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Venus Williams Breaks Records at BB&T Atlanta Open

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Tennis great Venus Williams triumphs at this year's groundbreaking exhibition match at BB&T Atlanta Open (Photo Credit: Alex Smith for BB&T Atlanta Open)
BBT Venus Genie2
Tennis great Venus Williams triumphs at this year’s groundbreaking exhibition match at BB&T Atlanta Open (Photo Credit: Alex Smith for BB&T Atlanta Open)

At this year’s BB&T Atlanta Open, Venus Williams’ win against Genie Bouchard was another milestone in the good ‘ole boys club of tennis. It was the first time in the tournament’s 96-year span that women competed and were a huge draw.

The sold out crowd watched in amazement as Williams, a four-time Olympic gold medalist, triumphed over Bouchard, a 2014 Wimbledon finalist, with 6-4 in the first set and breaking a 6-6 tie with a 7-4 score. Williams, of course, made the evening affair look easy.

“I can’t really say I’ve done anything like this before, so I imagine there will be a lot of excitement today,” the extremely breathy and soft-spoken Lynwood, Ca. native told The Burton Wire during an afternoon press conference. “The fans will be excited, so I’m doing my best to definitely deliver a win.”

Williams’ two decades of vigorous and tenacious athleticism against the young Canadian tennis pro on the hard court was full of endurance-heavy maneuvers and fierce serves. The stylish six-foot-one best-selling author and certified interior designer’s lean and toned physique glided, sprinted and hustled across the blue asphalt in an original sheer aqua blue ensemble trimmed with a purple floral design from the Needlepoint collection of her clothing line, EleVen by Venus Williams.

Rocking rhythmically from side-to-side in anticipation of Bouchard’s serves, Williams’ swift and aggressive right-handed swings attacked the ball. She accompanied that swing letting out her signature grunt. The ESPY Award winner revealed that part of her game is paying close attention to the nuances of her competitors’ performance.

“I haven’t played her [Bouchard] in a number of years,” shares Williams seated with her legs crossed. “She plays a game similar to mine: short strokes, moves around the court well, very competitive. I have to see what’s working tonight. I don’t know exactly what the game plan will be.”

Bouchard says in a later press conference the elder sister of the equally talented Serena Williams is “one of the best players ever.” She remembers her previous matches against Williams as being “really tough matches.” “They were really long three setters,” remembers Bouchard. “It’s always very challenging to play against someone who is so great.”

The extroverted Quebec native adds: “It’s an honor to share a court with a legend, especially considering how well she is still playing,” says Bouchard, echoing Williams calling their game “a practice match.”

“She has such a big and powerful game, so it’s important to be ready for that. Venus’ serve is a huge weapon. It’s a chance to challenge myself and see how far away I am from where I wanna be or what I need to improve to be at a close level of such a great player.”

Williams, now 37, isn’t bothered by age or any potential health issue prohibiting her from maintaining her competitive attitude. Self-care, she says, is what keeps her status as a relevant sports figure. The seven-time Grand Slam singles champion adds she maintains a consistent workout regimen: actively practicing her swing as warmup drills.

Battling the autoimmune disease, Sjogren’s Syndrome, since 2011 hasn’t really affected Williams’ playing. The NAACP Image Award winner says playing a lot of team tennis keeps her energy level and breathing under control, along with actively conditioning and stretching, especially for adapting to various temperatures and geographic regions. When dining, Williams intentionally avoids sugar: favoring healthy proportions of green vegetables.

“You do get older,” advises the relentless trailblazing part-owner of the Miami Dolphins, the first woman-of-color to do so. “Things haven’t changed much for me yet. I just do a lot of preventative things physically, and hopefully that takes out a lot of the issues that could happen in terms of injuries. Mentally, it’s about planning a schedule that’s achievable. It really makes a massive difference.”

Insisting that tennis champions should be good strategists for scoring points, a confident Williams continues: “I know this game. I know how to prepare. I know the ins-and-outs. I just continue down that road. It’s about still trying to improve everyday and add things to my game. That’s what my mindset is.”

