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AfroPop: 10th Season Premieres on MLK Day

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Marlene Cummings #meetoo story of rape while being a member of the Australian Black Panther Party is explored in AfroPop's 10th season premiere. (Photo: Courtesy of AfroPop)

‘AFROPOP’ OPENS WITH ‘BLACK PANTHER WOMAN’ ON MLK DAY 

Queen Sugar’s Nicholas L. Ashe (Photo: Courtesy of AfroPop)

The 10th anniversary season of the documentary series AfroPoP: The Ultimate Cultural Exchange opens with Rachel Perkins’ Black Panther Woman, a look back at the Black Panther Party in Australia, and a legacy tarnished by #MeToo charges from one of the women involved in that movement. AfroPoP X is hosted by actor Nicholas L. Ashe, who stars in the hit OWN TV series Queen Sugar. AfroPoP, the nation’s only public television series of contemporary stories about Black life, art and culture around the globe, premieres on WORLD Channel at 8 p.m. ET (10 p.m. PT) on Monday, January 15 — Martin Luther King Jr. Day. The show is produced by Black Public Media (formerly known as National Black Programming Consortium) and co-presented by distributor American Public Television (APT).

The film chronicles the life of Marlene Cummins, who was an uneducated teenager in 1972 when she became involved with Australia’s Black Panther Party, joining with nine other young Aboriginal people in the Black Power struggle inspired by the American Black Panther party. Over the course of a year, the group led protests and community programs and she began a relationship with the head of the chapter. But internal and external struggles arose, devastating her. To protect the movement, she remained silent for more than four decades about her own #MeToo moment, the rape she suffered at the hands of two indigenous leaders. In Black Panther Woman, she opens up about the abuse and the addiction that followed. Cummins also travels to the United States for an international gathering of Black Panthers, reflecting on the global struggle. The film took the Jury Special Prize at the 2015 Festival du Film Océanien (FIFO) and the International Indigenous Award at the 2015 Wairoa Maori Film Festival.

“Marlene’s courage and commitment to making a difference in her community despite the abuse she suffered is an all-too-familiar story of women globally,” said BPM Director of Programs and Acquisitions and AfroPoP Executive Producer Kay Shaw. “We are so fortunate that she consented to tell her story with such honesty. As her openness is helping her recovery, we hope it will help other women confront their pain to begin their own healing.”

Marlene Cummings #meetoo story of rape while being a member of the Australian Black Panther Party is explored in AfroPop’s 10th season premiere. (Photo: Courtesy of AfroPop)

The five-week series continues with Marco Williams’ Lonnie Holley: The Truth of the Dirt, Michael Fequiere’s Kojo and Jessica Beshir’s He Who Dances on Wood (January 22); Between 2 Shores (January 29), Mariette Monpierre’s gripping documentary about two Dominican women fighting to bring their children with them to their new lives in Guadeloupe, highlights a struggle faced by many immigrants today: family reunification; Ten Days in Africa (February 5), Regi Allen’s humorous and insightful look at his trip to West Africa to explore the differences and similarities between Africans and African-Americans, a special encore broadcast from the first year of AfroPoP ; and Fatal Assistance (February 12), award-winning filmmaker Raoul Peck’s scathing indictment of global aid policies that failed Haiti in the aftermath of the devastating 2010 earthquake’s aftermath. Peck was a recent Oscar nominee for I Am Not Your Negro, which was funded in part by BPM.

New episodes of the series will air weekly through February 12, with APT releasing the program to public television stations across the U.S. in February 2018. Films will also be streamed the day after their broadcast premiere on all station-branded PBS platforms, including worldchannel.org, PBS.org, and on PBS apps for iOS, Android, Roku, Apple TV, Amazon Fire TV and Chromecast.

AfroPoP is produced by Angela Tucker and directed by Duana Butler with the generous support of the Corporation for Public Broadcasting and the National Endowment for the Arts.

To find out more about the series, visit www.blackpublicmedia.org. For viewing information, check local listings or www.APTonline.org. For details about Black Panther Woman, visit Facebook (@blackpantherwomandocumentary).

