, “he was fighting for his life.”

Officer Rolfe fired his handgun three times while he was chasing Mr. Brooks, who the authorities said had seized a Taser from an officer and fired it as he ran. Another officer on the scene, Devin Brosnan, who has been with the department for less than two years, did not intervene. Two of the shots connected with Mr. Brooks, killing him.

Howard noted the police officers had spoken with Brooks peacefully for 41 minutes, who was “slightly intoxicated” before the situation escalated. During that time, they patted the suspect down and knew he had no weapons.

Howard also noted Officer Brosnan, who is currently on administrative leave, has agreed to testify on behalf of the state against Officer Rolfe. Brosnan confirmed he actually stood on the shoulders of Mr. Brooks after Brookswas shot and disabled. Howard also stated Officer Rolfe kicked Mr. Brooks after he was shot and disabled, lying on the ground.

Howard stated the officers never told Mr. Brooks he was being arrested which contributed to the incident. The District Attorney also stated Officer Rolfe made the “excited utterance” of “Got him!” after shooting Mr. Brooks, who was running in the opposite direction, in the back. He also stated Mr. Rolfe knew the taser had been discharged twice meaning it was unable to be used again, posing no threat to Mr. Rolfe.

The eleven charges against Officer Rolfe are as follows:

Felony Murder

Aggravated assault with a deadly weapon

Aggravated assault charge for shooting in the direction of Mr. Melvin Evans (occupant of a nearby car)

Aggravated assault charge against Mr. Michael Perkins (occupant in the backseat of a nearby car)

Seven violations of his oath of office (including failure to provide medical attention)

The three charges against Officer Brosnan’s:

Aggravated Assault (standing on Mr. Brooks’ body)

Two violations of oath (failure to render timely medical aid)

Both officers have been asked to surrender themselves to the state by 6 p.m. tomorrow.

They asked the court to issue Brosnan a bond of $50; They are recommending no bond for Officer Rolfe because of the severity of his act and following up the act of kicking Mr. Brooks.

Attorneys for Mr. Evans and Rayshard Brooks’ widow Tomika Miller,also spoke at the press conference.

This story is developing.

This story was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga or The Burton Wire on Twitter @Ntellectual or @TheBurtonWire

South Africa: Investigation of Murdered Pregnant Woman Intensifies

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Tshegofatso Pule(l,Naledi Phangindawo (middle) and Sanele Mfaba (right) were murdered in South Africa over the last two weeks.(Photos: Twitter)
Tshegofatso Pule(l,Naledi Phangindawo (middle) and Sanele Mfaba (right) were murdered in South Africa over the last two weeks.(Photos: Twitter)

News 24 is reporting the police investigation into the murder of Tshegofatso Pule, who was 8-months pregnant with her first child at the time of the murder, has intensified. Pule, 28, was found dead last week, hanging from a tree and with multiple stab wounds. Witnesses say she was last seen leaving her boyfriend’s housing complex and getting into a grey Jeep before being found murdered a day later. Pule’s best friend says Pule said she wanted to come home and was leaving to go buy baby clothes, a story confirmed by Pule’s Uncle Tumisang Katake.

The victim’s best friend reportedly called the police and reported Pule missing. Pule’s best friend and family are now under police protection due to a series of threats received over the phone.

Police have confiscated the grey Jeep Pule was riding in although as of this story, no arrests have been made in her murder.

The BBC is reporting South Africa’s president Cyril Ramaphosa says it has been a “dark and shameful week” for South Africa following a surge in violence against women.

At a press conference Ramaphosa condemned violence against women

Mr. Ramaphosa condemned the brutality of recent killings, naming three of the victims including Tshegofatso Pule and Naledi Phangindawo, 25, who was stabbed to death in the harbor city of Mossel Bay. Phangindawo’s alleged killer, who is her boyfriend, is currently in police custody. The body of Sanele Mfaba was found under a tree in Soweto June 13. Calls for justice have also come for Sanele who was allegedly murdered by her boyfriend Tshepo Mashego, who has been taken into custody.