Williams reiterates that her record-breaking appearance at this year’s BB&T Atlanta Open was an opportunity for her to raise her personal athletic standards, along with the standards of professional tennis. The advocate for gender equality in the sports industry is proud she can continue to leverage competition with her personal mission to inspire generations of athletes, especially women, to always give their best.

Proclaiming tennis is “a beautiful, awesome game she’ll play forever,” Williams declares in closing that the most rewarding part of tennis is being able to play doubles with and against her younger sister, Serena. “Wow. You can’t play anything better than that,” says Venus. “Those were some awesome matches, and from the times we’ve played, we’ve had a lot of success.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also visiting faculty in the Department of Communication at Georgia State University. Follow Christopher @Journalistorian on Twitter.

Follow The Burton Wire on Twitter @TheBurtonWire.

Daymond John Revisits FUBU’s 25th Anniversary

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FUBU CEO and brand strategist Daymond John judges a pitch competition, Tap The Future, in Atlanta (Photo Credit: MillerCoors)
Photo Jul 25, 9 52 03 AM
FUBU CEO and brand strategist Daymond John judges a pitch competition, Tap The Future, in Atlanta (Photo Credit: MillerCoors)

Daymond John recently noticed a resurgence in consumers buying vintage FUBU apparel on ebay. Grammy-winning entertainer Chris Brown was coincidentally photographed soon after wearing a signature t-shirt onstage. It’s a renewed interest in the same year FUBU is commemorating its 25th anniversary for pioneering the integration of fashion with hip-hop culture, multimedia and entertainment.

The urban apparel line founded by John was synonymous with t-shirts, sweatshirts, hoodies, hats, footwear and denim with the conjoined “FB” in bold, all caps font stitched on the fabric. Entertainers like LL Cool J, Mary J. Blige, TLC, P. Diddy and Beyonce all wore FUBU to award shows, in music videos and in numerous print and television ads. At its pinnacle, FUBU had netted $350 million in sales through 5,000 retail stores: eventually grossing more than $6 billion globally.

An acronym that stands for “For Us By Us,” FUBU was created to specifically target young African-American consumers. John – who started the operation with his childhood friends Keith Perrin, J. Alexander Martin and Carl Brown – created the clothing as a response to high-profile fashion brands expressing they didn’t want to market their collections to ethnic audiences.

“I’ve been really fortunate to have been part of something that’s a globally recognized brand,” the coach and panelist on ABC’s Emmy-winning reality series ‘Shark Tank” says. “It’s close to me. I don’t know necessarily the effect or impact that I’ve had, but whatever it is, I’m grateful.” The concept for FUBU originated around 1989 as ski hats tied with string. John and his peers sold the merchandise on the corner of New York City streets for $10 each.

Three years later, John, then waiting tables at Red Lobster, mortgaged his mother’s three-level Queens, N.Y. home for $100,000 to devote his time, energy and space towards mass producing headwear and shirts. Half of the house became an assembly line; the other half was living quarters for he and his team. Starting out with a $40 budget, John and Team FUBU hit up expos and tradeshows across the Northeast. Their inventory only consisted of about 10 shirts that they ended up rotating on various music videos sets.

Demand began to exceed product availability: leaving John, a savvy negotiator, to shake many hands as he searched for investors. Banks kept denying him capital. Before long, Samsung became a major investor in FUBU.

“Networking is the number one reason why people end up expanding their brand,” says the FUBU CEO and problem solver. “You have to enjoy everybody that’s around you and get to know them. Running a business is very hard. It takes a lot of work, energy, discipline and cash. You have to stay true to yourself, your passion and be consistent.”

FUBU’s popularity soared, producing accessories for all ages and sexes. The clothes’ raw materials were imported from around the world. The clothing line created special edition collections commemorating Fat Albert and sports icon Muhammad Ali. Its record label, FUBU Records, released a gold-selling compilation in 2001 with Universal Records. Subsequent investments include a radio station, television network, fragrances, bedding, formal wear, personal care products, a NASCAR-BUSCH sponsorship and luxury hotels.