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

Zimbabwe: President Robert Mugabe Steps Down

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(Photo: Wikipedia)
(Photo: Wikipedia)

CNN is reporting embattled Zimbabwean President Robert Mugabe,93, has stepped down. After 37 years as “autocratic” leader of Zimbabwe, Mugabe conceded to the demands of a military takeover that he step down.

CNN’s Davic McKenzie, Angela Dewan and Brent Swails wrote:

“As the Speaker read out a letter from Mugabe, lawmakers broke out in thunderous applause and cheers. In the streets outside, crowds erupted in rapturous celebrations, dancing and cheering in joy some raising their fists and waving Zimbabwean flags.”

In his resignation letter, Mugabe insisted that his resignation was voluntary.

This story is developing.

Read more at CNN.com.

Follow The Burton Wire for updates on Twitter @TheBurtonWire.

Seven Black Candidates Made History on Election Day 2017

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Photo: Vi Lyles.com

Selena Hill of Black Enterprise is reporting seven black candidates made history in the 2017 November elections. The Burton Wire offers a few of the highlights:

 

Photo: Vi Lyles.com


Vi Lyles: Elected Charlotte’s First Black Woman Mayor
Public servant and all around lovely person Vi Lyles, became the first African-American woman elected as mayor the Queen City of Charlotte, NC. This win is especially gratifying considering she now holds the office formerly held by North Carolina’s dethroned, acrimonious uber conservative and now former Governor Pat McCrory. We know he’s sitting somewhere sulking which adds to the celebratory nature of Lyles’ much deserved historic win.

Photo: Andreajenkinsforward8.org

Andrea Jenkins: First Black Transgender Woman Elected to Office
Meet the “trans-identified woman” who won 73% of Minneapolis’ eighth ward and beat the brakes off of three other candidates in the process. She joins Danica Roem, the first openly trans-identified woman to serve in a state legislature.  Roem defeated incumbent Virginia delegate Bob Marshall, the man who introduced a state bill that would allow licensed businesses to refuse services to gays. He also introduced a bill to restrict transgender people’s access to public restrooms. Can you say, “Poetic Justice?”

Justin Fairfax: Virginia Gets a Second Black Lieutenant Governor 
It was 30 years in the making but Justin Fairfax, 38, was elected Lieutenant Governor continuing the legacy of L. Douglas Wilder, the Commonwealth’s first black Lieutenant Governor in 1985 and subsequently Governor in 1989. post-reconstruction. A state senator, Fairfax is poised to assume the next Governor which will allow him to make history again.

Read about more game changers in the 2017 November elections on Black Enterprise.

The candidate descriptions were written by Nsenga K. Burton, Ph.D. Follow her on Twitter @Ntellectual.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

Black Public Media: National Black Programming Consortium Changes Name

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The National Black Programming Consortium has changed its name to Black Public Media. (Photo Credit: Black Public Media)
The National Black Programming Consortium has changed its name to Black Public Media.
(Photo Credit: Black Public Media)

NEW YORK (November 2, 2017)—The National Black Programming Consortium is Black Public Media (BPM). The 38-year-old media arts institution, the nation’s only nonprofit dedicated solely to media content about the Black experience, has changed its name and relaunched its website, blackpublicmedia.org, a resource for independent producers and filmmakers and for viewers of authentic Black media content. The moves take place as BPM expands its support for content creatives in the emerging media landscape.

Under its new moniker, BPM will continue producing and supporting media with a purpose, as it has done since its founding in 1979. The national organization has helped fund films (such as I Am Not Your Negro, Maya Angelou: And Still I Rise and Lorraine Hansberry: Sighted Eyes/Feeling Heart and web series (Pops and Ask a Muslim), train producers (with its 360 Incubator + Fund) and produce content (including its signature public television program AfroPoP: The Ultimate Cultural Exchange, the enlightening 180 Days series and irreverent web series Black Folk Don’t) to present diverse Black narratives to the American public. It started with gaining access for filmmakers to the airwaves on public television, a central part of its mission, but the organization has also set its sights on supporting producers embracing new and emerging media.

