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A Tribute to the Real MVP: Madam Vice-President-Elect Harris

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Congresswoman Maxine Waters (D-CA) top left, Congresswoman Ayanna Pressley (D-MA), Attorney and TV Personality Star Jones (bottom left) and Stroll to the Polls Creative Force Maisha Y. Land talk what Vice-President Elect Kamala Harris means to them. (Photos: Google Images)
Congresswoman Maxine Waters (D-CA) top left, Congresswoman Ayanna Pressley (D-MA), Attorney and TV Personality Star Jones (bottom left) and Stroll to the Polls Creative Force Maisha Y. Land talk what Vice-President Elect Kamala Harris means to them. (Photos: Google Images)

Writing for BET News, The Burton Wire’s founder & editor-in-chief Nsenga K. Burton, Ph.D. talks to some of the African American community’s most prized members about the election of Senator Kamala Harris as Vice-President of the United States, making her the first woman, African American (Jamaican descent), South Asian (Tamil), HBCU graduate (Howard University) and member of a historically Black Greek Letter organization (Alpha Kappa Alpha Sorority, Inc.) to hold the office. Breaking all kinds of barriers on her upward political trajectory, Madam Vice-President-Elect is being lauded for her courage, tenacity, ambition and love of this country. Check out what some of Harris’ colleagues and Sorors have to say:

Congresswoman Maxine Waters (D-CA)

“From the start, Senator Harris has served as an inspiration to not just women, girls, and people of color, but to people all over the world who now see themselves in her and her story. As the first Black woman and South Asian- American to be a major party’s vice-presidential nominee, her achievement is historic and I have no doubt that she will continue to be unapologetic, steadfast, and of course – ambitious, in her work for the people. The truth of the matter is that our nation is at an inflection point and in need of compassionate and dignified leaders. Senator Harris is that and so much more, and I am so very pleased to have supported her in this fight.” —Rep. Maxine Waters

Star Jones (Attorney and Talk Show Host)

“My sister, Kamala Harris, has stepped into history [today].  Everyone knows that Senator Kamala Harris will be the first Black and South Asian woman to be Vice President of the United States.  However, we in the Black community know that Kamala is also the first alum of an HBCU (Howard University), member of the “Divine Nine,” my soror of Alpha Kappa Alpha Sorority, Inc. and a Black Women’s Friendship/Service Organization (“The Links”) and member of a Black professional organization like the National Bar Association. As vice president of the United States, Kamala will be bringing the entire village of Black Excellence to the table!” —Star Jones(AKA)

Congresswoman Ayanna Pressley (D-Ma)

“Kamala’s historic nomination and her historic election is a recognition of the skill, passion, and determination that have made her a trailblazer throughout her career in public service. It is also a testament to the central role that Black women have played in the Democratic Party for generations, and a long-overdue reflection of the contributions they have made to this country. And for the next generation of girls of color, it is a reaffirmation that there is no limit to their ambition, no ceiling on their dreams.” —Rep. Ayanna Pressley

Maisha Y. Land, Creator, Stroll to the Poll Viral Stroll and Video

“Black women have always been pioneers, breakers of ceilings, cutters of paths, inventors of solutions, pavers of futures and bearers of light even in the midst of dimness put in place by those historically more empowered in an attempt to stop us. Kamala Harris becoming the first, Black woman to serve as vice president, means more than a moment in Black history or U.S. history. It represents a moment of light in world history for me; a flame reminding us all that Black women of the world have always been worthy of leading the way and will continue to do so.” — Maisha Y. Land (AKA)

Andrew Gillum, Former Mayor of Tallahassee (FL)

“Vice President-elect Kamala Harris represents the best of who we are as a people. The ancestors are rejoicing as they look down on the progress that has been made—all the while pushing us to go further, fight harder, and to never give up. The battle for justice, equality, and fairness requires that we have inflection points and moments such as these to celebrate our progress. The election of VP-elect Harris now becomes one of those seminal moments in Black and American history that will challenge the generations to follow and to climb even higher.” —Andrew Gillum

To hear what Congressman James Clyburn (D-SC), Congresswoman Val Demings (D-Fla.), Baltimore City State Attorney General Marilyn Mosby (AKA), Georgia 5th Congressional District Congresswoman-elect Nikema Williams (AKA), the Honorable Virgie Rollins and the Reverend Leah Daughtry have to say about Harris’ historic win as part of the Biden 2020 Democratic ticket , then visit BET News.

