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Adoption is a Great Option: November is National Adoption Awareness Month

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NSENGA (l) and Kai (r) BURTON. Nsenga adopted Kai when she was 6 hours old and they have lived happily ever after.

November is National Adoption Awareness Month. This article on adoption was initially written and run by me in 2018. I am re-running it now as we near the end of November. As we prepare for the December holidays, it is important to encourage people to consider adoption as an option because why not improve a child’s life while infinitely enhancing your life? The adoption of Black children is needed more than ever. In 2021, Black children represented 14% of the total child population but 22% of all kids in foster care.

In addition to being overrepresented in the foster care system, African American children are less likely to be adopted when compared with kids from other races. Statistics show that kids of African descent often await twice as long as other kids to be adopted and age out of the child services system in greater numbers. African American children are less likely to be adopted when compared to kids of other races. You have the power to change these jarring statistics and to literally change a life. You only need love, patience, mental fitness, financial security, perseverance and more love.

Check out the video, “Adopting While Black,” below which features my discussion about Black adoption with close friends who are also adoptive parents that ran on NNPA Livestream and The Burton Wire. You will learn about the challenges and opportunities and why getting our kids out of the system and into our homes is necessity. Watch and learn and consider adoption. It truly is a great option!!

ORIGINAL PUBLICATION DATE: December 6, 2018, BLACK PRESS USA NEWSWIRE

November is National Adoption Awareness Month, which came about as an effort to encourage families to consider adopting children in the foster care system.

First introduced in 1976 by then Massachusetts Governor Michael Dukakis as National Adoption Week, who wanted to help find forever homes for the massive number of children in foster care. Former President Gerald Ford made the initiative a proclamation due to the large number of states participating in the week. Thus, the month of November which is usually associated with Thanksgiving – a time for families to come together over food, fellowship and football — was proclaimed as National Adoption Month in 1990 by then President George H.W. Bush.

Adoption is a great option for all families, especially African-American families who typically “take in” children as a regular practice. The informal practice of “adopting” children began in the United States when black families were often destroyed by the system and practice of slavery. Slaves were sold and traded, so families were broken up, leaving children behind in need of care.

Following slavery, Jim Crow and other national segregation policies discriminated against blacks, denying them adoption services afforded whites by adoption agencies and institutions, resulting in many black children in need of guardianship.

According to The Adoption History Project at the University of Oregon, “In some states with large African-American populations, such as Florida and Louisiana, not a single African-American child was placed for adoption by an agency for many years running as recently as the 1940s.”

The practice of caring for children that may not have been biologically related, was prevalent and continues today. Nearly 23%of African-American children are being raised by a grandparent due to a number of socio-political and economic issues (mass incarceration, health issues, divorce, unemployment).

Black folks step up when our children need us and many children we may not know need us now.

There are 428,000 children in foster care in the United States and more than half of them are children of color. Half of the children are African-American, most of them are boys and a quarter of the children are over age six. These are the children who are in foster care long-term.

In 2015, 670,000 children spent time in foster care and that number is growing. If we consider the number of black children available for adoption through private agencies, then It is clear that the agencies are teeming with black children that need good homes. Black and brown children are the least likely to be adopted and disproportionately age out of the foster care system. Thus, it is imperative that black people, who have a history of informal adoption practices, consider adopting children as an option.

As an adoptive parent from a family with a history of adoption on both sides, I often say if you have a lot of love, are financially and emotionally stable and have good sense, then adoption is for you.

When I was in the process of adopting, I heard terrible things from so-called friends, “You don’t know what you’re getting,” and “Adopted kids are messed up,” or “Adopted kids have a hard time bonding with their families.” My response was always, “The prisons are full of people who know their parents,” and “As an educator, many are messed up and it isn’t because they’re adopted,” or “Adopted children aren’t the only children who have a hard time bonding with their parents.”

This false idea that if you have biological children, then you won’t have any problems is not only ridiculous but disingenuous. Adopted children are children in need of unconditional love, guidance, commitment and stability and if you have it to give, then why not?

I can honestly say adopting my daughter was the best decision I have ever made. I consider it a privilege to be her mother and she has added so much value to my life, that I cannot imagine my life without her in it.

I look forward to helping to guide her, encouraging her to follow her dreams and helping her reach her goals while becoming a thoughtful, decent and productive human being. Who better than black folk with our history of informal adoption practices and remarkable resiliency in the face of continuous adversity, to give a black child a greater chance at a decent life?