“The ever-evolving media landscape has created a larger public media square that is still in dire need of diverse and authentic voices,” said Black Public Media’s Executive Director Leslie Fields-Cruz. “With nearly four decades of experience bringing these voices to public television, it only makes sense that we evolve accordingly and use our methodology to support program development across emerging media platforms.”

To that end and with a recent $750,000 grant from the John D. and Catherine T. MacArthur Foundation’s Journalism and Media program, BPM will be launching WOKE! Broadening Access to Black Public Media, a series of projects and events designed to connect creatives working with new technologies and platforms to funding, resources, partners and distribution opportunities. As a part of its efforts, BPM will be building a new funding initiative specifically for emerging media with the goal to usher forth black talent and black content into an industry that overwhelmingly lacks diversity.

The new website includes content for the general public, including short films, filmmaker chats and youth and educator discussion guides on its public television programs. Filmmakers and other content producers can sign up for the BPM Producers’ Portal to avail themselves of tools to hone their skills and polish their projects, including a series of webinars by industry leaders.

For more information on BPM, visit www.blackpublicmedia.org or follow the organization on Twitter (@BLKPublicMedia) or on Facebook.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

Michael Bennett: Posts Letter About Police Encounter

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The Bennett Family (Photo: Twitter)

Fresh from our, “Must Read” file, NFL player and activist Michael Bennett writes a letter detailing his encounter with the Las Vegas Metropolitan Police Department. He has hired Civil Rights attorney John Burris to explore all legal remedies regarding the incident. Read below:

 

Letter written and released by NFL star Michael Bennett.

Bennet and fellow Seahawks teammate Richard Sherman discuss his violent incident with LVMPD.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

NYARW: New York African Restaurant Week Returns

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Photo: GoDaddy
Photo: GoDaddy

New York, NY (Sept 5, 2017) – New York African Restaurant Week (NYARW) will kick off its fifth annual celebration of African cuisine and culture on October 1-22, 2017, featuring a curated selection of more than 25 restaurants, world renowned chefs, and 75 events that will bring a “taste of Africa” across New York City. How times have changed since the first time this was done. Many people have compared how the restaurant management has been run recently and they can all happily say that it is a huge improvement since we started celebrating Afrcian cuisine. Many of these restaurants are now making use of high quality equipment and supplies, such as those you can find online (www.nellaonline.com), to keep up with their competitors.

The complete line-up of restaurants, chefs, and events for this year’s NYARW is available at NYARW.com with additional pop-up experiences and sweepstakes to be announced.

Launched in 2013 by Akin Akinsanya, Founder & CEO of A Taste of Africa USA, the three-week long NYARW includes restaurants in Manhattan and Brooklyn offering special prix-fixe menus during lunch and dinner reflecting cuisines and flavors from various parts of Africa and the African Diaspora. More than one hundred thousand restaurant patrons are expected to be taken across a “GastroAfrique Culinary Odyssey” with traditional African dishes and avant-garde “Afrofusion” menus, courtesy of restaurants and internationally acclaimed chefs. It is tremendously humbling to see ethnicity and heritage being celebrated trhough food, in an artistic manner. In fact my friend had been hoping to set up her own small japanese restaurant, hoping to create and sell the food she was brought up eating to the paying public. I will admit she was apprehensive about the money involved, but we had a look together to see where costs could be cut. We started to compare business energy plans and we were very impressed with the savings that were possible.

  • NYARW participating restaurants include Bar Omar, Ponty Bistro, Madiba, Queen of Sheba, Café Rue Dix, Buka, Safari, and more, collectively representing African and African-inspired cuisines from Ethiopia, Senegal, Algeria, Ghana, Nigeria, Morocco, Somalia, Andalusia, the Caribbean, and the American South.

  • NYARW participating chefs include Pierre Thiam, Cisse, Victor Bongo, Hamid Idrissi, Nadine Nelson, Selassie Atadika, Philipos, Serge Pambo, Charmain Sithappah, Shorne Benjamin, and other celebrated chefs within the global African Diaspora.

