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CNN’s ‘United Shades of America’ Takes on Race

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Comedian W. Kamau Bell interacts with a Ku Klux Klan member on the pilot episode of the CNN docuseries 'United Shades of America' (Photo Credit: CNN).
Comedian W. Kamau Bell interacts with a Ku Klux Klan member on the pilot episode of the CNN docuseries 'United Shades of America' (Photo Credit: CNN).
Comedian W. Kamau Bell interacts with a Ku Klux Klan member on the pilot episode of the CNN docuseries ‘United Shades of America’ (Photo Credit: CNN).

Comedian W. Kamau Bell wants to spark conversations about society with his new CNN docuseries United Shades of America. In eight episodes, the perceptive, six-foot-four Bay Area native travels and interacts with ethnically distinctive communities to make sense of the cultural dynamics penetrating those people.

The extremely thorough, mini Afro-wearing former star of the now-defunct FX comedy series, Totally Biased, embarks on journeys to places where the average person may completely feel uncomfortable. He puts his observations in context by interjecting witty narration, snippets of his stand-up routines, historic overviews and interviews with numerous local subjects.

The end result is a groundbreaking style of cultural anthropology married to sociological humor. “Comedy is all about asking questions and looking at the world from a critical perspective,” insists a very relaxed Bell following a screening of United Shades of America in Atlanta. “It helps me get to places other people can’t get to sometimes. I’m just using the skills I got.”

United Shades of America’s pilot episode follows Bell to a series of rural towns where Ku Klux Klan chapters are present. Bell experiences first-hand a cross burning, a self-proclaimed hooded Christian meeting him at night on a dirt road for a brief chat, meeting a neo-Nazi educator at a school where kids of different races can’t play together and visits the set of a web series hosted by a conservative minster and his daughter spreading hate speech.

On the other hand, the admittedly curious host of the San Francisco-based talk radio show Kamau Right Now! and co-host of the podcast Denzel Washington is the Greatest Actor of All Time Period connects with a special interest group that seeks to create a welcoming community.

Bell shares what satisfaction he gains from doing United Shades of America. “It gives me more empathy for people,” declares the Berkeley, CA resident. “If people come to the table with good faith, I can have a conversation with anybody.”

All episodes of United Shades of America were taped a year before the show premiered. Originally titled Black Man, White America, the series was first pitched to CNN by a production company. Bell says he thought the show would reach its shelf life after the fourth episode, urging the show’s producers to concentrate on more multicultural perspectives. “I live in the Bay Area, so it doesn’t make sense to me to treat it like a black-and-white world,” stresses Bell.

The second episode of United Shades of America takes an ethnographic look inside of San Quentin State Prison. Unlike what is often portrayed in mainstream media, Bell gets to know the death row inmates as industrious individuals who learn trades and fully accept accountability for their actions. An Ambassador of Racial Justice for the American Civil Liberties Union (ACLU), Bell tours the racially segregated, geographically alienated prison grounds with staff members as well as the inmates.

Bell mingles with inmates at San Quentin State Prison on episode two of 'United Shades of America' (Photo Credit: CNN).
Bell mingles with inmates at San Quentin State Prison on episode two of ‘United Shades of America’ (Photo Credit: CNN).

“They were just great dudes,” says Bell, “and you just think about all of the wasted human potential that’s behind the bars of prison.”

Bell eats with the inmates, speaks their language making small talk and hears accounts about what mistakes led to their imprisonment. Along the way, the astute NAACP Image and GLAAD award-nominated humorist drops devastating statistics and observations that reveal the inequities that exist within the prison-industrial complex. Bell shares that seeing the inmates laugh made him appreciate his visit to San Quentin.

“They were being more comfortable around me than if a journalist had been there,” declares Bell. “I wanted them to shine, not me.” Bell admits to not having much empathy for prisoners before he taped that second episode. As the show was being edited, the producers and editors wanted to show the conventional narratives about prison culture. A protective Bell thought it was important to provide an alternative to those expectations.

Bell comments on the pros and cons of collaboration but emphasizes how varying opinions and skill sets are important to bringing United Shades of America on-air. He also says he doesn’t want to misrepresent his relationships with ACLU and social justice organization Race Forward

“There’s a lot of negotiation back and forth about all of that stuff,” he says. “They put a lot of trust in me by giving me those titles. I try to make sure the work I do is in that lane. This is the work I like to do. I work really hard at it.”