President Ramaphosa remarked that justice must be served and called for gender-based violence (femicide) to be investigated urgently so that justice can be served.

Twitter campaigns have erupted over the recent murders of the young women sparking the following hashtags: #JusticeForTshego #JusticeforNaledi and #JusticeforSanelisiwe.

In September of 2019, President Ramaphosa announced a plan of action to curb gender-based violence, including a proposal to make a register of offenders public. Activists have called for reinstatement of the death penalty for those who commit such crimes.

According to an article in The Guardian, Ramaphosa stated, “We are reviewing laws on domestic violence and sexual offenses to prioritize the needs and interests of survivors.” The president also stated, “We are going to overhaul and modernize the national register of gender-based violence offenders provided for in the sexual offenses act to ensure it is effective in combating gender-based violence.” Watch Ramaphosa’s speech below:

The recent rise of murders against South African women has been blamed on the ease of restrictions around COVID-19.

Kim Harrisberg of Thompson Reuters Foundation News reports, “Women’s rights campaigners welcomed the greater focus on violence against women but said this was not just due to the end of lockdown but a constant issue for women in South Africa who face high rates of domestic abuse.”

The World Health Organization reports the rate of South Africa women murdered by intimate partners is five times more than the global average.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual or @TheBurtonWire

Ilhan Omar: Father of Congresswoman Dies From COVID-19

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Rep. Ilhan Omar with her father Nur Omar at her swearing in ceremony. (Photo: Flickr/Kalboz)
Minnesota Congresswoman Ilhan Omar
(PHOTO: FLICKR/Lorie Shaull)

Politico‘s Matthew Choi is reporting Rep. Ilhan Omar’s father Nur Omar Mohamed has died from COVID-19. The Minnesota Congressman was raised by her father and grandfather after Omar’s mother died when she was an infant. They came to America as refugees in 1995 to escape the civil war in Somalia, eventually settling in Minnesota.

“It is with tremendous sadness and pain that I share that my father, Nur Omar Mohamed, passed away due to complications from COVID-19,” Omar said in a statement. “No words can describe what he meant to me and all who knew him.”

In May, Congresswoman Maxine Waters lost her sister Velma Moody to COVID-19.

Read more about Rep. Omar at Politico.com.

Follow The Burton Wire on Twitter @TheBurtonWire.

#Blackout Tuesday: The Problem With this Symbolic Protest

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As major cities in the United States are in utter and complete chaos over the continued failure to protect or defend the lives of unarmed black folks killed by rogue police officers and vigilantes, a social media campaign emerged called, “BlackOut Tuesday,” with some description of how the music industry is taking a stand against anti-black racism and wants everyone to pause the social media and use their voices instead.

The initiative was set up by Jamila Thomas and Brianna Agyemang, two black music industry executives at Atlantic Records and Platoon.

I immediately thought to myself about the “Blackout Day 2020” movement black activists like Calvin Martyr have been organizing for months that will take place July 7, which is a call to action where “not one black person,” allies and people of color spend one dollar to show economic power and the ability to hurt the very corporations who have shown little to no regard for the violence black people face on a daily basis. You know, the corporations that invest money in groups, political parties and organizations that work against justice for unarmed Black people harmed or killed by rogue police officers and vigilantes.

I also thought about #Blackout Coalition, an activist group on Facebook that pre-dates Blackout Day 2020 by years (2015) and has over 1.2 million members. I thought about the #Blackout Revival which just took place May 31, 2020.

I thought about the music industry – the same industry that lamented the lost income they were facing, while artists like D-Nice, Swizz Beatz, Timbaland and many others were providing some form of relief for fans at home due to the Covid-19 shutdown — now talking about showing their solidarity with Black folks with Blackout Tuesday. Some of your favorite artists got on the bandwagon as did your friends who follow trends without knowing who is behind it, who has actually been doing the work without fanfare and why those with the real power like music executives are now getting on board. Rihanna, Alicia Keys, Drake, Radiohead, Coldplay, Kelly Rowland and the Beastie Boys were among the many celebrities who agreed to participate in Blackout Tuesday.