As a festival committed to bringing awareness to critical social issues around food security in New York City, Africa and around the world, each year NYARW also partners with community organizations aligned with the NYARW mission. During this year’s festival, each Wednesday and Thursday will be coined “Harvest Day” and “Vocal Day”, where a percentage of proceeds from prix-fixe menus will benefit City Harvest and VOCAL New York, organizations working to combat hunger and homelessness in New York City.

“Within the burgeoning NYC culinary scene, New York African Restaurant Week presents an exciting and unique opportunity to celebrate the best of African cuisine,” said Akinsanya, NYARW Founder & CEO. “The Festival targets a culturally rich and diverse audience in the City, both residents and international visitors, who have one thing in common – a love of or a curiosity for the intricacies of African food, cooking and culture.”

“New York African Restaurant Week is a celebration of African cuisine, restaurants, and chefs and a promotion of diverse voices in the global culinary movement – both celebrity and emerging,” said Tanaka Mawindi, NYARW Event Director and Head of Business Development. “It’s also a commitment to community development and social impact that transcends boundaries. We’re inviting all of NYC to be a part of that.”

Key partners for New York African Restaurant Week 2017 include the James Beard Foundation, Nando’s, Saveur, South African Tourism, South African Airways, Food-X, Food Tank, Mahir N. Nisar Law Associates, The Africa Channel, Immersion Journeys, Toast of Brooklyn, and Flatbush Fest.

  • Nigerian Independence Day Dinner on Sun. Oct 1 at Buka Restaurant

  • James Beard Dinner: Odyssey Across Africa on Sat. Oct 7 from 7 pm to 10 pm at the James Beard House – Hosted in partnership with the James Beard Foundation, critically acclaimed African chefs from New York city restaurants and worldwide will present a 8-course thrilling dinner experience. Participating chefs: Pierre Thiam, Victor Bongo, Selassie Atadika, Nadine Nelson, Serge Pambo, and Charmain Sithappah. Tickets can be purchased by visiting the James Beard events website.

  • African Restaurant Week Festival on Sun, Oct 8 from 12:30 pm to 7 pm at Industry City in Brooklyn -Over 30 African restaurants and food vendors, celebrity chef demos and appearances, beer and wine tastings, live DJ performances/a day party, kids’ spa zone, and 20 market vendors equals the mega-festival event of the Fall. GA and VIP packages available ranging from $15 to $80. Tickets on sale on eventbrite. One lucky festival goer will win a luxury stay and safari trip for two to Ghana.

  • Chef Collabo Event Series: Chef Cisse and Chef Bongo on Mon, Oct 9 from 7 pm to 9 pm at Ponty Bistro

  • Tokunbo Koiki: A Taste of Nigeria on Thurs, Oct 12 from 7 pm to 9 pm at Bed-Vyne

  • Linner is for Lovers on Sun, Oct 15 from 4 pm to 6:30 pm at Madiba Restaurant

  • Jollof Without Borders on Sun, Oct 15 from 4:30 pm to 7 pm at Joloff Restaurant

  • Food Business Pitch Competition on Fri, Oct 20 from 10 am to 2 pm at Microsoft New York

  • Poets Café, an on-going event series every Thursday during the Festival at select restaurants

2017 NYARW Participant Sweepstakes Include:

  • 21 Days of Free Dinner for two

  • Roundtrip airfare for two to anywhere South African Airways flies

  • An all-inclusive luxury stay and safari trip to Ghana, courtesy of Immersion Journeys

  • Nando’s Peri Peri hot sauce goodie bags

For more information on NYARW, including a full list of participating restaurants, prix-fixe menus, chef bios and special events are available at nyarw.com, on Instagram @AfricanRestaurantWeek and on Facebook at www.Facebook.com/NYAfricanRestaurantWeek. Make sure you’re not missing any restaurant offers by checking out Great Eats.

Follow The Burton Wire on Twitter or Instagram @TheBurtonWire.