United Shades of America is a project that fully aligns with Bell’s voice. Even Chris Rock, the executive producer of Totally Biased, lends his support if Bell ever needs it. Referring to Rock as his “guru in a glass case,” Bell is determined to set the tone of the show himself, not allow it to become too consumed by Rock’s influence.

“I don’t want people to think that I always have to use him to get everything done,” swears Bell scratching the back of his neck. “I’m happy I got this show off the strength of the work I’d done [with Chris] already. He’s been very supportive.”

Bell reiterates that United Shades of America should spark dialogue about making a difference. The show took the top slot for cable news in its premiere week, motivating Bell to believe recurring seasons are possible. He likes to think of himself as simply a comedian with a positive attitude who takes his sense of humor with him.

Nonetheless, he aspires for others to look at United Shades of America as a series that could aid in changing the system and empower others to find their niche in changing society. “Get in where you fit in,” says Bell with his hands in his pocket. “Figure out how to engage and what you can do to amplify the problem. Everybody in a way can make change.”

United Shades of America with W. Kamau Ball airs on Sundays at 10 p.m. ET on CNN. Check local listings.

This post was written by Christopher A. Daniel, pop cultural critic and music editor for the Burton Wire. He is also contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

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Urban Prep: Entire Senior Class College Bound Again

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100% of senior students at Chicago's Urban Preparatory Charter Academy have been admitted to college for the seventh consecutive year. (Twitter: @timking1)

UrgbanPrepTaryn Finley of The Huffington Post is reporting 100 percent of Chicago’s Urban Preparatory Charter School’s senior class is college bound for the seventh consecutive year. Finley reports:

“Every senior at the predominantly black, all-boys charter school in Chicago has committed to a four-year college or university. At the school’s three campuses combined, the class of 2016 has been admitted to more than 220 schools…Overall, the senior class has received more than 1,500 college admissions and has been offered more than $15 million in scholarships and grants, according to CBS Chicago. Founder and CEO of Urban Prep Tim King said the students have been admitted to schools all over the country, including Georgetown University, Yale University, Morehouse College, among other schools.”

Since 2010, every senior class has had 100 percent of their students admitted to college, the school’s website says.

Read more at Huffington Post.

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D’Angelo & Princess Perform Prince Tribute on Fallon

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D'Angelo and Princess perform 'Sometimes it Snows in April' on The Fallon Show. (Google Images)
D'Angelo and Princess perform 'Sometimes it Snows in April' on The Fallon Show. (Google Images)
D’Angelo and Princess perform ‘Sometimes it Snows in April’ on The Fallon Show. (Google Images)

The internet is buzzing with celebrated musician D’Angelo’s tribute to Prince on Jimmy Fallon’s The Tonight Show. D’Angelo performed Prince’s hit ‘Sometimes it Snows in April,’ along with actress/singer/comedienne Maya Rudolph’s cover band Princess.  Rudolph, the daughter of legendary singer Minnie Ripperton, is one half of the band while Gretchen Lieberum is the other half.

Watch as the group pays homage to one of the greatest musicians of all time. D’Angelo, who has been referred to as heir to Prince’s throne, gets choked up at the end. True Prince fans will get choked up too as the world continues to mourn the loss of his purple badness.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow her on Twitter @Ntellectual or @TheBurtonWire.

‘Nina’ Film Review: The Devil is in the Details

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Zoe Saldana stars in 'Nina' for RLJ Entertainment. (Cropped movie poster)
Zoe Saldana stars in 'Nina' for RLJ Entertainment. (Cropped movie poster)
Zoe Saldana stars in ‘Nina’ for RLJ Entertainment.
(Cropped movie poster)

Writing for the Huffington Post, The Burton Wire‘s founder & editor-in-chief Nsenga K. Burton, Ph.D., reviews Cynthia Mort’s controversial biopic starring Zoe Saldana as Nina Simone and David Oyelowo as Clifton Henderson, Simone’s caretaker, manager and confidante. Read an excerpt of Nsenga’s review below:

“The complexity of Simone’s story is lost in writer-director Cynthia Mort’s first feature film, where she boldly goes where no first time feature filmmaker should probably ever go, telling the story of an iconic figure whose life experiences and activism are central to her memory and identity. Simone is revered by critics and fans because of a willingness to be true to herself, at all costs, and to discuss painful issues like colorism and discrimination in her music and public life. Simone’s vulnerability and strength, which were on full display in her artistry, are missing from the film, which attempts to give audiences a peek into Simone’s turbulent life during the 1990s.