My initial question was why do they think it’s a good idea to remove Black influencers and their allies from social media and therefore their followers at the height of the uprisings against police brutality which is when you actually need access to social media?

Reminders of curfews, resources, great stories coming out of the chaos (like police officers siding with and kneeling with protesters) documentation of rogue police behavior like the brutalization of Messiah Young and Taniyah Pilgrim, Morehouse and Spelman college students attacked by police, tased, pulled out of their cars, arrested and being told they should be killed as they were transported to the police station in addition to other worthwhile information. How are you going to know six Atlanta police officers have been charged with excessive force because of their attack on those students if you’re participating in a social media blackout? How are you going to reach out for help when someone has overreached their authority?

It doesn’t make sense. The music industry is hijacking the labor of actual Black activists who have been organizing #Blackout events for years. The Facebook page for the Blackout Day July 20 event was created May 8, before George Floyd’s killing and after the killing of Ahmaud Arbery and Breona Taylor. #Blackout began in 2015. Black folks been having “Blackouts” before then. Don’t get me to talking about the fantastic 2007 HBO movie “Blackout” starring Jeffrey Wright, Zoe Saldana, LaTanya Richardson, Prodigy and a young Michael B. Jordan, but I digress.

Many celebrities in general and Black celebrities specifically have jumped on this “Blackout Tuesday” bandwagon or fallen in line with the music corporations because so many are actually disconnected from the communities they claim to represent.

I get it. The desire to help is real but there are so many ways to actually help. Those with the resources and means to check out what is behind a “movement” should actually make use of those means to avoid problematic situations like this. Who really benefits from having black people off social media at the height of these uprisings? It ain’t black folk. Symbolic protests should not undermine the interests of those engaged in real protests.

Once again, the powerful have appropriated black labor and culture and enlisted the help of Black celebrities to get Black people offline, when we actually need to be online for our safety and protection. That’s not exactly fighting the power in my book.

I’m not a conspiracy theorist, but if I were, my Twitter fingers would be itching right about now.

My mother always says common sense isn’t common. This could be the case with a couple of folks with good intentions trying to make the world better, but not thinking through all of the important pieces.

If you want to get involved, then actually get involved and hit the pavement (before curfew), write a check to a legitimate organization out there committed to police reform and ending police brutality,  donate to a bail fund for protesters arrested during the uprisings or support political candidates who have an actual plan and policy for criminal justice reform. Many of the celebrities participating in “Blackout Tuesday” are already doing these things and should continue to do so.

Whatever you do, don’t be a follower and allow your status as a leader to be used to disempower people who need empowerment and your voice.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow her on Twitter @Ntellectual. 

George Floyd Uprisings: Property Is Not More Important Than Black Lives

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Protestors demonstrate outside of a burning liquor store near the Minneapolis 3rd Police Precinct, Thursday, May 28, 2020, in Minneapolis. (AP Photo/John Minchillo)
Protestors demonstrate outside of a burning liquor store near the Minneapolis 3rd Police Precinct, Thursday, May 28, 2020, in Minneapolis. (AP Photo/John Minchillo)

Writing for Courier Newsroom, The Burton Wire’s founder & editor-in-chief Nsenga K. Burton discusses the misplaced anger surrounding the national uprisings against police brutality in response to the killing of George Floyd in Minneapolis, MN by former police officers Derek Chauvin who kneeled on Floyd’s neck while three other police officers (Tou Thao, Thomas Lane and J. Alexander Keung), who were swiftly. However, none of them were arrested and charged despite calls from some of the city’s leadership including mayor Jacob Frey, leading to uprisings in cities across the nation.

Check out an EXCERPT of the post on Courier News below:

“Unless you’ve been living under a rock or under some type of self-prescribed media fast, America is burning again. People fed up with unchecked police brutality against unarmed Black men, women and children have taken to the streets to protest the most recent killing of an unarmed Black man at the hands of white and in this case Asian police officers, again. 