Venus Williams Breaks Records at BB&T Atlanta Open

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Tennis great Venus Williams triumphs at this year's groundbreaking exhibition match at BB&T Atlanta Open (Photo Credit: Alex Smith for BB&T Atlanta Open)
BBT Venus Genie2
Tennis great Venus Williams triumphs at this year’s groundbreaking exhibition match at BB&T Atlanta Open (Photo Credit: Alex Smith for BB&T Atlanta Open)

At this year’s BB&T Atlanta Open, Venus Williams’ win against Genie Bouchard was another milestone in the good ‘ole boys club of tennis. It was the first time in the tournament’s 96-year span that women competed and were a huge draw.

The sold out crowd watched in amazement as Williams, a four-time Olympic gold medalist, triumphed over Bouchard, a 2014 Wimbledon finalist, with 6-4 in the first set and breaking a 6-6 tie with a 7-4 score. Williams, of course, made the evening affair look easy.

“I can’t really say I’ve done anything like this before, so I imagine there will be a lot of excitement today,” the extremely breathy and soft-spoken Lynwood, Ca. native told The Burton Wire during an afternoon press conference. “The fans will be excited, so I’m doing my best to definitely deliver a win.”

Williams’ two decades of vigorous and tenacious athleticism against the young Canadian tennis pro on the hard court was full of endurance-heavy maneuvers and fierce serves. The stylish six-foot-one best-selling author and certified interior designer’s lean and toned physique glided, sprinted and hustled across the blue asphalt in an original sheer aqua blue ensemble trimmed with a purple floral design from the Needlepoint collection of her clothing line, EleVen by Venus Williams.

Rocking rhythmically from side-to-side in anticipation of Bouchard’s serves, Williams’ swift and aggressive right-handed swings attacked the ball. She accompanied that swing letting out her signature grunt. The ESPY Award winner revealed that part of her game is paying close attention to the nuances of her competitors’ performance.

“I haven’t played her [Bouchard] in a number of years,” shares Williams seated with her legs crossed. “She plays a game similar to mine: short strokes, moves around the court well, very competitive. I have to see what’s working tonight. I don’t know exactly what the game plan will be.”

Bouchard says in a later press conference the elder sister of the equally talented Serena Williams is “one of the best players ever.” She remembers her previous matches against Williams as being “really tough matches.” “They were really long three setters,” remembers Bouchard. “It’s always very challenging to play against someone who is so great.”

The extroverted Quebec native adds: “It’s an honor to share a court with a legend, especially considering how well she is still playing,” says Bouchard, echoing Williams calling their game “a practice match.”

“She has such a big and powerful game, so it’s important to be ready for that. Venus’ serve is a huge weapon. It’s a chance to challenge myself and see how far away I am from where I wanna be or what I need to improve to be at a close level of such a great player.”

Williams, now 37, isn’t bothered by age or any potential health issue prohibiting her from maintaining her competitive attitude. Self-care, she says, is what keeps her status as a relevant sports figure. The seven-time Grand Slam singles champion adds she maintains a consistent workout regimen: actively practicing her swing as warmup drills.

Battling the autoimmune disease, Sjogren’s Syndrome, since 2011 hasn’t really affected Williams’ playing. The NAACP Image Award winner says playing a lot of team tennis keeps her energy level and breathing under control, along with actively conditioning and stretching, especially for adapting to various temperatures and geographic regions. When dining, Williams intentionally avoids sugar: favoring healthy proportions of green vegetables.

“You do get older,” advises the relentless trailblazing part-owner of the Miami Dolphins, the first woman-of-color to do so. “Things haven’t changed much for me yet. I just do a lot of preventative things physically, and hopefully that takes out a lot of the issues that could happen in terms of injuries. Mentally, it’s about planning a schedule that’s achievable. It really makes a massive difference.”

Insisting that tennis champions should be good strategists for scoring points, a confident Williams continues: “I know this game. I know how to prepare. I know the ins-and-outs. I just continue down that road. It’s about still trying to improve everyday and add things to my game. That’s what my mindset is.”

Williams reiterates that her record-breaking appearance at this year’s BB&T Atlanta Open was an opportunity for her to raise her personal athletic standards, along with the standards of professional tennis. The advocate for gender equality in the sports industry is proud she can continue to leverage competition with her personal mission to inspire generations of athletes, especially women, to always give their best.