Mort explores Simone’s life as an ex-pat, whose return to the United States is marred by mental illness and the discovery she has been financially exploited by her record label. Simone’s meeting with her manager Henri Edwards (Ronald Guttman) to discuss her missing money spirals out of control and the “High Priestess of Soul” ends up in an insane asylum under the care of Clifton Henderson (Oyelowo), a nurse who looks out for her. Simone and Henderson flee the asylum and the United States and head to the south of France, where he becomes her caretaker/manager. Saldana does a solid job of capturing Simone’s whimsical and explosive nature although she struggles with maintaining Simone’s distinct style of speech. Oyelowo is convincing as Clifton, Simone’s caretaker who eventually becomes her friend, confidant and manager, even though his performance feels constrained. Perhaps it is because Saldana and Oyelowo lack the on-screen chemistry needed to give greater life to Simone and Henderson’s emerging and intense friendship, that the weight of their friendship is never really felt or conveyed.

While the performances are decent, the film suffers from more problems than the much, publicized make-up job gone wrong in attempting to physically transform Saldana into Simone. Despite title cards, the time period of the film is never clear because the narrative and stylistic elements are not reflective of the 1990s…”

Read the review in its entirety at Huffington Post.

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Papa Wemba: Influential Congo Music Star Dies

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Congo and style star Papa Wemba has died. (Google Images)
Congo music and style star Papa Wemba has died.
(Google Images)

CNN is reporting influential Congo music star Jules Papa Wemba has passed away, after collapsing on stage during a performance Saturday night at the Urban Music Festival in Ivory Coast. Andreas Preuss of CNN writes:

“Papa Wemba, 66, was considered a Congolese icon and world music star after merging his Central African heritage with Western pop, rock and rap. His style earned him the nickname ‘King of Rhumba Rock.’ Besides his musical influence, he popularized Sapeur fashion, an eccentric look with three-piece suits, shiny black leather shoes and flashy accessories.

Papa Wemba said he was inspired by his parents, who took great pride in dressing up on Sundays in the ’60s, ‘always well-put-together, always looking very smart.’ But in the era of Joseph Mobutu, Papa Wemba wanted to challenge the status quo, so he devised the acronym SAPE, roughly translated from the French for ‘the society of atmosphere-setters and elegant people.’ He dressed his band, Viva La Musica, in the style, and fans across Africa soon followed suit.”

 

The Sapeurs.
The Sapeurs demonstrating Sapeur fashion.

BBC Africa reports:

“Born in 1949, Wemba, whose real name was Shungu Wembadio Pene Kikumba, began his singing career in religious choirs.

He helped modernise Congolese rumba music, with the genre that emerged – soukous – influencing music across Africa.

Together with his bands Zaiko Langa Langa, Isifi and Viva La Musica, he racked up hit after hit, including L’Esclave and Le Voyageur.

He appeared in two feature films, Life Is Beautiful (1987) and Wild Games (1997).”

In 2004, he was convicted of ‘people smuggling’ and spent 3 months in prison. He was convicted of the same crime in 2012 and was fined, but evaded prison time. Wemba would use his band to help Conglese people get to Europe.

Congolese Culture Minister Baudouin Banza Mukalay called Wemba’s death a ‘great loss for the country and all of Africa,’ and Congolese President Joseph Kabila has expressed his condolences.

Kinshasa rapper Youssoupha tweeted in French that Wemba’s death was a ‘huge loss.’

Read more at CNN or BBC.

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R.IP. Prince Rogers Nelson (1958-2016)

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Photo: Google Images
Prince
Legendary musician Prince has died at age 57. (Screenshot)

The Burton Wire is mourning the loss of legendary musician Prince Rogers Nelson, one of the greatest musical influences of modern music. Prince, a prodigy, a provocateur and a complete game-changer in popular music, died Thursday at his Paisley Park compound in the Minneapolis suburb of Chanhassen. He had been suffering from the flu while on a recent tour. He was 57. Tributes are happening all over the world.

 

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‘Born For This: The BeBe Winans Story’ Premieres in Atlanta

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Best-selling sibling gospel duo BeBe and CeCe Winans are the subjects of the musical, 'Born For This: The BeBe Winans Story,' premiering at Alliance Theatre in Atlanta (Photo Credit: A. Turner Archives/BMI).
Best-selling sibling gospel duo BeBe and CeCe Winans are the subjects of the musical, 'Born For This: The BeBe Winans Story,' premiering at Alliance Theatre in Atlanta (Photo Credit: A. Turner Archives/BMI).
Best-selling sibling gospel duo BeBe and CeCe Winans are the subjects of the musical, ‘Born For This: The BeBe Winans Story,’ premiering at Alliance Theatre in Atlanta (Photo Credit: A. Turner Archives/BMI).