Follow The Burton Wire on Twitter @TheBurtonWire. Follow Nsenga K. Burton, Ph.D. on Twitter @Ntellectual. 

Listen to Black Women: Why I Still Have Hope for Democracy

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Tuesday, November 3, 2020. (Photo By Tom Williams/CQ-Roll Call, Inc via Getty Images)
Tuesday, November 3, 2020. (Photo By Tom Williams/CQ-Roll Call, Inc via Getty Images)

Writing for Courier Newsroom, The Burton Wire‘s founder & editor-in-chief Nsenga K. Burton, Ph.D., discusses how Black women continue to have hope for democracy in the face of despair while living in an anti-Black and sexist country. Burton writes:

“Part of being Black and a woman in America is having hope in the face of despair and pressing on against the anti-Black and sexist establishment that actively works against our progress. There are so many examples of this type of leadership and resiliency: Sojourner Truth, Barbara Jordan, Carol Mosely Braun, Shirley Chisholm, and others. 

As a college professor and writer, I often deconstruct topics and issues to put them back together so they make sense. Because of my areas of expertise—intersectionality (race, class, gender, sexuality) and media—I can be very cynical and often see the world through a dark lens, sometimes to the chagrin of those around me. Yet and still, it is because of my deep understanding of those issues and how they work in this country that I still have hope for democracy. 

Part of having hope is celebrating the wins, however small they may seem. Having a presidential race that wasn’t a landslide for Joe Biden and Kamala Harris is disappointing. But I also realize that in the United States, that landslide could have very well gone the other way because of all of the work around issues of race, class, gender, and sexuality we haven’t done. 

In Georgia, there is still so much to celebrate in this election. Voters in coastal Georgia ousted District Attorney Jackie Johnson, who failed to appropriately investigate or initially charge anyone in the shooting of Ahmaud Arbery earlier this year. Independent Keith Higgins defeated Johnson, a Republican, 66%-34%. This is particularly noteworthy considering Johnson was initially running unopposed in this election…”

Read the entire article at Courier Newsroom.

Follow Nsenga on Twitter @Ntellectual.

Kamala Harris Makes History: First Af-Am Vice-President

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Vice-President elect Kamala Harris (Photo: Wikipedia)

Senator Kamala Harris will become the United States of America’s first African American woman elected Vice-President in the history of the United States, breaking an abundance of societal boundaries to rise to the second most powerful position in the land.

Harris, who along with President-Elect Joseph Biden, survived a contentious campaign period marked by rampant racism, sexism, abuse and false allegations lobbed by incumbent U.S. President Donald Trump, who still refuses to concede the presidential race. Post-election, President Trump and some of his fellow high-profile Republican politicians like Ted Cruz, Mitch McConnell and Lindsey Graham created and participated in a widespread media campaign to mar the election, claiming voter fraud and coining the term “illegal vote.”

Longtime American “Red” (Republican) states like Georgia, Pennsylvania and Arizona turned Blue (Democratic), helping the Biden/Harris team and others seeking victory at the local, state and national levels of politics claim victory.

Another

Juana Summers of the BBC writes:

“Harris, 56, will bring a legion of firsts to the vice presidency: A daughter of immigrants from India and Jamaica, she will be the first woman, the first Black person, the first Indian American and the first Asian American to hold the office. She will also be the first graduate of a historically Black college and first member of a Black sorority to do so.”

Read more about Harris’ historic win at BBC.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.

Follow The Burton Wire on Twitter @TheBurtonWire.

Coming Soon: Fifty+ Black Film & TV Shows

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Forty-Year-Old Version graphic. (Netflix)

 

The Forty-Year-Old Version poster. (Netflix)


BlackFilmAndTV.com
‘s Wilson Morales is reporting more than 50 film and television projects written, produced, directed and or starring Black talent in prominent roles are currently running or are launching between now and winter. Morales writes:

“When the pandemic hit back in March and theaters nationwide and internationally started to shut down, streaming platforms and VOD became the home for a boatload of films, namely independent films. Most of the big budgeted studio films have been shifted to 2021 in the hopes that a vaccine would come in time for theaters to be open at 50% capacity. It’s October now and while some theaters are open, with the exception of New York City and California, not enough folks are flocking to see films at a big screen with cushy seats and popcorn. With Netflix, Hulu, Amazon, Apple TV+, Disney+, Peacock and HBO Max to name a few, a great deal of films have found homes for filmmakers and talent to be discovered and and some careers reignited.”

