The new Amazon Studios documentaryTIME is opening TODAY in select cities and will stream on AMAZON Prime beginning October 16, 2020.
TIME, a documentary surrounding the life, struggles and triumphs of Fox Rich and Rob G. Rich, chronicles life after a moment of desperation led to a botched bank robbery that landed them both in jail – Fox served 3 and ½ year while Rob was sentenced to 60 years. TIME is record of and an extremely personal love letter to empathy and the importance of second chances.
Fox Rich is a fighter. The entrepreneur, abolitionist and mother of six boys has spent the last two decades campaigning for the release of her husband, Rob G. Rich. Combining the video diaries Fox has recorded for Rob over the years with intimate glimpses of her present-day life, director Garrett Bradley paints a mesmerizing portrait of the resilience and radical love necessary to prevail over the endless separations of the country’s prison-industrial complex. TIME is coming to theaters October 9, and
Schoolhouse BLK Presents Turn It Blue
(YouTube Screenshot)
Schoolhouse BLK Presents Turn It Blue (YouTube Screenshot)
NSFW (contains profanity)
With both Senate seats up for grabs and President Trump up for re-election, the November 3rd election could be a game changer for Georgia with the solidly red state finally turning blue. Just in time for the election, writer/director Seith Mann (#FreeRayshawn, Raising Dion) and writer/producer Elyce Strong Mann (Lincoln Heights) drop an animated video, “Schoolhouse BLK Presents Turn It Blue,” a dirty south ditty motivating Georgia voters to register and vote early and “turn this mf blue.” A family endeavor, the video features a young boy inquiring about a bill about qualified immunity. Produced by DJ Cozmo and Phonte Keys: Zo, the song is written by Phonte Coleman, Santiaugo Gathright, Marcus Perry, Tristan Wilds and performed by Big Sant.
Check out the video below:
“Turn It Blue” reminds Georgia voters to register early by October 4 th (the actual deadline date is October5) and to vote early in the election. The PSA also highlights the important bills and decisions that will be made during this election, shouting out the Get Your Booty to the Poll PSA that has gone viral in the process.
For the first time in decades, there’s a real chance to “Turn It Blue.” You’ve got Democrat Jon Osoff taking on Republican David Perdue. Recent Gov. Brian Kemp appointee Republican Kelly Loeffler will be trying to hold on to her seat against fellow Republican Doug Collins, who was endorsed by former Georgia Gov. Nathan Deal and Democrat Raphael Warnock, pastor of the historic Ebenezer Baptist Church in Atlanta. Warnock has taken the lead over Democrat Matt Lieberman, educator and son of former Connecticut Sen. Joe Lieberman, who refuses to budge, despite calls from top Democrats to unite the party behind Warnock. Former Presidents Jimmy Carter and Barack Obama have endorsed Warnock for the seat.
To learn more about “Turn It Blue,” visit their website, where you can also register to vote.
To register to vote in Georgia online, click here.
To check your voter registration status online, click here.
Registered Georgia voters can vote early before the November 3 election. Early voting begins Tuesday, October 12, 2020 and ends Friday, October 30, 2020. To find early voting locations, click here and enter your county or click here. Please note dates and hours vary so please check online before you head to your early voting location.
To find your polling station (where you vote) on November 3, click here.
This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @TheBurtonWire.
Follow The Burton Wire for more information on the Georgia elections.
OWN: Oprah Winfrey Network announced today its first ever digital animated short-form comedy series “Sincerely, Camille” from creator Munirah Safiyah Jones (“Junt Land”). A key component to the network’s OWN YOUR VOTE nonpartisan get-out-the-vote initiative, the six-part original series offers a humorous, irreverent, and informative take on politics and the issues impacting Black women in the lead-up to the 2020 November election.
“Sincerely, Camille” follows a trio of women – Camille, Staci, and Sara – navigating life, work and relationships in the throes of the 2020 presidential election cycle. Three friends, three different viewpoints, three varying approaches to evoking civic participation. The series follows the women’s efforts to get their communities informed, engaged, and inspired to act in one of the most important elections in American history. The satirical series provides powerful insight and edgy social commentary on the current political climate and the choices Black women face this fall.