Hip-hop artists/moguls like P.Diddy, Nelly and JAY Z borrowed John’s template to develop their own successful clothing companies. The man behind branding and marketing entity The Shark Group is humbled to witness those artists’ evolution into cultural icons. “When you’re in the middle of doing something, you don’t realize the effect it may have with people,” shared John.

“I had much bigger hope for FUBU. Ralph Lauren probably does about $3 to $4 billion a year still. I did $6 billion over 20 years. When anybody touches any extension of anything that you do, you should be extremely grateful.”

Pre-FUBU, John was no stranger to entrepreneurship. The Ambassador for Global Entrepreneurship (appointed by former President Barack Obama) owned six businesses, including a delivery service. Prior to judging a pitch competition, Miller Lite’s Tap the Future, in Atlanta, the best-selling author of Display of Power, The Brand Within and The Power of Broke shared some of his eye-opening realizations that signaled FUBU’s growth.

It’s the exact same pearls of wisdom, or “Shark Tools,” the businessman and brand strategist offers to budding entrepreneurs he mentors and Fortune 500 companies he consults. “It’s about setting up a structure and making sure that all legal is in place,” says John. “You have to know about trademarks and patents. Money is not going to really help you; it’s your ability to solve problems, create a team and build a genuine following that can help you.”

John, a thyroid cancer survivor, continues: “Being a boss is not somebody who comes in late, leaves early and fires everybody. You generally come in before everybody and leave after everybody. The buck stops with you, but it’s a great process: a process you constantly have to learn. You don’t get to a certain level and stop.”

In the early 2000s, FUBU’s visibility began to diminish. The recession later that decade caused FUBU to further tank. Still, FUBU’s name never went anywhere.

FUBU was recently revamped online through partnerships with Urban Outfitters and Ebbet Field Flannels. The retailers carry limited edition capsule collections of FUBU’s original designs and sports jerseys. In Brooklyn, FUBU has opened six mobile stores.

Reintroducing FUBU to a younger audience, John says, is about making direct connections with consumers. “Reinvention is always going out, knowing who you are, what your brand is and finding an audience that resonates with it,” he declares. “It’s the customer first. Some kids will not even know FUBU from what it was 20 years ago. They’ll just know it from getting on a phone with a whole bunch of content on it that’s sensitive to what they like. It has to stay true to the brand. People have to demand it more than we’re trying to push it.”

These days, John is far from recreating another FUBU. The venture capitalist contributes to causes like donating mattresses in partnership with the highly reviewed Novosbed and serving breakfast at homeless shelters. In February, he built a 17,000-square-foot member-based creative incubator, Blueprint + co, in New York City.  “Shark Tank” is in its eighth season. He also invested in a barbecue restaurant and companies that produce novelty eyeglasses, bowties and belts.

John reiterates how grateful he is for FUBU allowing him to solidify a legacy by helping others fulfill their entrepreneurial aspirations. “I’m obviously a little more mature than when I was younger,” he says. “At that time, I was working so hard on my first name. Now, I work so hard on what my last name will leave.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also visiting faculty in the Department of Communication at Georgia State University. Follow Christopher @Journalistorian on Twitter.

 

Angola: Ruling MPLA Party Wins Election

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Angola Flag. (Google Images)
Angola Flag.
(Google Images)

Stephen Eisenhammer of Reuters Africa is reporting Angola’s ruling MPLA party has won the general election, based on provisional results provided by the the electoral commission. Ninety-eight percent of the vote has been counted despite calls of foul play from UNITA, the opposing party.

Eisenhammer writes:

“UNITA said the numbers had not been gathered transparently and did not tally with their own count.

After a peaceful election on Wednesday, former MPLA defence minister Joao Lourenco is expected to become Angola’s first new president for 38 years, replacing Jose Eduardo dos Santos who, however, will remain party leader.”

The opposing party plans to release its tally later today.

Read more at Reuters Africa.

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Confederate Statues: Stop Romanticizing ‘History’ and Treasonists

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(Google)
(Google)

EDITORIAL by Ambassador Harold E. Doley, Jr. 