George Floyd, who was alleged to have committed forgery, was taken into custody by police after a store clerk called them to complain about Floyd paying with a fake $20 bill. If you’re wondering how a routine police call ended with the senseless murder of yet another unarmed Black man, then so are we. 

Video surfaced of Floyd lying face down on the ground with his arms handcuffed behind his back. Officer Derek Chauvin kneeled with the full weight of his body, placing his knee across the back of Floyd’s neck while Floyd squirmed, gasping for air, pleading for his life and stating, “I can’t breathe.” 

People standing by and taping the arrest also pleaded for Floyd’s life to no avail. Chauvin sat there cavalierly with his hand in his pocket while literally snuffing the life out of Floyd for the world to see wearing a smug look of satisfaction on his face. 

While this video is shocking to some of you, it is normative to Black folks, who experience violence at the hands of the police in alarming numbers. 

In a snuff film seen around the world, America watched Floyd take his last breath at the hands of these men sworn to serve and protect. Although Chauvin was arrested and charged with third-degree murder and manslaughter on Friday, it’s not clear what, if anything, will happen to the other three former officers. All claimed Floyd resisted arrest. 

Add to the mix the release of the store’s video footage of the arrest from Mahmoud Abumayyaleh, the actual store owner, showing that Floyd did not resist arrest at all and was in fact peaceful. Protesters took to the streets surrounding the police precinct. 

What began as a peaceful protest turned into an uprising, some of which was in response to being met with police in riot gear. We all watched the countless videos of raging, armed white folks protesting coronavirus restrictions intended to protect their health—all, for what, their right to a haircut? We watched those protesters storm Michigan’s state capital without any arrests. 

America, the capital of double standards and hypocrisy and the king of “do what I say but not what I do,” is at it again. 

What is maddening about this most recent spate of uprisings is the continued trope of discussing protesters of color as riotersthugs and looters in mainstream media. I have read a plethora of op-eds today focusing on the destruction of property and not on the historic terror Blacks face on day to day in this country because of the color of their skin. 

Racism allows for the continued brutal beatings and killings of unarmed Blacks at the hands of rogue police officers, wannabe police officers or white folks who appear to hate Black people and think they still own us. See Amy Cooper…”

Read the entire post at Courier Newsroom.

Nsenga also serves as culture and entertainment editor for Black Press USA. Follow Nsenga K. Burton on Twitter @Ntellectual.

OpEd: Silence of White Theaters on Anti-Black Violence is Deafening

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Lewis D. Wheeler, Kadahj Bennett, Hubens "Bobby" Cius in SpeakEasy Stage Production of Pass Over, Photo by Nile Scott Studios
Dr. Monica Ndounou. Photo Credit: Monica Ndounou

OpEd written by Dr. Monica Ndounou

It is hard not to notice how white theaters profit from staging Black death and trauma but say nothing in response to anti-Black violence like the lynching of George Floyd and multiple attacks against Black people during a global pandemic that is ravaging Black and Brown communities.  The silence over the past several weeks speaks volumes on the need for safe spaces to tell our stories. COVID-19’s destructive impact on the theater industry presents an opportunity to rebuild with greater equity and empathy in funding and operations.

Ahmaud Arbery was lynched twenty-one days after we closed our Boston production of Antionette Nwandu’s Pass Over, which ends with a white man shooting an unarmed Black man to death without consequence.  While directing this powerful play for SpeakEasy Stage Company and Front Porch Arts Collective, I recognized the potential to trigger intergenerational trauma due to the alarming rates of police violence against Black people, like Breonna TaylorDrawing inspiration from Barbara Ann Teer, founder of the National Black Theater, and artist Aleshea Harris, we closed each performance with a healing circle for Black and Brown audience members.

As a Black mother with over twenty years of experience as an actor, director, educator and advocate, I stand in solidarity with artists like Sterling K. Brown, Dominique Morisseau, Jada Pinkett Smith, Yara Shahidi, Gabrielle Union, Spike Lee, Rihanna and others using their platforms to expose the systemic racism enabling this cyclical violence.  It takes courage to speak, knowing those who do not want to change will perceive the uncompensated, emotional labor as an attack, rather than an invitation to do and be better.  The backlash for speaking out is real. But if we don’t speak, then who will?