“We are always looking for unique voices and innovative ways to tell stories that matter to our audience and we’re excited that, for the first time, OWN is creating animated comedy shorts with the talented storyteller, Munirah Safiyah Jones. The series not only entertains and engages, but communicates a critical message about the importance of voting,” said Tina Perry, president, OWN. “Our viewers will instantly relate to these characters as they deal with the real-world issues and concerns impacting Black women.”
“It’s an honor to work for Ms. Winfrey and OWN and to help serve the Black community as we approach these historic 2020 elections,” said Munirah Safiyah Jones, creator/executive producer. “My hope is that we have created a fresh, engaging way to encourage people to register to vote and cast their ballot this fall.”
Whether it be affordable healthcare or legal reform, “Sincerely, Camille” starts the conversation and encourages the audience to continue it. Animation provides a dynamic way of delivering the sermon—minus the preaching. “Sincerely, Camille” encourages four things: dialogue about the issues, voter registration, volunteering, and informed voting.
“Sincerely, Camille” characters are voiced by creator Munirah Safiyah Jones as ‘Camille, Restaurant Guy, and others’ as well as talent including Kent King (“General Hospital” as ‘Sara’, Kiana Thompson (“Friend Request”) as ‘Staci’, Havon Baraka (“Castles in the Air”) as ‘Melvin’, Jon Bridell (“Sanctuary”) as ‘Drew’, Jay Devon Johnson as ‘Daddy Earl’, Harlen Ernest (“ATL Homicide”) as ‘Walter’, JS Tate as ‘Junior’, Donna Rusch (“Criminal Minds”) as ‘Rose’, Michelle Murphy voicing multiple characters, Ifeoluwa Adenyi as ‘Crystal’, and Thando Dlomo as the ‘Therapist.’
“Sincerely, Camille” is produced for OWN by Executive Producer Munirah Safiyah Jones and Harpo Films.
In support of National Voter Registration Day (September 22), Amazon Prime Video will stream the Amazon Original movie All In: The Fight for Democracy featuring Stacey Abrams to audiences globally, without needing a Prime membership. The voting rights documentary will be in front of the Prime Video paywall for 24-hours, in an effort to drive the urgency and importance of voter registration. The film will also be available on Twitch, YouTube and Twitter, making the film widely available and accessible to meet customers where they are across multiple platforms.
Also, on September 22, Twitter and Twitch will host watch parties where the film will be streaming on these platforms at no cost. The Twitter watch party will be hosted by Stacey Abrams and Lin-Manuel Miranda starting at 4:00pm PT at https://twitter.com/i/events/1305586144692727809, and the Twitch livestream will be hosted by social influencer Neeko on http://www.twitch.tv/neekoat 11:00am PT. All In: The Fight for Democracy will stream at no cost for 24-hours on Prime Video at https://www.amazon.com/dp/B08FRSNBLL, and at https://youtu.be/6h1-Ctbi8SM on YouTube.
In anticipation of the 2020 presidential election, All In: The Fight for Democracy examines the often overlooked, yet insidious issue of voter suppression in the United States. The film interweaves personal experiences with current activism and historical insight to expose a problem that has corrupted our democracy from the very beginning. With the perspective and expertise of Stacey Abrams, the former Minority Leader of the Georgia House of Representatives, the documentary offers an insider’s look into laws and barriers to voting that most people don’t even know are threats to their basic rights as citizens of the United States.
“Voting is fundamental for our country and democracy, and should be accessible and available to Americans everywhere. Today All In: The Fight for Democracy will be accessible on multiple platforms in support of voter awareness and registration for all Americans,” said Abrams.