President Donald J. Trump:
Vice President Michael R. Pence:
U.S. Senator Mitch McConnell:
Speaker of the House Paul Ryan:
Congressman Cedric Richmond:

Robert E. Lee stated that he would not be buried in his Confederate States of America (CSA) uniform because that act would be seditious.  At Lee’s funeral in 1870, no former soldiers or participants marching in his funeral cortege were allowed to wear CSA uniforms.

There is a simple remedy for our present state of affairs regarding monuments to former Confederate generals and the Battle Flag of the Army of Northern Virginia, it is to go to the U.S. Constitution.

Section 110 of Article III addresses treason and sedition.  Treason and sedition are federal law/Constitution violations.  To support the Confederacy and its symbols is to be a traitor of the United States in fact and in spirit.

Section 110 of Article III states: “Treason against the United States shall consist only in levying war against them, or in adhering to their enemies, giving them aid and comfort. No person shall be convicted of treason unless on the testimony of two witnesses to the same overt act, or on confession in open Court. The Congress shall have power to declare the punishment of treason.”  That power of punishing the crime of treason is exclusive in Congress; and the trail of the offense belongs exclusively to the Federal tribunals.

In 1790, the Congress of the United States enacted that: “If any person or persons, owing allegiance to the United States of America, shall levy war against them, or shall adhere to their enemies, giving them aid and comfort within the United States, or elsewhere, and shall be thereof convicted on confession in open Court, or on the testimony of two witnesses to the same overt act of treason…”

Our history books have incorrectly labeled the war between the states as a Civil War, which is a misnomer.  What occurred was a group of states seceding from the Union and creating the Confederate States of America and attacking the United States of America.  This was a war of secession.  If it were a civil war, which is an attempt to change the government, that would have been a revolution.

We laud Mayor Mitch Landrieu of New Orleans and we thank Wynton Marsalis for initiating the removal of the monuments in New Orleans.  It is ironic that the erection of statues and the naming of boulevards and schools for Confederate soldiers and cabinet members of the CSA is a romantic notion.  There was not one bullet fired or cannonball shot in New Orleans during the Civil War.  In 1862, Admiral David Farragut disembarked from the USS Hartford at the Port of New Orleans, walked to City Hall and told Mayor John T. Monroe of New Orleans, either you surrender or we will level the French Quarter.  Confederate General Mansfield Lovell advised Mayor John Monroe that opposing the Union would be futile.  New Orleans, the largest Confederate city, was captured without conflict.  Therefore, the monuments and other namings in New Orleans do not have any historic relevance whatsoever.  Again, just romanticization.

Likewise, members of the white supremacy groups, Neo-Nazis and KKK, are overwhelmingly not descendants of those Southerners that fought in the army of the Confederate States of America.  For those to state that they have a kindred spirit with the Confederacy is a fantasy.  Those Americans aligned with these groups, which are not based in historical connections, should just be bold enough to state that they are racist, anti-Semites, and white supremacists, rather than attempt to distort that which motivates them.

America’s history is complicated.  My great-great-great Aunt Sarah Knox Taylor, was married to Jefferson Davis.  As an American of African ancestry and a descendent of the Mayflower (even though I cannot become a member the Mayflower Society because I fail to have one or two documents that would complete the link) my DNA confirms that lineage.   Last August, when David Duke was running for the U.S. Senate from the State of Louisiana, I challenged him publicly to take a DNA test to which he did respond on his web site.  I do not think, after looking at David Duke’s history, that he is part African-American, but I do think that he may be part Jewish.

We, as Americans and our elected officials, must embrace the Constitution of the United States that was penned by our Founding Fathers, who themselves were flawed just as is our Constitution. However, the document addresses the issues that are tearing us apart today and it gives us the solution.

The President and Congress should focus on the economy, tax reform, the budget, foreign affairs, infrastructure, and running the government for the benefit of all Americans whom they were duly elected to serve.

Harold E. Doley, Jr.
U.S. Citizen

Ambassador Doley is the founder of Doley Securities, LLC, the oldest African American owned investment banking firm in the nation. He is the Founding Director of the Minerals Management Service of the United States Department of Interior and has served as Executive Director of the African Development Bank. Ambassador Doley also founded the U.S. Africa Chamber of Commerce.