Historically, Black theaters serve as a voice for Black communities, yet remain underfunded.

Lewis D. Wheeler, Kadahj Bennett, Hubens “Bobby” Cius in SpeakEasy Stage Production of Pass Over, Photo by Nile Scott Studios
As Debra Walker King writes in African Americans and the Culture of Pain, exposing anti-Black violence and racism can mobilize Black people and supporters for justice, as in the case of Mamie Till’s open-casket funeral for her brutally lynched, fourteen-year-old son Emmitt Till. Black theaters recognize that such demonstrations do not guarantee white people will recognize the humanity of Black people and that staging Black death or trauma to engage white audiences in difficult conversations is a low bar. Unfortunately, Black theaters are not represented in the 2 percent of all cultural institutions receiving nearly 60 percent of funding although they help reconcile cultural trauma and ongoing effects of slavery through stories of pain and joy.

Predominantly white theaters are not always safe spaces.  Throughout the run of Pass Over, several white patrons insisted on saying “Nigger” during talkbacks even when repeatedly asked to stop.  In the script and program, the playwright specifies the word not be used beyond the play’s dialogue while the actors are in character.  Other white patrons refused to leave the theater or complained of reverse racism in response to the healing circle. Recognizing the limitations of allies as bystanders, Melissa Alexis, our healing circle facilitator and I sought out white volunteers to escort disgruntled white patrons to the lobby, sharing resources prepared by our dramaturg Pascale Florestal on how to be accomplices by actively engaging in social justice struggles while willing to suffer consequences Black people face.

This behavior is not unique to Boston or this moment.  Marvin McCallister’s White People Do Not Know How to Behave at Entertainments for Ladies and Gentlemen of Color, exposes this phenomenon in nineteenth century Black theater.  It has no place in the twenty-first century. To be sure, Black audiences experience shows without such drama at Black theaters around the country. Black Out nights, which are designated nights for Black audiences to see Black-cast shows together at a predominantly white theater, offer some relief but are no substitute for Black theaters.

Just as Baby Suggs, wholly advised her congregation of newly freed Black people in Toni Morrison’s Beloved, when she told them the only grace they would have is the grace they could imagine, we can collectively reimagine American theater.  A critical mass of culturally specific theater leaders and accomplices can design and implement a more equitable, national model that builds on the Mosaic Network and Fund, which addresses “the health and viability of the African, Latinx, Asian, Arab, and Native American (ALAANA) arts groups in New York City.” Leaders from Ensemble Theater (Houston), Black Ensemble (Chicago), The Billie Holiday Theater Brooklyn, Waco Theater (Los Angeles),  KC Melting Pot (Kansas City) and Hattiloo Theater (Memphis) have experience effectively managing Black theaters as arts and advocacy organizations and can imagine a path forward that promotes cross-cultural, creative collaborations and resists defaulting to bailing out predominantly white theaters.

By overhauling funding and operations to recognize the intrinsic value of Black people and theaters, the industry can thrive during and beyond COVID-19.  We know better so let’s do better, together. Our very lives and livelihoods depend on it.

Monica White Ndounou is an Associate Professor of Theater and affiliate faculty in African and African American Studies and Film and Media Studies at Dartmouth College.  She is the Founder and Executive Director of The CRAFT Institute, Convener of The International Black Theatre Summit, the Vice President of Advocacy for the Association for Theatre in Higher Education and the author of the award-winning book, Shaping the Future of African American Film: Color-Coded Economics and the Story Behind the Numbers (Rutgers UP 2014).  She is also a Public Voices Fellow. Follow her on Twitter @MonicaNdounou.