As previously announced, the filmmakers with support from foundations, private funders, and Amazon Studios launched #AllInForVoting, a non-partisan social impact campaign aimed at educating and registering first-time voters, mobilizing communities to turn out to vote and training citizens to know their rights and report voter suppression. As part of the impact campaign, the 50 State Ambassador initiative brought together a team of influential actors, artists, musicians, athletes, and newsmakers to use their platforms to educate voters and mobilize participation in the upcoming national and regional elections. The Ambassadors include Taraji P. Henson, Connie Britton, Tyler Blackburn, Zooey Deschanel, Don Cheadle, Gabrielle Union, Seth MacFarlane, Padma Lakshmi, Melissa Ethridge, Zach LaVine, Viola Davis, Janelle Monáe and many more.
All In: The Fight for Democracy is directed by Oscar-nominated and Emmy-winning filmmaker Liz Garbus and Oscar-nominated and Emmy-winning filmmaker Lisa Cortés, and produced by Garbus, Cortés, Academy Award-winning producer Dan Cogan and Stacey Abrams. Amazon Studios acquired worldwide rights to All In: The Fight for Democracy from production company Story Syndicate.
For more information about activations and programming, visit AllInForVoting.com.
This post was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.
Zendaya and Regina King make history at the 72nd Emmy Awards. (Photos: Emmy.org)
In case you’ve been living under a rock, Black folks made history at the 72nd Emmy Awards last night (9/20/20).
Zendaya won the lead drama actress Emmy for her turn as Rue Bennett, a troubled, drug-addicted teen on HBO’s “Euphoria.” It was only the second time in the history of the television awards show that a Black woman won that category. The first was Viola Davis in 2015 for “How To Get Away With Murder.” Zendaya is also the youngest woman to ever win the lead actress award, eclipsing last year’s winner Jodie Comer, who held the title as the youngest winner for her 2019 lead actress win for playing the role of Oksana on BBC’s “Killing Eve.” Check out her acceptance speech made from her living room while surrounded by family:
Wearing a Breonna Taylor shirt, Regina King tied the record for most acting Emmys won by a Black performer with her win for lead actress in a limited series of movie for her portrayal of actress Angela Abar (Sister Night) in HBO’s, “Watchmen.” King asked people watching to vote and dedicated her win to the late Supreme Court justice Ruth Bader Ginsburg. Watch King’s acceptance speech below:
RuPaul also won his fifth Emmy as host of the RuPaul’s Drag Race which airs on VH1. The Emmy winner dedicated his win to contestant Chi Chi DeVayne, the self-proclaimed Southern bayou princess who dazzled viewers on RuPauls reality show. DeVayne died in August from scleroderma. Watch RuPaul’s acceptance speech below:
Read more about Black actors who won awards on Black Press USA.
This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.
Dr. Burton discussing "The Karen Phenomenon" on Dr. Phil. (Photo: Screenshot)
Dr. Burton discussing “The Karen Phenomenon” on Dr. Phil. (Photo: Screenshot)
The Burton Wire‘s Nsenga Burton, Ph.D. appeared on the Dr. Phil Show to discuss the, “Karen Phenomenon.” Karen is a term used to describe a behavior, usually practiced by a white woman, perceived as entitled or demanding beyond the scope of what is appropriate or necessary for the occasion. “Karens” sometimes physically attack workers of color, weaponize the police against people of color who challenge their perceived authority, launch into tirades against people when in the wrong, engage in toxic behavior including using their media platforms to malign people of color, and blame their nefarious behavior on others including white men, ostensibly playing the victim. Dr. Burton discusses the issue with Dr. Phil and adjunct professor of law and attorney Wendy Murphy, who believes it is a pejorative and sexist term and we should blame White men for the behavior instead of the White women actually engaging in the dubious behavior with negative consequences for people of color.
Check out an excerpt of the show below:
This episode originally aired Wednesday, September 16, 2020. Check local listings for re-airing dates or On Demand to watch the entire episode.
Follow Nsenga on Twitter @Ntellectual. Follow The Burton Wire on Twitter @TheBurtonWire.