Which leads me back to my original point. Adoption is a great option for black folk. It can be difficult and is unnecessarily complicated, but it is absolutely worth it.

This article was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

URBANWORLD FILM FESTIVAL ANNOUNCES 2023 AWARD WINNERS

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Ricardo Varona (Director, Homing), Anne Hu (Director, Lunchbox), Jorge G. Camarena (Director, Spaceship), Zainab Jah (Co-Director, Reunion), Karen McMullen (Festival Director, Urbanworld), Stacy Spikes (Founder, Urbanworld), Marvin Van Buren (Writer, Long Live AJ), Arthur Musah (Director, Brief Tender Light) and Kelly Creedon (Writer, Brief Tender Light) attend the Urbanworld Awards Brunch at Tribeca Grill on Saturday, November 5, 2023 (credit: Zavion Golightly for Urbanworld)

NEW YORK, NY (November 6, 2023) – The 27th Annual Urbanworld® Film Festival (www.urbanworld.org), along with prestige partner Warner Bros. Discovery and founding partner HBO, announced the 2023 award winners for the best narrative feature, documentary feature, documentary short, young creator, narrative short (U.S. and World Cinema), animated short, experimental, screenplay, as well as the New York Women in Film and Television awards for best female director, feature and short.

Urbanworld film festival logo.

The nation’s largest competitive multicultural film festival screened 73 official selections, 7 spotlight screenings, 3 spotlight conversations, and featured 5 Urbanworld Innovation sessions and 4 original screenplay finalists.

The 2023 Urbanworld Film Festival winners are:

BEST NARRATIVE FEATURE (U.S.)
Frybread Face and Me – Directed by Billy Luther

BEST NARRATIVE FEATURE (WORLD)
Sira – Directed by Apolline Traoré

Honorable Mention: Inky Pinky Ponky – Directed by Damon Fepulea’i and Ramon TeWake

BEST DOCUMENTARY FEATURE
Brief Tender Light – Directed by Arthur Musah
Presented by ESPN Films

BEST DOCUMENTARY SHORT
Slice – Directed by Zaire Love

Honorable MentionThings Long Left Unsaid – Directed by Antonia Thornton

BEST YOUNG CREATOR
The Old Young Crow – Directed by Liam LoPinto

Honorable MentionShallots and Garlic – Directed by Andrea Nirmala Widjajanto

Presented by The Walt Disney Studios

BEST NARRATIVE SHORT (U.S.)
Spaceship – Directed by Jorge G. Camarena

Honorable Mention
Jerome – Directed by Gianfranco Fernández-Ruiz
Death and Ramen – Directed by Tiger Ji

BEST NARRATIVE SHORT (WORLD)
Yellow – Directed by Elham Ehsas

BEST ANIMATION SHORT
Tomato Kitchen – Directory by Junyi Xiao

Honorable Mention
Lil Ruby – Directed by Bartek Kik

BEST EXPERIMENTAL FILM
Quiet As It’s Kept – Directed by Ja’Tovia M. Gary

BEST SCREENPLAY
Long Live AJ – Written by Marvin Van Buren

Honorable Mention
The Washroom – Written by Elie El Choufany and Omar Al Dakheel

URBANWORLD AUDIENCE AWARD BEST SHORT
Homing – Directed by Ricardo Varona

URBANWORLD AUDIENCE AWARD BEST FEATURE
Brief Tender Light – Directed by Arthur Musah

NYWIFT AWARD for BEST FEMALE DIRECTOR, US NARRATIVE FEATURE
Sira – Directed by Apolline Traoré

Presented by New York Women In Film & Television

NYWIFT AWARD for BEST FEMALE DIRECTOR, US NARRATIVE SHORT
Lunch Box – Directed by Anne Hu

Reunion – Directed by Zainab Jah

Presented by New York Women In Film & Television

For more information about Urbanworld or New York Women in Film & Television, click here.

This content was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

‘Stories from the Stage’ Podcast Kicks Off Featuring Breast Cancer Survivors

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Breast Cancer Awareness photo. (Google Photos)

The season premiere of the series, which features three storytellers performing for a live audience, includes three Black women breast cancer survivors and advocates on how the disease changed their lives.

October is Breast Cancer Awareness Month. Stories from the Stage: The Podcast, the companion to the WORLD-original series showcasing extraordinary stories told by ordinary people from all walks of life, premiered its fourth season Monday, October 2. The season premiere of the series, which features three storytellers performing for a live audience, includes three Black women breast cancer survivors and advocates on how the disease changed their lives. The podcast is hosted by Stories from the Stage co-creators Patricia Alvarado Núñez and Liz Cheng.