Tutwiler: Doc on Pregnancy & Motherhood in Prison Debuts

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Screen shot: Tutwiler
Screen shot: Tutwiler

Tutwilera new documentary short directed by Academy Award-nominated filmmaker Elaine McMillion Sheldon (Heroin(e), Recovery Boys) and reported and produced by The Marshall Project’s Alysia Santo, offers an unforgettable window into the lives of incarcerated pregnant women — and what happens to their newborns.

Tutwiler
will have it’s broadcast premiere on PBS’s America ReFramed on May 19 at 8/7c on WORLD Channel. Long regarded as one of the worst women’s prisons in the U.S., Tutwiler is now making changes — including working with the Alabama Prison Birth Project to provide pregnant inmates with support and resources.

“At one time we had three generations of women at Tutwiler that were from the same family,” Wendy Williams, Ph. D., Deputy Commissioner of Women’s Services at Tutwiler said. “And of course we have that concern every time a woman comes to us pregnant: Is this going to be another cycle?”

As the film explores, it’s a cycle that the prison, with the help of local non-profits, is trying to break.

“In America, people who are in prison are invisible,” says Santo. “Pregnant women who are incarcerated are potentially the most overlooked group of people…. one of the issues that gets overlooked is that when you have women entering prison, what happens to their children or their unborn children?”

Many of these women are survivors of domestic violence and have struggled with substance abuse issues and addiction disorders. Working with a group of doulas, they attend parenting classes, dream up names for their babies, and plan for how they’ll maintain their sobriety once they’ve served their time.

But still, nothing can fully prepare them for what’s to come: Once they’re taken to a nearby hospital to give birth, they typically get 24 hours with their newborn before being sent back to prison.

As one incarcerated woman says, “When you were locked up your whole pregnancy and it was just you and that baby, and then to walk away from the person that’s been there with you, it makes the strongest person break.”

As women are now the fastest growing incarcerated population in the U.S., Tutwiler is a powerful lens into the reality of pregnancy and parenthood behind bars.

“What we found was much more complex than a black-and-white, good-and-bad story,” says Sheldon. “I think it’s in many ways the story that other Southern prisons, and prisons across the United States, need to see.”

Tutwiler won the audience award at the 2019 New Orleans Film Festival, had its world premiere at Hot Springs Film Festival in October 2019, and has been chosen for this year’s Full Frame Documentary Film Festival.

Tutwiler is now streaming on FRONTLINE (PBS) and The Marshall Project’s online platforms, on the PBS Video App and on YouTube. The film will have its broadcast premiere at 8 p.m. ET on Tuesday, May 19, as part of America ReFramed on WORLD Channel. Set your DVRs.

This post was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow her on Twitter @Ntellectual or @TheBurtonWire.

Dr. Rick Bright: Read Whistleblower Statement on Trump & COVID

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Dr. Rick Bright's official 2017 government photo. (USA.gov)
Dr. Rick Bright’s official 2017 government photo. (USA.gov)

Health and Human Services whistleblower Dr. Rick Bright will testify before a House committee on Thursday, May 14. During his testimony on scientific integrity, the career public servant and scientist will ask President Trump to nationalize COVID-19 testing or else many more will suffer and die due to the continuous spread of the virus. He will also ask President Trump and other national leaders to be good role models by wearing a mask in public, washing their hands and practicing social distancing.

Dr. Bright, the former director of the Biomedical Advanced Research and Development Authority, will testify live before the House Energy and Commerce committee Thursday, May 14, 2020 at 10 a.m. EST.

Read Dr. Bright’s pre-released five-page statement here.

Watch Dr. Bright’s testimony tomorrow live on C-SPAN at 10 a.m. EST.

Follow The Burton Wire on Twitter @TheBurtonWire.

Andre Harrell: Legendary Music Executive Dies at 59

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Andre Harrell on The Breakfast Club. (Photo: Screen Grab)

The Twitterverse is in mourning after reports legendary music executive Andre Harrell was found dead today in his Los Angeles apartment. The Bronx native was one half of the rap duo Dr. Jeckyl and Mr. Hyde. In the early 1980s, Harrell joined Russell Simmons at Def Jam Records, eventually becoming Vice President and General Manager. In 1986, Harrell left Def Jam Records to start his own label, Uptown Records at MCA, which became the sound of 1990s Hip-Hop Soul.