Proclaiming tennis is “a beautiful, awesome game she’ll play forever,” Williams declares in closing that the most rewarding part of tennis is being able to play doubles with and against her younger sister, Serena. “Wow. You can’t play anything better than that,” says Venus. “Those were some awesome matches, and from the times we’ve played, we’ve had a lot of success.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also visiting faculty in the Department of Communication at Georgia State University. Follow Christopher @Journalistorian on Twitter.

Follow The Burton Wire on Twitter @TheBurtonWire.

Daymond John Revisits FUBU’s 25th Anniversary

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FUBU CEO and brand strategist Daymond John judges a pitch competition, Tap The Future, in Atlanta (Photo Credit: MillerCoors)
Photo Jul 25, 9 52 03 AM
FUBU CEO and brand strategist Daymond John judges a pitch competition, Tap The Future, in Atlanta (Photo Credit: MillerCoors)

Daymond John recently noticed a resurgence in consumers buying vintage FUBU apparel on ebay. Grammy-winning entertainer Chris Brown was coincidentally photographed soon after wearing a signature t-shirt onstage. It’s a renewed interest in the same year FUBU is commemorating its 25th anniversary for pioneering the integration of fashion with hip-hop culture, multimedia and entertainment.

The urban apparel line founded by John was synonymous with t-shirts, sweatshirts, hoodies, hats, footwear and denim with the conjoined “FB” in bold, all caps font stitched on the fabric. Entertainers like LL Cool J, Mary J. Blige, TLC, P. Diddy and Beyonce all wore FUBU to award shows, in music videos and in numerous print and television ads. At its pinnacle, FUBU had netted $350 million in sales through 5,000 retail stores: eventually grossing more than $6 billion globally.

An acronym that stands for “For Us By Us,” FUBU was created to specifically target young African-American consumers. John – who started the operation with his childhood friends Keith Perrin, J. Alexander Martin and Carl Brown – created the clothing as a response to high-profile fashion brands expressing they didn’t want to market their collections to ethnic audiences.

“I’ve been really fortunate to have been part of something that’s a globally recognized brand,” the coach and panelist on ABC’s Emmy-winning reality series ‘Shark Tank” says. “It’s close to me. I don’t know necessarily the effect or impact that I’ve had, but whatever it is, I’m grateful.” The concept for FUBU originated around 1989 as ski hats tied with string. John and his peers sold the merchandise on the corner of New York City streets for $10 each.

Three years later, John, then waiting tables at Red Lobster, mortgaged his mother’s three-level Queens, N.Y. home for $100,000 to devote his time, energy and space towards mass producing headwear and shirts. Half of the house became an assembly line; the other half was living quarters for he and his team. Starting out with a $40 budget, John and Team FUBU hit up expos and tradeshows across the Northeast. Their inventory only consisted of about 10 shirts that they ended up rotating on various music videos sets.

Demand began to exceed product availability: leaving John, a savvy negotiator, to shake many hands as he searched for investors. Banks kept denying him capital. Before long, Samsung became a major investor in FUBU.

“Networking is the number one reason why people end up expanding their brand,” says the FUBU CEO and problem solver. “You have to enjoy everybody that’s around you and get to know them. Running a business is very hard. It takes a lot of work, energy, discipline and cash. You have to stay true to yourself, your passion and be consistent.”

FUBU’s popularity soared, producing accessories for all ages and sexes. The clothes’ raw materials were imported from around the world. The clothing line created special edition collections commemorating Fat Albert and sports icon Muhammad Ali. Its record label, FUBU Records, released a gold-selling compilation in 2001 with Universal Records. Subsequent investments include a radio station, television network, fragrances, bedding, formal wear, personal care products, a NASCAR-BUSCH sponsorship and luxury hotels.

Hip-hop artists/moguls like P.Diddy, Nelly and JAY Z borrowed John’s template to develop their own successful clothing companies. The man behind branding and marketing entity The Shark Group is humbled to witness those artists’ evolution into cultural icons. “When you’re in the middle of doing something, you don’t realize the effect it may have with people,” shared John.