The first episode is Rebuilding after Cancer. After being diagnosed with metastatic breast cancer, 25-year United States Air Force veteran and St. Louis-area resident Sheila Marie Johnson is determined to continue her mother’s legacy while forging her own; New York City resident and comedy producer Suzette Simon uses her comedic talents to highlight how Black women are disproportionately affected by cancer; Atlanta resident, blogger and influencer Megsie Chase becomes an advocate after finding out that breast cancer will alter her dream of motherhood. Johnson, a 25-year United States Air Force veteran and author is the subject of a film coming out on BET+ on October 19 (God’s Grace: The Sheila Johnson Story). Their stories were a part of a WORLD partnership with Count Me In, a nonprofit initiative committed to advancing patient-partnered cancer research.

The season continues with new episodes tied to the weekly Stories from the Stage broadcast series — hosted by humorists and storytellers Theresa Okokon and Wes Hazard — now heading into its seventh season on Monday, October 16, at 9:30pm EST on WORLD, the WORLD YouTube Channelworldchannel.org and the PBS App. It includes four special episodes taped in Arizona and Nebraska. Flourishing in the Desert (October 16) and All Connected (November 20) are produced in collaboration with Arizona PBS, and On Sacred Ground (October 23) and Sacred Circle (November 13), featuring Indigenous tellers for Native American Heritage Month, are produced in collaboration with Nebraska Public Media and Vision Maker Media. 

Connection through identity is interwoven throughout Stories from the Stage. Audiences will find humor, poignant lessons and moments of triumph in episodes such as Finding Family (December 4), Bucket List (January 8), Quest (January 22), From the Heart (February 12), Extraordinary Women (March 4), Be the Change (March 18), Belonging (May 6) and Sound Check (May 13). New episodes will air weekly through June 2024 on WORLD and stream across WORLD digital platforms, including YouTube. Individual stories and exclusive digital content can also be viewed on Facebook, TwitterInstagramTikTok and on the WORLD YouTube Channel.

Available on worldchannel.orgApple PodcastsSpotify or wherever you listen to your favorite podcasts, Stories from the Stage: The Podcast brings deep dives, interviews and more, with highlights selected by series co-creators and podcast co-hosts Patricia Alvarado Núñez and Liz Cheng.

Select stories from Stories from the Stage broadcast Fridays on The World, a globally-focused radio program from PRX and GBH. 

This post was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

Black Theatre Day: September 17 Marks 3rd Annual Celebration

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Today is Black Theater Day.

Black Theatre Day is a global celebration designed to acknowledge the vitality and vibrancy of Black theatre institutions, in the United States and around the world.

On September 17th, the Black theatre field unites for the third annual Black Theatre Day, celebrating the enduring legacy of the African Grove Theatre (AGT) and contemporary Black Theatre institutions and organizations.

Black Theatre Day is an annual, international “Day of Service and Solidarity” where all are
encouraged to support and engage with Black theatres. Black Theatre Day, is a collective effort launched by The International Black Theatre Summit, which is led by Dr. Monica White Ndounou, Associate Professor of Theater at Dartmouth College and founding Executive Director of The CRAFT Institute, with additional support from WACO Theatre Center, Project1Voice, and Plowshares Theatre Company with regional planning committees that include Support Black Theatre, African-American Shakespeare Company, Birmingham Black Theatre Collective, the Hansberry Project, the Black Theatre Network, and St. Louis Black Rep. Cohorts and allies throughout the Black Theatre field include numerous participating organizations and supporters over the past two years.

The African Grove Theatre (AGT), a company of Black American and Afro-Caribbean artists, was founded in New York City 1821, by William Alexander Brown, a pioneering actor, playwright, producer, and free Black man, from the West Indies. The AGT’s inaugural
performance was William Shakespeare’s Richard III, which opened on September 17, 1821.
Though short-lived, the AGT left its mark on history as the first known professional Black theatre in the United States. It also cultivated the skills of Black acting legends James Hewlett and Ira Aldridge as well as produced the first, full-length Black-authored play written and performed in the United States; all important milestones for contemporary Black theatre.

Black Theatre Day is a global celebration designed to acknowledge the vitality and vibrancy of Black theatre institutions, in the United States and around the world. The rich legacy of Black theatre remains strong as its future is constantly at risk. The late playwright August Wilson once said “If you do not know, I will tell you: Black theatre in America is alive, it is vibrant, it is vital…it just isn’t funded.” Consistent and sustained support and engagement is imperative to keep Black theatre alive for generations to come.