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Anchor 1.0: ‘Wavers’ Lose Community With 1.0 Shutdown

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(Google Images)
(Google Images)

The announcement came from Anchor team member Nir on a Monday, June 26. By Wednesday, June 28, Anchor 1.0 would be no more. The original beacon of collective voices would disappear into a vortex, like an old TV with a bad vacuum tube.

Founded in 2015 from a tiny apartment in New York City, Anchor is a radio app that allows users to create stations and post audio content. There were two versions for a time, Anchor 1.0 and Anchor 2.5.2, until the team decided 1.0 had outlived its usefulness.

For a segment of the Anchor community, Nir’s announcement functioned like a funeral elegy. So, in its final hours, a handful of the app’s OGs gathered on 1.0  for a virtual wake-keeping and libation pouring, decrying their devotion to the space that had provided entertainment and solace.

Barbara Kolbe Baker, a Cincinnati-based marketing strategist, noted a number of reasons for her love of the first version.

“Part of what was interesting about the last gang on [Anchor 1.0] was that there were people from all over. People stayed because they wanted to engage,” Baker said. “Now, it’s more of a listening app, not so much of an engagement app.”

She also noted a voyeuristic reason for remaining on 1.0 — to observe its demise.

“I made a commitment to stay on Anchor 1.0 because I was going to watch the death of an app. I was curious as to what they were going to do with this ‘rogue’ community.”

The remaining ‘renegades’ on Anchor 1.0 was its lifeline, some refusing to transition to other apps despite the state of limbo. The uncertainty is what troubled tech consultant Avie Uniglicht. He feels that a lack of communication from Anchor developers led to misunderstanding from the users.

At the same time, Uniglicht recognizes that Anchor is, at its core, a business.

“As a tech guy I understand the process. I’m fine with Version 2, but was not fine with their communication style [about it],” said Uniglicht.

“We as users made it interactive, even if Anchor did not intend it this way. But does it make for a business, can it be monetized? Those are the questions.”

For Kevin Williams in Los Angeles, the engagement and connections are what made 1.0 endearing.

“There was the illusion of intimacy. You felt like you were telling something to just one person, though it was available publicly. People got to know you through listening to your feed and other people’s feeds.”

It’s reasonable that social media users would experience a sense of loss when an app goes kaput, similar to losing a friend. This may come from the perception that the connections made through the app will also fizzle.

Retired professor, psychotherapist and relationship coach Dr. Debra Nixon affirms this, citing the human need for interaction.

“It’s like losing something,” Nixon says regarding what people experience when social media apps fold. “We need people in a way we don’t often admit. So social media gives us an opportunity to get connected.”

There’s also another aspect – the fact that change is difficult.

“Change is always hard,” says Nixon. “It’s as if a sense of certainty is lost. They had a community, and they liked the way it was working.”

As an avid “waver”, I hadn’t thought much the demise of 1.0, but I did feel nostalgic listening to audio threads that recalled good times as the final hours crept closer.

This is not the first social app to pivot, and will not be the last. It’s not about the platform, it’s about the people. See you on Anchor 2.5.2.

This post was written by Dr. Chetachi A. Egwu, Communication Faculty at University of Maryland University College.  Her scholarship focuses on media, tech and pop culture and the African image in film, with an emphasis on documentary. The Howard University alumna is the host of the livestreamed show MediaScope, co-host of the podcast TV Channeling and owner of Conscious Thought Media. Follow her on Twitter @Tachiada.

Follow The Burton Wire on Instagram and Twitter @TheBurtonWire.

American Koko: Watch Second Season of Viola Davis Web Series

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(Photo: Google Images)
(Photo: Google Images)

ABC‘s streaming service has launched the second season of ‘American Koko,’ the web series produced by Viola Davis and Julius Tennon. The series follows the character of Akosua Millard, played by show creator Diarra Kilpatrick, who solves racially tinged crimes through the E.A.R. (Everybody’s a Little Bit Racist) agency. Amanda N’Duka of Deadline interviewed Tennon about the series, whose second season debuted on Juneteenth.