The BBC has produced a video examining what has changed globally in the 100 days since the killing of George Floyd. How has the death of Floyd and other unarmed Black people at the hands of police officers changed you? Share on Twitter @TheBurtonWire.
Academy Aperture 2025 promotional photo. (Academy of Motion Picture Arts & Sciences)
Academy Aperture 2025 promotional photo. (Academy of Motion Picture Arts & Sciences)
(Los Angeles, CA) – Tuesday, September 8, 2020, the Academy of Motion Picture Arts and Sciences announced new representation and inclusion standards for Oscars® eligibility in the Best Picture category, as part of its Academy Aperture 2025 initiative. The standards are designed to encourage equitable representation on and off screen in order to better reflect the diversity of the movie-going audience. Academy governors DeVon Franklin and Jim Gianopulos headed a task force to develop the standards that were created from a template inspired by the British Film Institute (BFI) Diversity Standards used for certain funding eligibility in the UK and eligibility in some categories of the British Academy of Film and Television (BAFTA) Awards, but were adapted to serve the specific needs of the Academy. The Academy also consulted with the Producers Guild of America (PGA), as it presently does for Oscars eligibility.
“The aperture must widen to reflect our diverse global population in both the creation of motion pictures and in the audiences who connect with them. The Academy is committed to playing a vital role in helping make this a reality,” said Academy President David Rubin and Academy CEO Dawn Hudson. “We believe these inclusion standards will be a catalyst for long-lasting, essential change in our industry.”
For the 94th Oscars (2022) and 95th Oscars (2023), submitting a confidential Academy Inclusion Standards form will be required for Best Picture consideration; however meeting inclusion thresholds will not be required for eligibility in the Best Picture category until the 96th Oscars (2024).
For the 96th Oscars (2024), a film must meet TWO out of FOUR of the following standards to be deemed eligible:
STANDARD A: ON-SCREEN REPRESENTATION, THEMES AND NARRATIVES
To achieve Standard A, the film must meet ONE of the following criteria:
A1. Lead or significant supporting actors
At least one of the lead actors or significant supporting actors is from an underrepresented racial or ethnic group.
• Asian
• Hispanic/Latinx
• Black/African American
• Indigenous/Native American/Alaskan Native
• Middle Eastern/North African
• Native Hawaiian or other Pacific Islander
• Other underrepresented race or ethnicity
A2. General ensemble cast
At least 30% of all actors in secondary and more minor roles are from at least two of the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
A3. Main storyline/subject matter
The main storyline(s), theme or narrative of the film is centered on an underrepresented group(s).
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD B: CREATIVE LEADERSHIP AND PROJECT TEAM
To achieve Standard B, the film must meet ONE of the criteria below:
B1. Creative leadership and department heads
At least two of the following creative leadership positions and department heads—Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer—are from the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
At least one of those positions must belong to the following underrepresented racial or ethnic group:
• Asian
• Hispanic/Latinx
• Black/African American
• Indigenous/Native American/Alaskan Native
• Middle Eastern/North African
• Native Hawaiian or other Pacific Islander
• Other underrepresented race or ethnicity
B2. Other key roles
At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc.
B3. Overall crew composition
At least 30% of the film’s crew is from the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD C: INDUSTRY ACCESS AND OPPORTUNITIES
To achieve Standard C, the film must meet BOTH criteria below:
C1. Paid apprenticeship and internship opportunities
The film’s distribution or financing company has paid apprenticeships or internships that are from the following underrepresented groups and satisfy the criteria below:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
The major studios/distributors are required to have substantive, ongoing paid apprenticeships/internships inclusive of underrepresented groups (must also include racial or ethnic groups) in most of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing and publicity.
The mini-major or independent studios/distributors must have a minimum of two apprentices/interns from the above underrepresented groups (at least one from an underrepresented racial or ethnic group) in at least one of the following departments: production/development, physical production, post-production, music, VFX, acquisitions, business affairs, distribution, marketing and publicity.