Gospel music recording artist BeBe Winans thought his dear friend, music legend Roberta Flack, was crazy to randomly suggest via phone that he create a musical about his family. Four days later, inspiration suddenly hit the six-time Grammy award winner in his Montreal hotel room.

Winans opened up his laptop and began writing the first draft. He didn’t realize it at the time, but Flack’s muse birthed his tentatively Broadway-bound bio-play, Born For This: The BeBe Winans Story. “It was the weirdest thing I’d ever experienced,” he says with his legs crossed seated in the lobby of Atlanta’s Alliance Theatre hours before the world premiere. “It was like a faucet turned on.”

Born For This is a soulful production that chronicles the Detroit native’s relationship with his siblings, the massively successful, Grammy-winning gospel act, The Winans. Raised Pentecostal in a family of nine brothers and sisters, Winans, along with his best-selling younger sister, CeCe, relocated to Pineville, NC to join televangelists Jim and Tammy Faye Bakker on the television series, The PTL Club. Once the trailblazing duo migrated South, the teenagers were confronted with culture shock, bouts of homesickness and racism.

The dramatic work also depicts Winans’ attempt to balance fame with fortune. The easygoing Gospel Music Hall of Famer considers writing the play “medication.” “I didn’t know that was happening when it was happening,” he says chuckling over distant choir harmonies in the background. “I knew I wasn’t afraid to feel or admit what I was feeling.”

Honored earlier this year as a BMI Trailblazer of Gospel Music along with CeCe, Winans co-wrote Born For This with director Charles Randolph-Wright (Motown: The Musical). He recalls meeting Randolph-Wright over lunch, immediately impressed that the Duke University alumnus knew about Pineville. Randolph-Wright, a Paul Robeson award recipient, suggested to Winans after reading the first draft of the script that he make his coming-of-age story in North Carolina the nucleus of the plot.

“From that moment on, I knew that this was the man to do this with,” confirms a soft-spoken, skull cap-wearing Winans. “He knew my story. It’s always different when you speak to someone who knows your story. It was easy to entrust him with my story. The collaboration has been absolutely incredible.”

Born For This was workshopped over four years. Whenever the pair would meet at Starbucks, Wright’s favorite place, the former Royal Shakespeare Company and Alvin Ailey Dance Company understudy would assign Winans to write original music under strict deadlines. Winans, cast previously in two Broadway productions, shadowed Randolph-Wright during Motown: The Musical’s run. The prolific vocalist synonymous with marrying gospel, inspirational messaging, R&B and pop together says he sat in New York for nine years to meticulously study the lavish theatre culture.

“I wanted this caliber and that quality,” shares Winans. “In doing this piece [with Charles], I realized there’s a lot of time and work invested in plays. You are consumed when you do musicals and plays. Because we respect each other, we have what we have.”

Siblings Juan (r.) and Deborah Joy (l.) Winans star as BeBe and CeCe Winans in 'Born For This: The BeBe Winans Story' (Photo Credit: Alliance Theatre).
Siblings Juan (r.) and Deborah Joy (l.) Winans star as BeBe and CeCe Winans in ‘Born For This: The BeBe Winans Story’ (Photo Credit: Alliance Theatre).

Admitting he was uncertain about the fate of Born For This, Winans adds, “You work on something, give it your all and there are no guarantees that it’ll reach any of the destinations that you plan for it. When it does, it just causes you to be grateful as well as humble.”

Premiering Born For This in Atlanta was Randolph-Wright’s suggestion. The playwright, set to executive produce a miniseries for NBC about the Underground Railroad with Stevie Wonder, had a great working relationship with Alliance Theatre. Priding himself on following people and being in awe of the theatre veteran’s sense of humor, Winans, exploding with interpersonal savvy himself, was sold on Randolph-Wright’s preference once he connected with the Alliance’s executive team.

“I understood,” states Winans. “They took our child, and it became theirs. They became incredible doctors, surgeons, nurses and all of those things you need in the delivery room.”

Winans, a composer of original music for the OWN church-based dramatic series Greenleaf, gives Atlanta props for consistently being supportive of him and his family. “Atlantans have always been there,” he proclaims. “I don’t care what. They’re coming to see us. It’s a great support city.”