“I had much bigger hope for FUBU. Ralph Lauren probably does about $3 to $4 billion a year still. I did $6 billion over 20 years. When anybody touches any extension of anything that you do, you should be extremely grateful.”

Pre-FUBU, John was no stranger to entrepreneurship. The Ambassador for Global Entrepreneurship (appointed by former President Barack Obama) owned six businesses, including a delivery service. Prior to judging a pitch competition, Miller Lite’s Tap the Future, in Atlanta, the best-selling author of Display of Power, The Brand Within and The Power of Broke shared some of his eye-opening realizations that signaled FUBU’s growth.

It’s the exact same pearls of wisdom, or “Shark Tools,” the businessman and brand strategist offers to budding entrepreneurs he mentors and Fortune 500 companies he consults. “It’s about setting up a structure and making sure that all legal is in place,” says John. “You have to know about trademarks and patents. Money is not going to really help you; it’s your ability to solve problems, create a team and build a genuine following that can help you.”

John, a thyroid cancer survivor, continues: “Being a boss is not somebody who comes in late, leaves early and fires everybody. You generally come in before everybody and leave after everybody. The buck stops with you, but it’s a great process: a process you constantly have to learn. You don’t get to a certain level and stop.”

In the early 2000s, FUBU’s visibility began to diminish. The recession later that decade caused FUBU to further tank. Still, FUBU’s name never went anywhere.

FUBU was recently revamped online through partnerships with Urban Outfitters and Ebbet Field Flannels. The retailers carry limited edition capsule collections of FUBU’s original designs and sports jerseys. In Brooklyn, FUBU has opened six mobile stores.

Reintroducing FUBU to a younger audience, John says, is about making direct connections with consumers. “Reinvention is always going out, knowing who you are, what your brand is and finding an audience that resonates with it,” he declares. “It’s the customer first. Some kids will not even know FUBU from what it was 20 years ago. They’ll just know it from getting on a phone with a whole bunch of content on it that’s sensitive to what they like. It has to stay true to the brand. People have to demand it more than we’re trying to push it.”

These days, John is far from recreating another FUBU. The venture capitalist contributes to causes like donating mattresses in partnership with the highly reviewed Novosbed and serving breakfast at homeless shelters. In February, he built a 17,000-square-foot member-based creative incubator, Blueprint + co, in New York City.  “Shark Tank” is in its eighth season. He also invested in a barbecue restaurant and companies that produce novelty eyeglasses, bowties and belts.

John reiterates how grateful he is for FUBU allowing him to solidify a legacy by helping others fulfill their entrepreneurial aspirations. “I’m obviously a little more mature than when I was younger,” he says. “At that time, I was working so hard on my first name. Now, I work so hard on what my last name will leave.”

This post was written by Christopher A. Daniel, pop cultural critic and music editor for The Burton Wire. He is also visiting faculty in the Department of Communication at Georgia State University. Follow Christopher @Journalistorian on Twitter.

 

Angola: Ruling MPLA Party Wins Election

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Angola Flag. (Google Images)
Angola Flag.
(Google Images)

Stephen Eisenhammer of Reuters Africa is reporting Angola’s ruling MPLA party has won the general election, based on provisional results provided by the the electoral commission. Ninety-eight percent of the vote has been counted despite calls of foul play from UNITA, the opposing party.

Eisenhammer writes:

“UNITA said the numbers had not been gathered transparently and did not tally with their own count.

After a peaceful election on Wednesday, former MPLA defence minister Joao Lourenco is expected to become Angola’s first new president for 38 years, replacing Jose Eduardo dos Santos who, however, will remain party leader.”

The opposing party plans to release its tally later today.

Read more at Reuters Africa.

Follow The Burton Wire on Instagram or Twitter @TheBurtonWire.

Confederate Statues: Stop Romanticizing ‘History’ and Treasonists

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(Google)
(Google)

EDITORIAL by Ambassador Harold E. Doley, Jr. 