Photo: Instagram/Uptown Records

At Uptown, Harrell signed Heavy D and the Boyz, Marly Marl, Al B. Sure, and Guy among others. It is at Uptown Records where Harrell famously discovered future music mogul Sean “P Diddy” Combs, who started at the company as an intern and rose to the ranks of a Vice-President of A&R signing such acts as Mary J. Blige, Jodeci and Father MC. Harrell also served as an Executive Producer for the FOX television hit New York Undercover (1994-1989). Harrell fired Combs, who left to form Bad Boy Records bringing Hip-Hop legend Notorious B.I.G. with him and signing Total, Faith Evans, 112, Craig Mack, and a host of other artists. Despite the breakup, Combs and Harrell remained lifelong friends.

After Combs’ departure, Mary J. Blige and Jodeci also left the label, leaving Uptown with declining sales. In 1995, Harrell left Uptown Records to join iconic record company Motown Records with Heavy D becoming CEO of Uptown. Harrell, who had been paid $20 million to sign with Motown, was fired two years later in 1997, taking a $5 million payout with him.

In 2014, Andre Harrell and Combs reunited, with Harrell becoming Vice-Chairman of Revolt TV & Media, Combs’ multi-platform music network. Harrell was also a producer on Revolt‘s wildly popular show “State of the Culture.” At REVOLT, Harrell oversaw the REVOLT Music Conference (RMC) and produced and hosted the show, “Music Talks” where he interviewed music legends like L.A. Reid, Babyface, Nas, Queen Latifah and Sean Combs. At the time of his death, the entertainment powerhouse was working on a 3-part-series about Uptown Records for BET Networks. A pioneer of Hip-Hop Soul and a major figure in black R&B music and television soundtracks, Harrell was 59.

This story is developing. Check for updates on Twitter @TheBurtonWire.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow her on Twitter @Ntellectual.

Fraggle Rock: Apple TV+ Brings Back Beloved Kids Show

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Fraggle Rock returns to Apple TV +. (Photo: Apple TV+)
Fraggle Rock returns to Apple TV +. (Photo: Apple TV+)

Hey Gen Xers! Here is something you can watch with the kids or grandkids while taking a trip down memory lane. The Fraggles make their return in Apple’s “Fraggle Rock: Rock On!,” a new, original collection of mini-episodes, produced by The Jim Henson Company, premiering today for free exclusively on Apple TV+, a home for award-winning, educational children’s programming.

The beloved stars of the classic 80s series, Gobo, Red, Boober, Mokey, Wembley, and Uncle Traveling Matt, join together again for new stories and classic Fraggle songs that show everyone how we are all connected through friendship.  New mini-episodes will continue to premiere globally for free, every Tuesday.

While the Fraggles might be in different parts of the Fraggle Rock caves, they can still find ways to have fun together, with music, silliness, special guests, and of course the help of devices created by the industrious Doozers – lovingly called the Doozertubes!  In the first mini-episode entitled “Shine On,” now streaming on Apple TV+, new Doozertubes are delivered to the Fraggles’ caves, allowing them to come together for a favorite song “Shine On, Shine On Me.”

The all-new short-form episodes are produced by The Jim Henson Company, and executive produced by Halle Stanford and John Tartaglia. In accordance with the Covid-19 “Safer at Home” guidelines, “Fraggle Rock: Rock On!” is all shot on iPhone 11 phones from the homes of the production team and individual artists from all over the U.S.

Apple TV+ is available on the Apple TV app on iPhone, iPad, Apple TV, iPod touch, Mac, select Samsung and LG smart TVs, Amazon Fire TV and Roku devices, as well as at tv.apple.com, for $4.99 per month with a seven-day free trial.

This post was written and curated by Nsenga K. Burton, Ph.D. Follow her on Twitter @Ntellectual.

Follow The Burton Wire for more news you can use about what’s streaming on Twitter @TheBurtonWire