Check out a few of TBW’s favorites:

The 40 Year-Old Version

Release Date: October 9, 2020
Studio: Netflix
Producers: Lena Waithe, Jordan Fudge, Radha Blank, Inuka Bacote-Capiga, Jennifer Semler, and Rishi Rajani
Director: Radha Blank
Screenwriters: Radha Blank
Starring: Radha Blank, Peter Kim, Oswin Benjamin, Imani Lewis, Haskiri Velazquez, Antonio Ortiz, TJ Atoms, Reed Birney, and Jacob Ming-Trent

Radha, a down-on-her-luck NY playwright, is desperate for a breakthrough before 40. But when she foils what seems like her last shot at success, she’s left with no choice but to reinvent herself as rapper RadhaMUSPrime. The Forty-Year-Old Version follows Radha as she vacillates between the worlds of Hip Hop and theater on a quest to find her true voice.

 

Charm City Kings

Release Date: October 9, 2020
Distributor: HBO Max
Producer: Caleeb Pinkett, Clarence Hammond and Marc Bienstock
Director: Angel Manuel Soto
Screenwriters: Sherman Payne, with a story by Chris Boyd & Kirk Sullivan and Barry Jenkins
Starring: Jahi Di’Allo Winston, Meek Mill, Will Catlett, Donielle Hansley, Kezii Curtis, Chino, Lakeyria “Wheelie Queen” Doughty and Teyonah Parris.

Jada Pinkett Smith, Will Smith and James Lassiter executive produced through their company Overbrook Entertainment.

In the film, Mouse (Di’Allo Winston) desperately wants to join The Midnight Clique, an infamous group of Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax (Meek Mill), takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence.

 

 

Freedia Got a Gun

Release Date: October 15, 2020
Studio: Peacock & World of Wonder
Producers: Fenton Bailer & Randy Barbato (World of Wonder), Chris McKim
Director: Chris McKim
Starring: Big Freedia

FREEDIA GOT A GUN dives into this country’s centuries-long struggle with gun violence and its ties back to race and toxic masculinity. Devastated after learning her brother Adam was murdered, New Orleans bounce legend Big Freedia uses her platform to raise awareness about the complexities of gun violence. As Freedia shares her personal journey from growing up gay in the projects through Hurricane Katrina and chasing her musical dreams, she delves deep into the first-hand experiences she and the community have had with gun violence, seeking to uncover the causes behind it.

Check out the complete list here. What are your favorites on this list? Let us know on Twitter @TheBurtonWire.

This post was curated by Nsenga K. Burton, founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.

Race in America: WORLD CHANNEL & PBS Launch Doc Series

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Freedom Summer Graphic (World Channel)
Freedom Summer Graphic (World Channel)

WORLD Channel, a national public media broadcast, online and social media platform with news and documentaries humanizing complex issues from across the globe, is presenting Race in America a series of iconic documentaries and events exploring historical and cultural stories about race and civil rights in America.

Beginning in October 2020, WORLD Channel, in partnership with PBS, will broadcast a series of documentaries that examine the civil rights movement in America, reconciling the history that led to the nation’s current racial reckoning. From films such as AMERICAN EXPERIENCE’s The Murder of Emmett Till and AMERICAN MASTERS’ Miles Davis: The Birth of Cool to Driving While Black, the films chronicle the history of Black Americans as well as the cultural and political forces which have shaped today’s world.  The films also will be available for streaming at worldchannel.org.

“Public media has always been dedicated to sharing the stories of the people who shaped our world. That has provided an incredibly rich archive of stories about Black Americans,” said Chris Hastings, executive producer at WORLD Channel at GBH in Boston. “At WORLD Channel, we want to bring these films back, to share these stories with new audiences across the country, especially at a time when we need individuals to embrace the differences that make us one country.”