The most rewarding part about developing Born For This to Winans is being able to revisit his relationship with his entire family. The show stars his nephew and niece, siblings Juan and Deborah Joy Winans. Winans says he and his relatives dismiss the “First Family of Gospel” tag that continues to peg them.

The Winans family, he adds, gets tickled to death anytime they hear or read it. “That was not our suggestion,” confirms a guffawing Winans. “People always label you, but we don’t see ourselves that way.” Further considering his family “cutthroat but in a good way,” Winans thinks his family is hilarious.

During the holidays, the entire Winans clan normally visits a city for at least a week to fellowship with one another. Winans believes audience members will be immersed in a snippet of that interaction via Born For This. “We have so much fun together,” he says. “We enjoy one another. That’s missing in the world we live in. They will see how close knit we are.”

A warm smile is plastered to Winans’ face just thinking about the progress he’s made with Born For This. He’s so engaged in conversing about the show, he prolongs heading back into tech rehearsals with the crew to record a pre-show announcement.

Winans is moved anytime he meets people expressing how he’s inspired them. The fearless icon hopes his existence can continuously encourage others to live out their dreams. He imparts some empowering choice words before he heads back into the main theater.

“You can survive,” expresses Winans. “You have a destination, a purpose for your life, no matter where you find yourself. Don’t be afraid to take risks. Don’t be afraid to fail. When it happens, get up, wipe yourself off and keep it going. If we’re representing the king, it should be first class.”

Born For This: The BeBe Winans Story is staged at Alliance Theatre in Atlanta from April 13 – May 15, 2016. Check the website for showtime.

This post was written by Christopher A. Daniel, pop cultural critic and music editor for the Burton Wire. He is also contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

Follow The Burton Wire on Twitter @TheBurtonWire or Instagram.

The Last Laugh: Black Women’s Book Club Wins

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A group of mostly African American women who were ejected from a Northern California wine country train have filed a racial discrimination lawsuit. The 11 members of the book club, all but one of whom is African American, say they were ejected from the Napa Valley Wine Train for laughing too loud and being disruptive during an afternoon excursion in August. The lawsuit seeks $1 million each for the 11 women who claim they were humiliated and discriminated against when staff ordered them from the train after warning them several times to lower their voices Read more: http://www.dailymail.co.uk/news/article-3256587/The-Latest-Black-women-sue-wine-train-discrimination.html#ixzz46FpqxMuZ Follow us: @MailOnline on Twitter | DailyMail on Facebook
Members of the Sistahs on The Reading Edge Book Club. (Photo: Daily Mail)
Members of the Sistahs on The Reading Edge Book Club.
(Photo: Daily Mail)

Brendan O’Brien of Reuters is reporting 11 women have reached a settlement with a California wine train company they sued for $11 million for racial discrimination after they were kicked off the train for being too loud, their lawyer said on Monday. O’Brien writes:

“Members of the “Sistahs on the Reading Edge Book Club” came to an “amicable settlement” with the Napa Valley Wine Train company on Thursday, six months after filing a lawsuit in U.S. District Court in Northern California, their attorney Waukeen McCoy said.

‘We hope that other businesses learn from this case and implement diversity and sensitivity training for employees,’ McCoy said in an email to Reuters.

The 11 women, 10 of whom are African-American, were ordered off the vintage train on Aug. 22 after other passengers complained the group was too loud. The expulsion sparked widespread anger on social media.

The women sued the company in October, seeking $11 million in damages for the violation of their civil rights.”

McCoy did not disclose the terms of the settlement and train company officials could not be immediately reached for comment. Two of the women were subsequently fired after the train company posted false information about the incident on social media.

Read more at Reuters.

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‘Ghost Brothers’: TV’s First African-American Paranormal Team

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'Ghost Brothers' Juwan Mass (l.), Dalen Spratt (c.) and Marcus Harvey (r.) make television history as the first African-American paranormal investigation team (Photo Credit: Destination America).
'Ghost Brothers' Juwan Mass (l.), Dalen Spratt (c.) and Marcus Harvey (r.) make television history as the first African-American paranormal investigation team (Photo Credit: Destination America).
‘Ghost Brothers’ Juwan Mass (l.), Dalen Spratt (c.) and Marcus Harvey (r.) make television history as the first African-American paranormal investigation team (Photo Credit: Destination America).

Fashion designers Dalen Spratt and Juwan Mass, along with their barber Marcus Harvey, are the epitome of going where no man has gone before. The trailblazing trio is making history as television’s first paranormal investigation team of color on the Destination America  show Ghost Brothers.