Additionally, Black theatres have successfully launched and/or cultivated the careers of
countless creatives from various backgrounds in all aspects of the arts. This includes many of the world’s most celebrated and accomplished artists who got their start or worked at a Black theatre at some point in their careers. Those whose careers are connected in some way to Black theatres include Sidney Poitier, Ruby Dee, Ossie Davis, James Earl Jones, Denzel Washington, Angela Bassett, Chadwick Boseman, Samuel L. Jackson, Phylicia Rashad, Ruben Santiago-Hudson, LaTanya Richardson-Jackson, Giancarlo Esposito, Debbie Allen, Charles Fuller, Ntozake Shange, Leslie Odom, Jr., S. Epatha Merkerson, Wynn Thomas, Michael Schultz, and thousands of others.

Dr. Ndounou observes, “Black theatre’s brilliant legacies and bright futures are an outgrowth of the African Grove Theatre; stemming from the historical roots and contemporary branches of cultural traditions throughout the African diaspora. The complex and multi-faceted story of Black theatre, and the stories of Black life that Black theatres produce, are a true testament to the ingenuity, tenacity, and collective power of Black people and Black theatre institutions, even in the most dire circumstances.” She elaborates, “Currently, only seven Black theatres in the U.S. own their spaces, quite possibly fewer in places like the UK. There are close to 100 Black theaters across the US. Many of them survive on budgets of less than $3 million a year. Each has been made more vulnerable due to the devastation of the converging pandemics of COVID-19 and racial injustice. Still, Black theatre persists despite unique challenges; serving communities throughout the US, the Caribbean, Africa, and Europe. Black stories matter. Black theatres are worthy of support.”

Gary Anderson of Plowshares Theatre Company shares, “Black Theatre Day is a significant day in American and African American history. It marks the anniversary of the inaugural opening night for the African Grove Theatre in 1821. Every September 17th affords us the opportunity to pause and acknowledge the first known Black-led and centered theatre company in the United States. Before our ancestors were freely born citizens of this nation, they hungered for a safe space where they could be unfiltered, unedited, and resolute. This day celebrates the audacity of Black creatives who believe in the importance of telling Black stories and uplifting the experiences of Black people.”

“Black Theatre and Black Theatre Day were founded as acts of resistance, resilience, and
reclamation—Black joy. And in a time when our daily news feeds are inundated with images of trauma and microaggressions, Black joy and Black Theatre are vital now more than ever,” says Erich McMillan-McCall, Founder/CEO of Project1Voice and a member of the Black Theatre Day Planning Committee.

This year, Black Theatre Day will consist of a social media campaign along with Black theatre celebrations and activities throughout the country and around the world.

Donate money and/or other resources: $5 and/or 5 hours of service to Black theatres in your region and encourage 5 family members and friends to do the same in theirs!

To sign up, get involved, and access donation links and details about Black Theatre Day
celebrations in your area, visit: www.thecraftinstitute.org/black-theatre-day.

Happy Black Theatre Day!

This news brief was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

Sean ‘Diddy’ Combs Returns Publishing Rights to Bad Boy Artists

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Photo: 2014 South by Southwest Innovation discussion.

Sean “Diddy” Combs is finally showing the love to his Bad Boy artists in the form of returning publishing rights to his Bad Boy recording artists from the 1990s. Bad Boy was one of the most popular and lucrative record labels in the 1990s and 2000s. Artists like the Notorious B.I.G., Faith Evans, Lil’ Kim, 112, The Lox and Mase made music that helped propel the record label into Hip-Hop history. These acts have now been giving back control of their songwriting rights. Although Combs was previously offered millions of dollars for Bad Boy’s catalog, the music mogul declined the offers and instead is returning the rights to the artists. Combs’ decision coincides with the celebration of the 30th anniversary of the Hip-Hop soul label.

It is being reported by multiple news outlets most of the parties have been contacted by Combs and contracts are in place although some artists have not been located at this time.

Details of the deal remain undisclosed.

For more information on this story, visit Billboard.com.

This news brief was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

Morocco: Earthquake Death Toll Surpasses 2800 People

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Rescuers are frantically searching for survivors after an earthquake hit Morocco Friday (Sept. 9), killing thousands of people and leaving thousands missing or injured. Many news agencies are reporting the number of deaths has surpassed 2,800 people. The earthquake is the strongest earthquake to hit Morocco in more than a century. CNN reports the epicenter of the earthquake was near the country’s economic capital and tourist hub of Marrakech. Earthquakes are not uncommon in the region but an earthquake of this magnitude is unexpected.