Race in America films will air nationwide on Saturday nights at 8 pm ET/ 9 pm PT from October through March 2021. The featured documentaries will include:

AMERICAN EXPERIENCE:  The Murder of Emmett Till
First aired in January 2003, The Murder of Emmett Till takes viewers back 65 years to August 1955, when a Black 14-year-old whistled at a white woman in a grocery store in Money, Mississippi. Emmett Till, a teen from Chicago, didn’t understand that he had broken the unwritten laws of the Jim Crow South until three days later, when two white men dragged him from his bed in the dead of night, beat him brutally and then shot him in the head. The murder and the trial horrified the nation and the world and was a spark that helped mobilize the Civil Rights movement. Streaming now at worldchannel.org >.

AMERICAN EXPERIENCE:  Freedom Riders
From May 2011, Freedom Riders is the powerful, harrowing and ultimately inspirational story of six months in 1961 that changed America forever. From May until November 1961, more than 400 Black and white Americans risked their lives for simply traveling together on buses and trains as they journeyed through the Deep South. Deliberately violating Jim Crow laws in order to test and challenge a segregated interstate travel system, the Freedom Riders met with bitter racism and mob violence along the way, sorely testing their belief in nonviolent activism. Streaming now at worldchannel.org.

Driving While Black: Race, Space and Place in America
This 2020 feature-length documentary explores the role of the automobile in the lives of African Americans in the early twentieth century. The film chronicles a crucial and transformative period in American racial, cultural and social history, drawing on a rich archive of material from the period — including photographs, advertisements, road signs, maps, letters and legal records — along with riveting oral histories and the on-camera insights of scholars, writers, musicians, artists, religious leaders and ordinary American travelers. Airs October 17, 2020 at 8 pm ET/ 9 pm PT

AMERICAN EXPERIENCE:  Freedom Summer
The 2014 film Freedom Summer tells the story of the summer of 1964 in Mississippi where less than seven percent of African Americans were registered to vote and the segregationist white establishment was prepared to use any means necessary to keep them away from the polls and out of elected office. For ten weeks that summer, white students from the North joined activists on the ground for a massive effort that would do what had been impossible so far: force the  media and the country to take notice of the  shocking violence and massive injustice taking place in Mississippi. Airs October 24, 2020 at 8 pm ET/ 9 pm PT

John Lewis – Get in the Way: The Journey of John Lewis
The first major documentary biography of John Lewis, Get in the Way is a riveting, highly personalized narrative of an epic chapter in U.S. history. The film follows the journey of the civil rights hero, congressman, and human rights champion. From his role as one of the original Freedom Riders to his position as a U.S. Congressman, Lewis stood up to injustice wherever he found it. Airs October 31, 2020 at 8 pm ET/ 9 pm PT

The African Americans:  Many Rivers to Cross
Noted Harvard scholar Henry Louis Gates, Jr., recounts the full trajectory of African-American history in this groundbreaking six-part series that explores the evolution of the African-American people, as well as the multiplicity of cultural institutions, political strategies and religious and social perspectives they developed — forging their own history, culture and society against unimaginable odds. Commencing with the origins of slavery in Africa, the series moves through five centuries of remarkable historic events right up to the present. Airs Saturdays from November 7-21, 2020 at 8 pm ET/ 9 pm PT

AMERICAN MASTERS:  Miles Davis: Birth of the Cool
First airing earlier this year, Miles Davis: Birth of the Cool is a deep dive into the world of a beloved musical giant. The Grammy-nominated film takes a hard look at the mythology that surrounds the legend of Miles Davis, one of the most innovative, influential and respected figures in music. Airs November 28, 2020 at 8 pm ET/ 9 pm PT

Reconstruction:  America After the Civil War
From 2019, Henry Louis Gates, Jr., presents a four-hour documentary series, exploring the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction and revolutionary  social change. The twelve years that composed the post-war Reconstruction era witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free Black people seeking out their rightful place as equal citizens  under the law. Airs Saturdays from December 5-12, 2020 at 8 pm ET/ 9 pm PT

AMERICAN MASTERS:  Maya Angelou: And Still I Rise
First premiering in 2017, Maya Angelou: And Still I Rise traces Dr. Angelou’s incredible journey, shedding light on the untold aspects of her life. From her upbringing in the Depression-era South and her early performing career to her work with Malcolm X in Ghana and her many writing successes, including her inaugural poem for President Bill Clinton, the film reveals hidden facets of her life during some of America’s most defining moments. Airs December 19, 2020 at 8 pm ET/ 9 pm PT

GREAT PERFORMANCES:  Twilight: Los Angeles
The film adaptation of Anna Deavere Smith’s play Twilight: Los Angeles first premiered in 2001. Offering an unflinching look at the fallout from the 1992 Los Angeles riots following the Rodney King trial verdict, the film continues to reverberate powerfully today, giving voice to 40 real-life characters that spoke to her in hundreds of interviews.  Airs December 26, 2020 at 8 pm ET/ 9 pm PT

Learn more about World Channel at www.worldchannel.org.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire. 