C2. Training opportunities and skills development (crew)
The film’s production, distribution and/or financing company offers training and/or work opportunities for below-the-line skill development to people from the following underrepresented groups:
• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
STANDARD D: AUDIENCE DEVELOPMENT
To achieve Standard D, the film must meet the criterion below:
D1. Representation in marketing, publicity, and distribution
The studio and/or film company has multiple in-house senior executives from among the following underrepresented groups (must include individuals from underrepresented racial or ethnic groups) on their marketing, publicity, and/or distribution teams.
• Women
• Racial or ethnic group
Asian
Hispanic/Latinx
Black/African American
Indigenous/Native American/Alaskan Native
Middle Eastern/North African
Native Hawaiian or other Pacific Islander
Other underrepresented race or ethnicity
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing
All categories other than Best Picture will be held to their current eligibility requirements. Films in the specialty feature categories (Animated Feature Film, Documentary Feature, International Feature Film) submitted for Best Picture/General Entry consideration will be addressed separately.
Academy Aperture 2025 is the next phase of the Academy’s equity and inclusion initiative furthering the organization’s ongoing efforts to advance inclusion in the entertainment industry and increase representation within its membership and the greater film community.
Read more about Academy Aperture 2025 here. Follow The Academy of Motion Picture Arts & Sciences on Twitter@TheAcademy.
This post was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on Twitter @Ntellectual.
Botham Jean and his mother Allison Jean. Photo: Facebook/Jean.Botham July 28,2013
Allison Jean. Photo: Zoom, September 4, 2020
Allison Jean is a mother still in mourning. You can see it in her eyes and hear it in her voice. The CEO of a utility company in St. Lucia, Mrs. Jean presents herself as a consummate professional, eloquently making the case for why it is important to do everything in her power to keep her son Botham Jean’s name alive. “I thought after the protests following his killing, there wouldn’t be any more—couldn’t be any more — but the situation in America seems to have gotten worse. There are so many killings, so many hashtags…” she says as her voice trails off.
Season two of Investigation Discovery’s,IMPACT OF MURDER series kicks off with a heart wrenching two-hour episode, “The Ballad of Botham Jean,” airing on Thursday, September 10 from 9-11 p.m. Jean was shot in 2018 inside his Dallas apartment by white, female, off-duty police officer Amber Guyger. Guyger claimed she shot Botham because she thought she had entered her own home, and he was a trespassing burglar. Like many controversial police killings of minorities, Botham’s murder sparked national outrage. Like many controversial police killings of minorities, the families are left to pick up the pieces of their shattered lives and to fight for justice for their loved one.
Botham Jean and his mother Allison Jean. Photo: Facebook/Jean.Botham July 28,2013
Jean is still bereaved, grieving the senseless murder of her son Botham Jean, at the reckless hands of then Dallas, TX police officer Amber Guyger, who shot and killed Botham, a 25-year-old accountant as he ate ice cream on his sofa, while watching football in his apartment where he paid rent. As many mothers whose sons are the unarmed victims of lethal violence at the hands of rogue police officers who have gotten off with light sentences or avoided charges and prison sentences all together, Allison Jean seems exhausted from the experience that will never end.
She doesn’t agree with Guyger being described as off-duty because, “She was still in uniform and killed Botham with her service revolver,” says Jean. “She was also treated as a police officer. She was even given a 72-hour cooling off period, but she was off-duty?” Jean is clearly tired of the double talk and corruption that is all too common in these kinds of cases. The mothers of murdered children are tired of having to revisit the pain over and over again yet committed to working through their never-ending grief to ensure their child’s senseless murder is not in vain.
September 6, 2020 marks the two-year anniversary of the murder of Botham and as the date nears, Jean becomes anxious and admits the days are difficult. In August, Guyger who received a 10-year sentence for murdering Botham, filed an appeal on the grounds she was sentenced under the wrong crime and was in fact defending herself. Jean is disappointed in Guyger’s appeal. “She still has not taken accountability for her actions. She didn’t appeal the sentence; she appealed the crime. The appeal shows she does not think that she did anything wrong. So, if she believes based on her appeal that she was acting in self-defense, it then turns it around as if it was my son who was the one, she was defending herself against,” she states plainly. “So, the appeal just brings back all the pain, the grief and the anger over what she did to us,” Jean adds. I am very, very disappointed that after she received mercy from my son Brandt, she would still want to turn around and do this.”