CNN‘s and Rob Picheta report the following:

“The quake had a magnitude of 6.8, meaning it is classed as ‘strong.’ It also struck at a relatively shallow depth, making it more destructive. Morocco has suffered earthquakes in the past, but few in its history have been so powerful. This quake is Morocco’s deadliest since 1960, when an earthquake killed more than 12,000 people.

Earthquakes of this size in the region are uncommon, according to the US Geological Survey, but not unexpected. It noted that nine quakes with a magnitude of 5 or higher have hit the area since 1900, but none of them have had a magnitude higher than 6.”

This story is developing. For continuous coverage, please visit CNN.

This news brief was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

Libya: Thousands Feared Dead Following Massive Flooding

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Photo: Google

Reuters Africa is reporting 2000 people are dead following massive flooding in Eastern Libya. Authorities also said thousands more may be missing. According to Reuters Africa:

“Ahmed Mismari, the spokesperson for the Libyan National Army (LNA) that controls eastern Libya, said in a televised news conference that the disaster came after dams above Derna had collapsed, ‘sweeping whole neighborhoods with their residents into the sea’.”

Mismari said the number missing is between 5,000 and 6,000 people.

This story is developing.

Read the story in entirety at Reuters Africa.

This news brief was curated by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

‘The Shop’ UNINTERRUPTED Live Tour Hits Atlanta

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The Shop in Atlanta (l. to r. Hosts Paul Rivera and Maverick Carter, Monica, Lou Williams and Quavo) Photo by: Daryl Killian

Music royals Monica, Quavo and retired NBA star Lou Williams share the stage with hosts Maverick Carter and Paul Rivera For Live Taping and Block Party at WXLLXM in Atlanta (West End).

The Shop, the marquee franchise from The SpringHill Company in partnership with Lexus as its exclusive sponsor launched “The Shop UNINTERRUPTED Live Tour” and opened the doors of The Shop to local communities in New York City, Washington, D.C. and Atlanta. The two iconic brands first came together to bring an immersive experience to the New York community in Brooklyn followed by Washington, DC and Atlanta.

“At The Shop, community has always been at the heart of everything we do, and with The Shop UNINTERRUPTED Live Tour we get to bring the magic of the franchise directly to the people,” said Paul Rivera, Co-Creator of The Shop and Chief Brand Officer at The SpringHill Company

The Atlanta stop of The Shop featured Black music royalty Monica and Quavo and retired NBA star Lou Williams, who discussed a variety of topics including Atlanta’s treatment in the music industry, overcoming adversity in work and life and upcoming projects.

Photo (l. to r. Host Maverick Carter, Quavo, Monica, Lou Williams and Host Paul Rivera). Photo by Daryl Killian

“We are ground builders and ground breakers. They used to say we have to go to New York to succeed. We created a space for Atlanta,” offered Monica. “People like and copy what we do but don’t give us credit. We always rep ourselves to the fullest. We don’t try to be someone else. I have no problem saying a woman in Newark, NJ [Whitney Houston] was my biggest influence, so I don’t understand why artists won’t do the same for Atlanta artists,” the Grammy award-winner added.

Quavo of the iconic rap group The Migos, echoed Monica’s sentiments. “When we came with flow, it just took the world by storm. This [Atlanta] is the underground G.O.A.T.,” said Quavo. The rapper talked about not receiving “love” from Atlanta because they were from the Northside (Gwinnett County) and seen as outsiders. “Our whole formula was to take over our town and the world would follow,” he added. Clearly, their strategy worked with the success and influence the group has in the industry.

Monica talked about Whitney Houston as an influence and Lou Williams chimed in about Allen Iverson. “Not only was A.I. a teammate, he was my idol,” says the celebrated sixth man. “He embraced me. He never looked at me as competition but he treated me like a little brother,” Williams added.

Williams and Monica discussed the importance of being “authentic.” What sustains me and keeps me connected is the authenticity. I’m going to always be me.” Williams echoed that sentiment and discussed embracing his role on his team as the sixth man despite having aspirations of being a superstar player. “In my 5th or 6th year in the league, we (Philadelphia 76ers) were in a position where someone from our team could go to the All-Star game and it should have been me. I was the leading scorer coming off the bench as the 6th man. Instead the coach chose to promote someone else,” he added. Instead of giving up, Williams “completely embraced the idea of being the sixth man coming off the bench and made it mine.”