2020 AfroComicCon Film Festival Winners Announced!

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Screen shot of Far From Casablanca, 2020 ACCIFF Best Cinematography Winner Yousseff Rhanem.
Collage of 2020 AFCCIFF Award winners.
(Photo: NKB)

The 2020 AfroComicCon Virtual Short Film Festival took place Saturday, October 24 at 7 a.m. PST/10 a.m. EST as part of the larger “AFROCOMICCON,” which is the premiere comic con event for people of color and the African diaspora dedicated to showcasing talent, creators and content produced by people of African descent. Normally held in the San Francisco Bay area, the “CON” was held virtually due to COVID-19 constraints. Viewers were able to watch the films on AfroComicCon’s YouTube page and Black Press USA”s YouTube channel. The film festival kicked off with an interview with iconic Black speculative fiction writer Tananarive Due, followed by screenings of films by the finalists, a discussion with two of the festival judges Carlton Hargro (20th Place Media) and Ronda Rocha Penrice (AAFCA) and an announcement of the winners.

The festival winners were:

Best Film and Best Director: Outcast by Royce Adkins

Screen shot from Outcast by Royce Adkins, 2020 AfroComicCon Virtual Film Festival Best Film and Best Director Winner.
Best Cinematography – Far From Casablanca by Youssef Rhanem
Screen shot of Far From Casablanca, 2020 ACCIFF Best Cinematography Winner Youssef Rhanem.

Steven Russell was awarded second place in the Best Film and Best Cinematography categories for his film, The Dark Strums, respectively.

Screen shot of Steven Russell’s “The Dark Strums,” 2020 AFCCIFF 2nd place winner for Best Film and Best Cinematography.
The audience award winner is What Could Have Been by Semmi Cole:
Screen shot of What Could Have Been by Semmi Cole, audience award winner of the 2020 AFCCIFF (Virtual).
All finalists will receive gifts from AfroComicCon sponsor Ultimate Wireless (Follow on IG @Ultimate_Wireless_llc).  Top festival winners including the audience award winner will receive trophies provided by NNPA/BlackPress USA (Follow on Twitter @NNPA_BlackPress). The Best Director/Best Film winner will also receive a MasterClass gift certificate for an annual membership compliments of The Burton Wire (@TheBurtonWire on IG or Twitter) and a $750 cash prize from NNPA/Black Press USA. The Best Cinematography winner will also receive a $500 cash prize. The 2nd place Best Cinematography winner will receive a gift certificate to B&H Photo.
Film festival director Nsenga Burton hosted discussions with finalists like Natalie Cooke and winners Steven Russell, Youssef Rhanem and Royce Adkins.
Filmmaker Royce Adkins discusses his award-winning film Outcast with Nsenga Burton, festival director of AFCCIFF. Adkins won the 2020 Best Film and Best Director Awards.
In addition to the film festival, there are over 50 panels and events for virtual attendees. Check out the full 2020 AfroComicCon at AfroComicCon.org. AfroComicCon was founded by Michael James and Hally Bellah-Guther.
This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter  or IG @TheBurtonWire or @Ntellectual. 

‘We Are Here’: Antonio David Lyons Talks One-Man Show

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Photo: Antonio David Lyons
Photo: Antonio David Lyons

Antonio David Lyons is an artist who has been working at the craft of acting, writing, producing, singing and dancing for the last two decades. Born to a Bahamian mother and Jamaican father, the first immigrant group in Florida, Antonio spent his days thinking, dreaming and planning of a life on stage and screen. An HBCU (Southern University) and City University of New York (CUNY) Theater Management graduate, the University of Michigan scholar-in-residence awardee has been slowly but surely building an enviable body of work, having appeared in critically-acclaimed television shows and films including American History X, Avengers, The Book of Negroes and the academy award-winning film Hotel Rwanda. The triple threat’s wanderlust led him to South Africa where he built a life and a television career with roles on the wildly popular SABC network television shows Scandal, Generations, Jacob’s Crossing, Jozi-H and Home Affairs. Lyons has held his own working opposite award-winning talents like Ed Norton, Don Cheadle, Aunjanue Ellis, Jessica Lange and Lyriq Bent.