Allison Jean, who is still under the care of a therapist because of the trauma over what happened to Botham and her family, does not share her son Brandt’s forgiveness of Guyger. When asked if she still forgave Amber Guyger for killing Botham, Jean strongly stated, “I want to correct that misinformation. My son Brandt offered her his forgiveness and he specifically said he was speaking on his own behalf, not for the family. So, does that answer your question?”
Jean, who is still clearly in shock that something so horrible would happen to her son who did everything right, has channeled her grief into ensuring his name is remembered among the many killed by police. “There are so many names I fear that Botham’s name will not be remembered because there are so many names to call,” she laments. “It is really, really terrible. I watched the March on Washington and they forgot Botham’s name. They called George Floyd, Breonna Taylor, Ahmaud Arbery, Jacob Blake and now the man in Rochester, NY,” she adds. “I am thankful this documentary came about because I fear Botham’s name might be forgotten, but this will help reignite his name, who he was, what he stood for and how he died in everybody’s memory.”
Jean isn’t relying solely on Investigation Discovery to help keep Botham’s name and memory alive; she is also working diligently to ensure this tragedy doesn’t happen again to someone else’s son. On the second anniversary of Botham Jean’s murder, a press conference will be held for a proposed law called the “Botham Jean Law” which will make it a crime for a police officer to turn off body camera or dashboard cameras in order to conceal evidence,” she says. There is currently no law in Texas to fine or prosecute police officers for tampering with evidence by turning off evidence gathering devices. In late July, a grand jury failed to charge Mike Mata, president of the Dallas Police Association for turning off cameras in the vehicle where Guyger sat after killing Botham. It was also revealed during Guyger’s trial that text messages and phone calls made following the shooting between Guyger and police officers, one of whom was her boyfriend, were deleted. Jean believes not having a law like this is one of the reasons why Mata was not indicted.
She is also proud of the Botham Jean Foundation, which was started to honor his memory. Scholarships are given out in his name in Dallas and St. Lucia. A thousand book bags with school supplies were also given to children this year in Dallas and St. Lucia. There are also plans to rename the street on which Botham Jean was killed after him. “I thought they wanted to name just the part of Lamar Street where the apartment building sits after him. They want to name the entire six miles of Lamar street Botham Jean Boulevard and that makes me very happy,” she says with pride.
It is at this apartment building Botham Jean was doing what people do every day, relaxing in the comfort of his own home, when he was killed. That’s the part that is so disappointing to Jean who raised him right. “He died in just the same way that he prepared himself not to die,” Jean says repeatedly. They talked about the police and avoiding unnecessary interaction. Making sure everything was current including his license and registration. How he should dress and present himself. How to avoid high crime areas in the city. How to conduct oneself as a decent human being.
Botham was an educated, hardworking, churchgoing young man with dreams of one day becoming prime minister of St. Lucia. “We talked about it being time for him to get married and start a family. He wanted to become a partner at PWC. His entire life was in front of him,” she adds. Botham Jean will never experience any of those things due to the reckless hands with the steady aim of Amber Guyger. Despite all that her family has suffered, Jean does not believe that Black people should avoid moving to the United States despite the police violence against Blacks in the country. Through all of this, she still has hope that things will get better. She still has hope for the safety and happiness of her friends and family members living in the U.S. including her daughter and three grandsons. Another son is now enrolled at Botham’s alma mater. “Where else could one be safer than in one’s home?” she asks. “I don’t know what he could have done to safeguard himself against what happened,” she adds.