Monica, Quavo and Williams discussed the importance of family. “Right now you’re looking at me in the eye of the storm,” said Quavo. “Right now, I’m taking my problems, putting them on the board and seeing what I can do to get through on this journey.”

When Carter asked about balancing family and work, Monica stated, “There’s no balance. It’s family first and only God before that.” “I may not get all of the deals or be at every awards show, but I will be in my kids’ life,” she offered. Williams, who talked about his love of spending time with his children and discussed attending his daughter’s volleyball games added,”I decided I wanted to be in my kids’ lives so I made them the priority.”

The audience at The Shop in Atlanta. Photo by: Nsenga Burton

In addition to the celebrity conversation with Maverick Carter and Paul Rivera, attendees were able to support local Black owned-businesses (artists, vendors, food trucks) and of course witnessed the latest offerings from Lexus including the 2023 Lexus LC 500 and Lexus GX 460. The Shop was followed by a Block Party.

This article was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.

“Napa Ever After” Premieres Saturday and Makes History

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“Napa Ever After,” a Mahogany presentation that is a part of Hallmark Channel’s  “Annual Summer Nights” program premieres Saturday, August 26th (8 p.m. EST/5 p.m. PT). The heartwarming movie stars Denise Boutté (For the Love of Ruth, Why Did I Get Married, “The Young and Restless”) and Colin Lawrence (“Riverdale” and “Watchman”) as a young Black couple who finds love while restoring a family vineyard and winery in Napa Valley.

“Napa Ever After” is historic for Hallmark because it’s the first Mahogany movie to premiere on the main Hallmark Channel. Toni Judkins, Sr. Vice President of Programming and Development, who joined the network from TVOne, was looking for someone to write a film that takes place in a vineyard. Wendy Eley Jackson (Maynard, The Invitation), who is CEO and Chair of Auburn Avenue Films and is best known as Executive Producer of award-winning documentaries like Maynard, took the challenge and penned the romance with co-writer Nina Weinman.

“The amazing Toni Judkins was looking for someone to write a story about love in the vineyard. I’m a writer and live near a vineyard so Toni tapped me to write the story” says Jackson, who has an MFA in Screenwriting from the University of Georgia.

After inheriting her estranged grandmother’s vineyard in Napa Valley, Cassandra (Boutté), a very single high-powered attorney, takes a sabbatical from her job to renovate the property that was the source of the fractures within her family. Once an award-winning winery and destination wedding venue, Eloi Vineyards is in disrepair and on the brink of bankruptcy. With the help of Alec (Lawrence), a handsome local widower, Cassandra sets out to reclaim her family legacy by reviving the vineyard in time for her dear friend Lena (Tiffany Yvonne Cox, “Reasonable Doubt”) to have the first wedding there in years. Through the process, Cassandra discovers more about her family and opens her heart to a new love.

“Love comes in all shades but this love is to show everyone that Black love is beautiful,” adds Jackson.

“Napa Ever After,” premieres Saturday, August 26 (8 p.m. ET/5PT), on Hallmark Channel. Check local listings for channel information.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG. 

Michael Oher: NFL Player Blindsided by ‘Adoptive Family’

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The Tuoys family and Michael Oher who alleges they never adopted him. (Photo: Google Images)

Michael Oher, the subject of the Academy award-winning 2009 film, The Blind Side, is alleging in a Tennessee court that he was never legally adopted by Sean and Leigh Anne Tuohy, but was coerced into signing a conservatorship document when he was a teenager, which gave them the power to make deals in his name to the tune of millions of dollars.

According to ESPN’s Michael Fletcher, instead of adopting him, less than three months after Oher turned 18 in 2004, the petition says, the couple tricked him into signing a document making them his conservators, which gave them legal authority to make business deals in his name including the 2009 film starring Sandra Bullock, who won a Best Actress Academy Award for the role. Oher alleges, the Tuoys enriched themselves and their two biological children from the film and did not compensate him at all. The film grossed over $300 million at the box office.

According to Oher, the Tuoys have continued to perpetuate this adoption lie using it to make money for themselves, their foundation and paid motivational speaking engagements.

This story is developing.

This post was written by Nsenga K. Burton, Ph.D., founder & editor-in-chief of The Burton Wire. Follow Nsenga on social media @Ntellectual.

Follow the Burton Wire @TheBurtonWireNews or @TheBurtonWire on IG.