With one foot planted in South Africa and the other in the United States, Lyon’s celebrated one-man show launched in South Africa, “We Are Here” comes to Los Angeles, CA, Saturday, October 24, broadcasting live from the Black Voices at the Whitefire Theater.

Directed by Juliette Jeffers, a Caribbean American actor, writer, director, producer and teaching artist, “We Are Here,” tackles the ties that bind the U.S. and South Africa and the toxic culture and environment that results. “We Are Here” is a story about courage and conviction, confronting and ending violence and the importance of recognizing one’s full humanity as we continue to share the Earth. 

Lyons wrote the play which has become a movement, traveling across the globe confronting important social justice issues and changing lives In the process. The success of the play resulted in Antonio creating, “We Are Here”, a social activism campaign born in South Africa that utilizes discursive play to engage men and boys in themes of identity, masculinity, relationships, gender based violence and HIV/AIDS.  We Are Here has implemented programs and toured in South Africa, Namibia and the USA.

I had an opportunity to catch up with Antonio, who is working on a book of poetry and new music, to ask a few questions.

NB: Like your character in the play, you moved from California to South Africa. Is “We Are Here” based on your life experience? 

ADL: Yes, it is! The show is the result of over a decade of living and creating in South Africa. It reflects some of my experiences, moments I’ve witnessed and some fundamental learnings that could only occur because I was living outside my country of origin.

NB: Why did you decide to tell this story instead of the many you could tell as a creative artist?

ADL: I wish I’d decided to tell this story! It felt more like a possession. The story had a life of its own and forced me to give birth to an insistent impulse. The genesis of the play was in response to an international social activism campaign, “16 Days of Activism Against Gender Based Violence”.  The campaign was originated by the UN and adopted by countries around the world.

I had a visceral reaction to the campaign and the endemic violence that I’d discovered in South Africa. During my early days in South Africa, I kept trying to reconcile a country with so much joy, hope and possibility with the vicious violence visited on its most vulnerable,  particularly at the hands of bodies like mine–Black and male. I was troubled by the absence of black male bodies and voices engaged in support of doing something to stop the violence and shift behaviors. I was raised by a mother whose life’s work was community development, which informed some of my expectations for myself and others, so I began to write a poem a day for 16 days. Those poems would become the core of the play, “We Are Here.”

NB: What did you discover through the writing process?

ADL: I discovered through this process that I still carried unresolved trauma from the murder of my aunt decades earlier and my father hitting my mother, which resulted in their divorce. I also wanted to create a space where entire communities could come together and talk about these issues by seeing themselves reflected in a piece of art. My hope is that “We Are Here” exists as a container that lets an audience community begin the process of having hard conversations, exchange tools and imagine actionable solutions. As artists we get an opportunity to tell a lot of stories, but nothing can ever be as important as telling our own.

NB: Why do you think this story translates to audiences in South Africa and the United States?

ADL: Unfortunately the issues that the play explores are part of our lived communal experiences throughout the African Diaspora. The violence that exists in our homes and the secrets that allow that violence in its various forms to become cyclical is a part of the very fabric of our communities. The intersectional impacts of colonialism, the slave trade, socioeconomic oppression, mental health issues, etc. have produced an against all odds determination to survive, as well as self destructive behaviors. There is always hope. There is always a prayer to be uttered. As a people we believe in the possibility of something better. We want something better for ourselves and our children. We are in the constant search of the, how. That’s what “We Are Here” does. It wades through the trauma and possibility to discover through one man’s path, informed by those he meets along the way, a spark awaiting a flame. That’s a journey that resonates from anywhere you’re sitting on the globe.

NB: Why do you think the time is ripe to bring the performance to the United States? 