President Donald J. Trump:
Vice President Michael R. Pence:
U.S. Senator Mitch McConnell:
Speaker of the House Paul Ryan:
Congressman Cedric Richmond:

Robert E. Lee stated that he would not be buried in his Confederate States of America (CSA) uniform because that act would be seditious.  At Lee’s funeral in 1870, no former soldiers or participants marching in his funeral cortege were allowed to wear CSA uniforms.

There is a simple remedy for our present state of affairs regarding monuments to former Confederate generals and the Battle Flag of the Army of Northern Virginia, it is to go to the U.S. Constitution.

Section 110 of Article III addresses treason and sedition.  Treason and sedition are federal law/Constitution violations.  To support the Confederacy and its symbols is to be a traitor of the United States in fact and in spirit.

Section 110 of Article III states: “Treason against the United States shall consist only in levying war against them, or in adhering to their enemies, giving them aid and comfort. No person shall be convicted of treason unless on the testimony of two witnesses to the same overt act, or on confession in open Court. The Congress shall have power to declare the punishment of treason.”  That power of punishing the crime of treason is exclusive in Congress; and the trail of the offense belongs exclusively to the Federal tribunals.

In 1790, the Congress of the United States enacted that: “If any person or persons, owing allegiance to the United States of America, shall levy war against them, or shall adhere to their enemies, giving them aid and comfort within the United States, or elsewhere, and shall be thereof convicted on confession in open Court, or on the testimony of two witnesses to the same overt act of treason…”

Our history books have incorrectly labeled the war between the states as a Civil War, which is a misnomer.  What occurred was a group of states seceding from the Union and creating the Confederate States of America and attacking the United States of America.  This was a war of secession.  If it were a civil war, which is an attempt to change the government, that would have been a revolution.

We laud Mayor Mitch Landrieu of New Orleans and we thank Wynton Marsalis for initiating the removal of the monuments in New Orleans.  It is ironic that the erection of statues and the naming of boulevards and schools for Confederate soldiers and cabinet members of the CSA is a romantic notion.  There was not one bullet fired or cannonball shot in New Orleans during the Civil War.  In 1862, Admiral David Farragut disembarked from the USS Hartford at the Port of New Orleans, walked to City Hall and told Mayor John T. Monroe of New Orleans, either you surrender or we will level the French Quarter.  Confederate General Mansfield Lovell advised Mayor John Monroe that opposing the Union would be futile.  New Orleans, the largest Confederate city, was captured without conflict.  Therefore, the monuments and other namings in New Orleans do not have any historic relevance whatsoever.  Again, just romanticization.

Likewise, members of the white supremacy groups, Neo-Nazis and KKK, are overwhelmingly not descendants of those Southerners that fought in the army of the Confederate States of America.  For those to state that they have a kindred spirit with the Confederacy is a fantasy.  Those Americans aligned with these groups, which are not based in historical connections, should just be bold enough to state that they are racist, anti-Semites, and white supremacists, rather than attempt to distort that which motivates them.

America’s history is complicated.  My great-great-great Aunt Sarah Knox Taylor, was married to Jefferson Davis.  As an American of African ancestry and a descendent of the Mayflower (even though I cannot become a member the Mayflower Society because I fail to have one or two documents that would complete the link) my DNA confirms that lineage.   Last August, when David Duke was running for the U.S. Senate from the State of Louisiana, I challenged him publicly to take a DNA test to which he did respond on his web site.  I do not think, after looking at David Duke’s history, that he is part African-American, but I do think that he may be part Jewish.

We, as Americans and our elected officials, must embrace the Constitution of the United States that was penned by our Founding Fathers, who themselves were flawed just as is our Constitution. However, the document addresses the issues that are tearing us apart today and it gives us the solution.

The President and Congress should focus on the economy, tax reform, the budget, foreign affairs, infrastructure, and running the government for the benefit of all Americans whom they were duly elected to serve.

Harold E. Doley, Jr.
U.S. Citizen

Ambassador Doley is the founder of Doley Securities, LLC, the oldest African American owned investment banking firm in the nation. He is the Founding Director of the Minerals Management Service of the United States Department of Interior and has served as Executive Director of the African Development Bank. Ambassador Doley also founded the U.S. Africa Chamber of Commerce.

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