 

Tennon stated:

“Race has always been a issue in our country. Now, in our current political climate, a show like American Koko, which is about helping people navigate sticky racial situation, creates a conversation around race in an insightful, funny, and interesting way. The conversation around race should be as open as they can be. It can create some situations for solutions on how people view race. It’s going to be a show that addresses a lot of things people don’t talk about, so they’ll learn something.”

Read N’Duka’s article in entirety on Deadline.

Watch American Koko on ABC Go.

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Fourth of July: James Earl Jones Reads Frederick Douglass Speech

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Legendary thespian James Earl Jones reads Frederick Douglass' historic speech critiquing Fourth of July. (You Tube screen shot)
Legendary thespian James Earl Jones reads Frederick Douglass’ historic speech critiquing Fourth of July.
(You Tube screen shot)

Democracy Now‘s Amy Goodman talks Frederick Douglass’ July 5, 1852 address to the Rochester Ladies Antislavery Society entitled, ” “The Meaning of July Fourth for the Negro.” Watch legendary thespian James Earl Jones read Douglass’ historic speech which reflects the challenges surrounding the issue of race still facing America.

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#HalalPaint: Orly Launches Nail Line for Muslim Women

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Orly launches #HalalPaint nail polish line for Muslim women and girls. (Photo: Screenshot)
Orly’s new line #HalalPaint is made for Muslim women.
(Photo: Orly)

Perri Konecky of Pop Sugar is reporting nail company Orly has launched a new line #HalalPaint that makes “breathable” nail polish so Muslim women can wear nail polish. The line which is created by Muslim women for Muslim women can be worn by anyone. Konecky reports:

“Many Muslim men and women are not able to wear regular nail polish because it conflicts with prayer practices. The coats of polish are believed to create a barrier over the skin, which prevents water from touching every part of the body during ablutions, but Orly’s new polish collection offers a solution. In an effort to bridge the diversity gap in the beauty world, the polish brand has teamed up with Muslim Girl to release a new collection of six halal-certified polishes, all of which let oxygen and moisture pass through the polish.

The Breathable line called #HalalPaint features adorably sassy polish names like Haram-Bae, The Perfect Amani-Cure, What the Fatima?, Ig-Noor the Haters, and more, named by MuslimGirl.com founder Amani Al-Khatahtbeh and the Muslim Girl team.

‘This line is important because there are so many girls and young women who aren’t represented in mainstream beauty,’ Azmia Magane, Muslim Girl chief of staff, said in a press release. ‘They either don’t fit that definition or see things about them that are designed without them, instead of for them and by them. This is our way of bridging the gap.'”

Read more at Pop Sugar.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

Breaking: Morehouse College Interim President Taggart Dies

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Morehouse Interim President Bill Taggart dies. (Photo: Google Images)
Morehouse Interim President Bill Taggart has died. (Photo: Rolling Out)

Eric Sturgis of the Atlanta Journal Constitution is reporting Bill Taggart, Morehouse College’s interim president, has died. Sturgis reports:

“The Fulton County Medical Examiner’s Office told The Atlanta Journal-Constitution an autopsy will be conducted Thursday. Taggart was named interim president in April. The college’s board of trustees released the following statement to The Atlanta Journal-Constitution:

‘We are deeply saddened by the sudden passing of Bill Taggart, a beloved colleague, father and friend. For the past two years, Bill devoted himself wholeheartedly to Morehouse College. We are eternally grateful for his loyal support, counsel and the leadership he provided to students, faculty and alumni. Throughout his tenure, Bill had a positive impact on Morehouse College and the Greater Atlanta Business Community. He leaves behind a long legacy of compassion, integrity and devotion.’”

Taggart was previously COO of Wachovia Securities, LLC, COO of Federal Student Aid at the Department of Education and President and CEO of Atlanta Life Financial Group. Taggart’s wife Lydia Rose Roston Taggart passed away in 2013. He is survived by their daughter Elizabeth Fortune Taggart.

Read more at AJC.com.

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