ADL: As a nation, as Black people, specifically now is a time for deep thinking. Covid-19 has provided an opportunity to slow down and explore who we are and how we got here. A time to have brave conversations about the things that have troubled our spirit. To lean into the things that we’ve kept at bay through the business of our lives. The triple whammy of a pandemic, increased violence against our bodies and a leaderless government that seems to be steeped in white supremacist ideologies have us filled with grief, rage and anxiety. What better time than now to pull it all apart and rebuild it together. Now is a time when Black men feel vulnerable and powerless. This moment is an opportunity to disregard notions of masculinity that are not serving us, our families or our communities. It’s an opportunity to figure out bold and constructive ways to channel our anger, frustration and powerlessness into systemic change within ourselves and the world. I don’t know how to fix big problems outside of myself without first fixing what’s broken within me.

NB: What do you hope audiences get from the performance?

ADL: Hope, possibility, healing and community. I want something good to spark that may illuminate your world.

Check out Lyon’s virtual performance and “We Are Here Workshops” at the South Dallas Cultural Center beginning Saturday, November 12,  2020.

This article was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow her on Twitter @Ntellectual. 

Follow The Burton Wire on Instagram or Twitter @TheBurtonWire.

AfroComicCon Goes Virtual Saturday, October 24

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AfroComicCon 2020 kicks off Saturday, October 24, 2020 at 7 a.m. PST/10 a.m. EST.
AfroComicCon 2020 kicks off Saturday, October 24, 2020 at 7 a.m. PST/10 a.m. EST.

AfroComicCon, the premiere comic con event for people of color and the African diaspora dedicated to showcasing talent, creators and content produced by people of African descent kicks off this weekend. Normally held in the San Francisco Bay area, this year’s “Con” goes virtual Saturday, October 24 beginning 10 a.m. EST/7 a.m. PST. Featuring more than 50 panels including heavy hitters like artist and educator John Jennings, comedian and social justice commentator Godfrey, poet Aya de Leon, activist and gamer Tanya DePass, Cosplay game designer Gabe Hicks, author and educator Torrey Maldonado to name a few.

Festival co-founder Hally Bellah-Guther states, “We have over fifty panels this year in addition to gaming, cosplay, the podcast and the film festival. There is literally something for everyone this year. We couldn’t be more pleased with the lineup for our first virtual festival.”

Panel topics range from educational to activist to performances to gaming and Black creativity. They include a Wakanda Dream Lab, Sci-Fi Fantasy and Fandom in Fiction for Young Readers, Blerds in the Hood, Black Comic Creators, Creating a Superhero Show, Melanin Gamers and a BlackAF Roundtable, among many. There is also an AfroComicCon podcast hosted by Greg Bridges, host of the Jazz Oasis (KCSM-FM), speculative fiction icon Thaddeus Howse and featuring the who’s who of Afrofuturism as guests.

In addition, there will be a virtual short film festival streaming live, beginning 10 a.m. EST featuring the films of the six finalists. Festival director Nsenga Burton states, “The films in this festival speak to the breadth of Black creativity and cosmic storytelling. The films cover a variety of genres including superhero, horror and science-fiction while examining the world through the lens of social justice, BLERD humor, womanism and the complexities of being Black in this world and the next,” says the film scholar.

African American Film Critics Association member and author Ronda Penrice Rocha, Black comic book publisher Carlton Hargro (20th Place Media), award-winning filmmaker/author/film professors Booker T. Mattison and Phill Branch and film and tv Director Christine Swanson served as judges for the short film festival this year.

Films were submitted from around the world with six finalists being chosen by the judges. They are in alphabetical order:

Royce Adkins, Outcast
Semmi Cole, What Could Have Been
Natalie Cook, Backwards God
Theo Hollingsworth, Sirius Lee: The Problematic Transplant
Youssef Rahem, Far from Casablanca
Steven Russell, The Dark Strums

The films of the six finalists will be screened at this year’s festival. Winners of the the categories of Best Film, Best Director and Best Cinematography will be announced live at the festival on the AfroComicCon YouTube channel. Viewers will also get to vote on the audience favorite award. The link to the poll will go live at the beginning of the screening and will close at the end of the screening. The audience favorite award winner will be announced when the winners are announced.

Please see the virtual film festival schedule below:

Please note times are in EST and subject to change.

This year’s AfroComicCon virtual international film festival is being sponsored by National Newspaper Publisher’s Association and Pixar. The film festival is being sponsored by NNPA and The Burton Wire.

NNPA’s technical producer and festival curator Norman Rich states, “AfroComicCon is a natural fit for NNPA and Black Press USA which serves the same audience and understands the complexity of Black life and culture. African Americans have been pioneers and leaders in Cosplay, gaming, technology and all things “CON” so we are excited about partnering with Mike and Hally to help make this Con happen in the virtual space.”