Ghost Brothers is a six-episode series that chronicles Spratt, Mass and Harvey traveling throughout various areas of the Southeast to uncover the supernatural in historic locations. Unlike Destination America‘s other sibling programs such as Mountain Monsters, A Haunting, Ghost Stalkers or Ghost Asylum, the team on Ghost Brothers marries together being inquisitive with a cool sense of humor in the midst of a suspenseful ambiance.

The concept for Ghost Brothers originally developed while Spratt and Mass were both roommates. Spratt, the more vocal of the three, suggested to his Clark Atlanta University classmate and frat brother that they hunt ghosts together. Mass, who remembers living with his grandmother on the Gulf Coast across from a cemetery, was reluctant but wanted to support Spratt’s vision.

“Loyalty has no conditions,” expressed Mass seated on the far right of a panel during a press luncheon at the spooky Graveyard Tavern in Atlanta. “If he’s going in, then I’m going in behind him.” Spratt, seated in the center, wanted to charter new territory, noticing instantly a lack of a black presence in paranormal activity.

“This whole idea came from thinking outside of the box,” says Spratt, a self-proclaimed fan of the horror genre. “I never saw a representation of myself on any of these shows. We handle stuff differently than everybody else. Trying something different landed this blessing to us.”

Spratt and Mass, who originally met at Clark Atlanta University (CAU) in 2005, started investigating possible locations in 2011. Harvey, who cuts both Spratt’s and Mass’ hair, overheard the idea and wanted to participate. “We all do our own thing in entrepreneurship,” insists Mass, “but this is beyond what our trade is. It’s good to go in with a fresh eye.”

Each episode of Ghost Brothers, according to the pioneering paranormal team, is a collaborative effort between them and the executives at Destination America. The episodic series melds together grainy black-and-white footage, historic reenactments and Blair Witch Project-style imagery. Some of the sites Spratt, Mass and Harvey visit on Ghost Brothers are a slave plantation in Louisiana, a murder hotel where they were enlightened on doppelgangers, a steamboat and a spot on the Underground Railroad.

Raised with strong family values that uphold faith, the men of Ghost Brothers agree that each scenario starts and closes with them praying with each other. Spratt, whose mother is the head pastor of a church, says, “You’re going into the most unfamiliar place, a place that you’ve never been to, and you don’t know if it’s good or bad. It’s the most frightening experience.”

Spratt continues. “We cover ourselves with the blood of Jesus before we go in all of these locations. We don’t bring anything back with us. We stay very close to our religious beliefs.”

Ghost Brothers premiered on Friday, April 15 at 10 p.m. ET on Destination America. Check local providers for channels.

This post was written by Christopher A. Daniel, pop cultural critic and music editor for the Burton Wire. He is also contributing writer for Urban Lux Magazine and Blues & Soul Magazine. Follow Christopher @Journalistorian on Twitter.

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Pistorius: Sentencing Date for ‘Upgraded’ Charge Announced

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Celebrated Olympic athlete Oscar Pistorius faces murder charges over killing his fiance Reeva Steenkamp. (Photo Credit: Google Images)
Oscar Pistorius and girlfriend Reeva Steenkamp
Oscar Pistorius and with girlfriend Reeva Steenkamp, whom was convicted of murdering in 2013. (Google Images)

Zandi Shabalala of Reuters Africa is reporting disgraced Paralympic Gold Medalist Oscar Pistorius will be sentenced in June for the 2013 murder of his girlfriend Reeva Steenkamp, after his original conviction was upgraded from the lesser charge of manslaughter to murder. Shabalala writes:

“Pistorius, 29, known as ‘Blade Runner’ for the carbon fiber prosthetic blades he used to race, faces a minimum 15-year jail sentence and cannot appeal after the country’s top court ruled in March that he had exhausted all his legal options.

Dressed in a black suit, he showed no signs of emotion during the brief court appearance and spoke on his cellphone as he left the court. He denies killing Steenkamp, saying he mistook her for an intruder at his home.”

Pistorius, who was originally sentenced to five years in prison for manslaughter, was released after serving one-year in prison. He was then allowed to live under house arrest while finishing the sentence at his Uncle’s home. After prosecutors appealed the initial ruling, in December, the Supreme Court upgraded his conviction from manslaughter to murder, which carries a penalty of 15 years. His new sentencing hearing will take place over four days.

Read more at Reuters.

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