Despite the tragedy her family has suffered, they will not be defined or stopped by it. “I walk by faith and I am trusting that my family will be okay” she says when asked how she continues to put one foot in front of the other having experienced what she has over the last two years. When asked what she hopes viewers will get from this ID documentary, she says, “I would like for people to realize that police brutality is real. The color of our skin itself is a threat,” she states.
Botham Jean pictured with his mother Allison and sister Allisa Charles-Findley. Photo: Facebook/Jean.Botham February 27, 2013
“I want the documentary to provide a greater awareness and sensitivity to Black lives so that the phrase ‘Black Lives Matter’ will not be thought of as a cliché but taken with deeper recognition for the importance of equality. We are all one – Black, Latino, White, Asian — and we should be treated as such.”
“The Ballad of Botham Jean,” airs Thursday, September 10, 9-11 p.m. EST on Investigation Discovery (ID). Check local listings for channel information.
Kartemquin film’s social justice documentary UNAPOLOGETIC is the directorial debut of Ashley O’Shay and producer Morgan Elise Johnson. The documentary chronicles Black women activists in Chicago leading the movement against police violence targeted towards Black residents.
The documentary, which premiered as the opening night film of the 9th Annual BlackStar Film Festival, focuses on the unrelenting work of Janaé Bonsu and Bella BAHHS–young, Black women organizers who take on the Chicago establishment seeking justice for Rekia Boyd and Laquan McDonald, two young Black people killed by Chicago police. UNAPOLOGETIC also explores their quest to elevate a progressive criminal justice platform and center leadership by Black women and femmes within the city.
The film captures tensions between a police board led by Lori Lightfoot (now Chicago Mayor) and abolitionist organizers at Chicago Police Department Headquarters. O’Shay began making the film organically in 2015 while attending one such protest equipped with a camera-in-hand. “I never imagined that I was on the precipice of capturing what will likely be one of the biggest movements of all time,” she said. “What is so captivating to witness is the tapestry of this Black queer feminist movement that lies at the helm of fighting for all Black rights,” says the DP and Chicago-based documentarian.
Black women activists Janaé Bonsu (top) and Bella BAHHS fight against police brutality in the documentary, ‘Unapologetic,’ directed by Ashley O’Shay and produced by Morgan Johnson of Kartemquin films. (Photo: Courtesy of Kartemquin Films)
O’Shay would eventually document two powerhouse activists — Bonsu and Bella BAHHS. Bonsu is a 24-year-old pursuing a Ph.D. in social work while rising in the ranks of Black Youth Project 100 (BYP100), a national youth activist organization working to create justice and freedom for all Black people. BAHHS is a 22-year old “rap-tivist” who combines her music with activism to support women, like herself, who have been affected by intergenerational incarceration.
Johnson concurs with O’Shay’s observations about the movement. “While the world witnesses this newly-infused Civil Rights Movement, I’ll argue that the blueprint can be mapped to Chicago,” she said. “This city represents a microcosm of what resistance looks like. And, the crusade is led by these young, Black feminist voices who are demanding justice for all,” says the independent filmmaker who got her started as an intern at Kartemquin films while attending Northwestern University.
Johnson is also co-creator of The Tribe (along with Tiffany Walden), a digital publication dedicated to reshaping the narrative of Black Chicago, which earned Morgan a spot on Forbes’ 30 Under 30 Media Class of 2019 and Adweek’s Rising Brand Stars of Chicago.
These dynamic women have been working for years to bring marginalized voices to the forefront via media and to address social justice issues like police brutality and mass incarceration.
UNAPOLOGETIC peels back the curtain on 3 years in the lives of two young women who balance the weight of leading a mass movement with becoming scholars and further entering adulthood.
UNAPOLOGETIC is executive produced by Yvonne Welbon, Gordon Quinn and Jolene Pinder. Rubin Daniels, Jr. is editor, and music is composed by Sam Trump. Welbon is a recipient of an award from the prestigious William Greaves Documentary Fund.
To find out more about UNAPOLOGETIC and how to screen it for audiences, visit Kartemquin Films.
This post was curated and written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow her on Twitter @Ntellectual.