Check out the “CON” and the film festival, Saturday, October 24, 2020 beginning 7 a.m. PST/10 a.m. EST with the film festival.

To download the AFCC Film Festival Watch Party Viewer Kit, visit: afcc film festival watch party viewing kit materials.

Watch the virtual film festival here.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.

Follow The Burton Wire for updates on the Film Festival on Twitter or Instagram @TheBurtonWire.

Nigeria: Police Chief Orders Anti-Police Brutality Protesters Released

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Screenshot: YOUTUBE/DW News
Screenshot: YOUTUBE/DW News

Nigeria’s police chief has ordered the unconditional release of all anti-police brutality demonstrators arrested during protests against police brutality.

This was a key demand of protesters who have rallied against the hated Special Anti-Robbery Squad (SARS) in major cities for seven days. According to multiple news outlets, 10 protesters were killed during the rallies.

Rallies have continued despite President Muhammadu Buhari announcing on Sunday the disbandment of SARS.

Shola Lawal and 

“The Special Anti-Robbery Squad was created in 1992 and charged with tackling the problem of violent crime in Lagos. It operated as a faceless, 15-member team that traveled in two unmarked buses, its officers often wearing neither uniforms nor name tags.

The anonymity was considered vital for taking on the gangs that openly terrorized Lagos at the time. But as the police unit grew, establishing itself throughout the country, its faceless nature opened the door to abuse, making it difficult to identify and report rogue officers and emboldening them to act with impunity, critics say.

The SARS unit has been accused of targeting young people who appear well-dressed, shaking them down for money, and torturing and abusing and even killing those who resist. Amnesty International says it documented more than 82 cases of abuse and extrajudicial killings by SARS officers from January 2017 to this May.

President Buhari’s words have been met with skepticism by protest leaders. Major Black entertainers including Nigerian music stars Davido and Falz, American rap superstar Kanye West, R&B singer Trey Songz and Afro-British actor Jon Boyega have offered support for the anti-police brutality protesters on social media using the #EndSARS hashtag. 

Protests were also held in the commercial hub, Lagos, the country’s capital, Abuja, and four other cities.

Read more at BBC or New York Times.

Follow The Burton Wire on Instagram or Twitter @TheBurtonWire.

Meet the Makers: ‘History of White People’ Creators Speak 7 p.m. EST (ZOOM)

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The History of White People Still from episode 1. (Courtesy of the World Channel)
The History of White People Still from episode 1. (Courtesy of the World Channel)

Tonight audiences have the chance to meet the team behind The History of White People in America, the animated series that explores how skin color became race and how race came to shape the trajectory of American history. Now streaming on WORLD Channel’s YouTube, the animated shorts depict the truth of what it means to be American and how group identities are constantly evolving. A free Zoom event presented by Boston-based WORLD Channel — tonight’s Meet the Makers event starts at 7 p.m. ET and will feature conversations with the filmmakers, scenes from the series and musical selections as part of the Your Vote 2020 campaign.

WORLD Channel proudly presents a special “Meet the Makers’ virtual event for THE HISTORY OF WHITE PEOPLE IN AMERICA as part of our Your Vote 2020 campaign.  Featuring dynamic musical selections, an intimate conversation with filmmakers and special guests, and scenes from the animated series, this promises to be a timely and engaging conversation about the compelling issues that face our nation. THE HISTORY OF WHITE PEOPLE IN AMERICA examines how skin color has come to define race in our country.

The shorts capture the truth of what it means to be American – that “us” and “them” are constantly redefined, that our racial history deserves contemplation, and that above all else we are bound by our rich differences in experience and identity.  Follow and join the social conversation with #YourVote2020 and #HistoryofWhitePeopleinAmerica.

Panelists will include:

*         Pierce Freelon, Director, HOWPIA
*         Jon Halperin, Producer, HOWPIA
*         Cornelius Moore, California Newsreel
*         Ronda Taylor Bullock, We Are

Moderator: Paris Alston, producer Radio Boston

Zoom EVENT Link: https://wgbh.zoom.us/webinar/register/WN_N4RFQPv3RSSzsCshyJp4Lg

For more information about WORLD Channel Events, visit: https://worldchannel.org/events/

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